With the film adaptation of The Last of Us — in my opinion the greatest video game of all time — looking less and less likely by the day, I decided to check out the movie people are calling the next best thing: The Girl with All the Gifts (well, at least until Logan comes out later this year).
Yes, it’s a low budget British film, but I was still surprised how little buzz the film received, especially considering that it stars two very recognisable names in Gemma Arterton and Glenn Close. And it’s a post-apocalyptic zombie movie too, and the genre is super popular these days.
Whatever the reason, the world is missing out on a great zombie movie, one that would have easily been the best of the year but for the awesome Train to Busan. The Girl with All the Gifts is intriguing, thought-provoking, tense, dramatic, and above all, pretty darn horrific. It’s an excellent standalone film that ticks all the boxes, including being based on a celebrated genre book (by MR Carey).
I don’t want to give away too much, as part of the pleasure of this movie is gradually discovering the world in which it is set. But basically, the film starts off in a future in which a bunch of kids are kept in cells as prisoners and rolled out in wheelchairs every day to undergo lessons given by a teacher named Helen (Gemma Arterton). There is one young girl, played by the phenomenal newcomer Sennia Nanua, who appears to be particularly intelligent and makes a connection with Helen, much to the displeasure of a military sergeant (Paddy Considine). Meanwhile, Glenn Close is hanging around as a mysterious authority figure.
The trailers and other synopses give away a lot more than that, but I would advise trying to stay away from such spoilers and finding them out for yourself throughout the movie. I love that sense of not knowing what’s going on and having to figure it out from the hints that the film drops. Having said that, I have noted that the film has been hailed as “similar” to The Last of Us, so you can probably connect the dots, though I will also say that there are sufficient differences in both premise, plot and characters to give audiences a fresh experience.
The biggest strength of The Girl with All the Gifts is the girl, Sennia Nanua, who just steals every scene she is in with this blend of innocence, curiosity and fear. It’s a remarkably self-assured performance that carries the film from start to finish, and really helps audiences empathise with her character and care about her fate. As with most zombie movies, it’s the characters that make all the difference. You know the kind of quality you’re getting with veteran actors like Arterton and Close, so I was pleasantly surprised by how Nanua dominated the film with her presence.
The zombies in the film are fantastic and look, as far as I can tell, like they are played by real people in most of the scenes as opposed to CGI. They’re genuinely freaky, and director Colm McCarthy does a great job of utilising their characteristics to build suspense and deliver thrills. The set designs and visuals of the landscapes do remind me a lot of The Last of Us, so I do wonder if McCarthy has played the game and/or is a fan of it.
The main negatives about the film are some of the rules regarding how the zombies operate, which don’t appear to be consistent or logical all the time. There are also parts of the movie, particular in the beginning, that have that ugly greyish tone a lot of British movies have (and signifies boring), which is the main reason why it took me a little while to fully get into it.
In all, The Girl with All the Gifts still gets a big two thumbs up from me. Intelligent, scary, provocative and heartfelt, it’s everything I want from a Last of Us adaptation if they ever get around to it.
4 stars out of 5