Tag Archives: Walking Dead

The Boy (2016)

the boy

There have been some surprisingly good horror movies in recent years amid the usual garbage, and at no time did I think The Boy would fall in the former category. Those lowered expectations also resulted in the movie not falling in the latter either. It’s basically an intriguing idea with some effective moments, but also a film that constantly struggles to stay afloat due to its ridiculousness.

Like other female stars from successful TV shows (eg, Rose Leslie, Natalie Mortimer, Sarah Wayne Callies), The Walking Dead‘s Lauren Cohan finally gets her own horror vehicle as Greta, an American woman who heads all the way to England for a nanny gig so she can grab some cash and escape her past. Naturally, the job takes her to a massive old-fashioned mansion in a remote area, complete with creepy decor and paintings, and an elderly couple who are paying her handsomely to look after their young son, Brahms, so they can go on vacation. You already know this, of course, but Brahms is a creepy-ass looking doll made to look like a creepy-ass boy.

If you’ve seen any horror movie in your life, you’ll have a basic idea of what happens from here. Weird shit starts to happen and Greta starts questioning whether Brahms is really just a doll. At the same time we slowly get fed answers about why an old couple treats a doll like their son and what Greta is running from back home.

That said, there certainly are twists and turns to be enjoyed in The Boy, including those you might not necessarily expect and not when you might expect them. Director William Brent Bell, who previously gave us The Devil Inside, is a pretty skillful director who knows a thing or two about building a sense of dread, not showing audiences too much too soon, and using misdirection to throw audiences off track. To Bell’s credit, he doesn’t rely too much on cheap “boo” tactics, and as a result The Boy has the feel of a classier horror in the vein of something like The Conjuring, though I’m not suggesting that it is anywhere near as good.

The problem with The Boy, as you might expect, is keeping the tone serious enough despite the silly premise. There were times that I found myself chuckling at the situations, and I suspect Bell knew this was unavoidable. Watching this in a nearly empty cinema certainly helped the atmosphere, and I wonder if I would have had a different take had I watched the film at home on DVD.

Apart from a premise that constantly reminds you of how difficult it is to swallow, The Boy also has its fair share of nonsensical horror movie plot holes, inconsistencies and contrivances. It’s probably no worse than most horror movies these days, though for me they were noticeable enough to be a little irritating.

Kudos to Cohan for doing her best to keep a straight face. It’s not easy to make carrying a doll around scary,  but she certainly does the best she can with all the heavy breathing, screaming and nervous eye movements.

On the whole, The Boy is a passable attempt at creating scares out of a daft concept. Those who can’t take the premise seriously will hate it, but those who can should find it to be an above average horror experience. Personally, I liked what it was trying to achieve and its efforts to achieve it. As far as creepy doll movies go, it’s superior to 2014’s Conjuring prequel Annabelle.

3 stars out of 5

Straight Outta Compton (2015)

Straight_Outta_Compton_poster

You know you’re not the target market for this movie when your idea of rap is Vanilla Ice. I knew nothing about the Californian hip hop group NWA or their debut album, Straight Outta Compton, from which the film borrows its title. I knew vaguely about Dr Dre (primarily through Eminem) and I thought Ice Cube was mostly known for being the porky fella in crap movies like XXX: State of the Union and Ride Along.

And so it surprises me to say that I absolutely loved Straight Outta Compton.  I think it’s one of the most fascinating and gripping dramas I’ve seen all year.

For those as ignorant as me, the film tells the remarkable true story of a bunch of poor black kids from Compton, California who rise to become one of the first and certainly most influential gangsta rap groups of the late-80s to the mid-90s. Since it’s produced by Ice Cube and Dr Dre, the film largely focuses on the two of them (played by Ice Cube’s real-life son, O’Shea Jackson Jr and The Walking Dead‘s Corey Hawkins) along with the popular Eazy-E (Jason Mitchell), while other members such as DJ Yella and MC Ren are largely left in the background and Arabian Prince is controversially ignored nearly altogether.

Other key characters include their Jewish manager, Jerry Heller (played by Paul Giamatti), and Dr Dre’s Death Row Records co-founder Suge Knight (R Marcos Taylor), who has incidentally been charged with murder and attempted murder following an altercation with two men on the set of the film earlier this year. You’ll also see young versions of Snoop Dogg  (Keith Stanfield), Tupac (Marcc Rose), Warren G  (Sheldon A Smith), and so forth, which for some fans will be pretty cool.

As expected, race plays a central theme in the film, and it’s mostly controlled with a strong but delicate hand that neither understates nor overstates its importance. Those who know NWA will be familiar with their controversial songs and lyrics and the way they reflected black attitudes and shaped black culture at the time. Real-life events such as the Rodney King beating are also prominently featured to give a gritty sense of time and place.

However, the heart of the film — and what makes it so compelling — is ultimately the relationships between the members of the group (and to a lesser extent their relationship with Heller). It’s depicted as a genuine brotherhood, albeit one that grows full of conflict as they each deal with their ascensions to stardom in different ways. Kudos to director F Gary Gray (The Negotiator, The Italian Job remake) and actors for making the characters really stand out, having their own unique personalities but also that common thread of the sobering reality of being a young black man in the United States.

I must admit — with the risk of coming off as a complete racist — that at the beginning of the movie I was having trouble telling characters apart because they were all wearing the same black caps and speaking the same way, though it didn’t take long for their individual traits to shine through. That’s the sign of good filmmaking.

With no prior knowledge of their history or story, I was captivated by their journey, as well as the underlying political strife and the murky dynamics of record companies. Many of the issues tackled in the film — such as police profiling and brutality, freedom of speech vs inciting unrest, and the dark side of the music industry — remain pertinent today.

Now, I took their story, as depicted in the film, with a grain of salt. Any time you have a biographical film, especially with stars producing a film about their younger selves — you’re probably getting a highly glamourised version of the tale with the uglier truths glossed over. I knew that was probably the case here, even before I read about the complaints on how certain characters’ roles with diminished, how some people were unhappy with the way they were portrayed (Heller is suing), and the inevitable accusations of misogyny.

While I have no doubt that most of these criticisms have elements of truth, I think the filmmakers still did a great job given the circumstances. There is only so much you can cram into a 147-minute movie with so many characters over so many years. Taking into account that two of the producers are actually in the film, and that liberties have to be taken to make the story more exciting and cinematic, Straight Outta Compton turned out to be much more even-handed than I was expecting. Dr Dre’s Image was probably cleaned up a little bit more, though it’s good to see Ice Cube not having a problem with seeing himself doing some things that perhaps don’t reflect on him too well (and getting his son to reenact them!).

In all, Straight Outta Compton is a fabulously fascinating biopic, full of energy and drama but without the cheesiness and the cliched atmosphere this type of film would have been plagued with in lesser hands. Apart from a cast of actors who resemble their real-life counterparts, it’s powered by strong, memorable performances that never feels short of chemistry between them. I wouldn’t go as far as to say I am now a fan of NWA or their music, but I definitely have no problem saying that I am a big fan of the movie. It’s perhaps not as powerful as some, though it certainly is one of the most watchable and entertaining biopics I’ve seen in years.

4.5 stars out of 5

DVD Review: Frozen (2010)

I don’t usually expect much from smallish, straight-to-DVD horror films.  Frozen, a low budget ‘nature horror’ written and directed by Adam Green is essentially (with the exception of a couple of countries) one such film.  Perhaps it’s the low expectations, or perhaps it’s the unique premise and brilliant execution of tension and fear — whatever the reason, Frozen ranks right up there as one of the best horror flicks of 2010.

Frozen is unlike any horror movie I’ve ever seen.  Featuring Emma Bell (had no idea who she was until I watched The Walking Dead), Shawn Ashmore (Iceman from X-Men) and Kevin Zegers (Damien from Gossip Girl), Frozen has no supernatural monsters, no ghosts, no psychopathic killers.  It’s about three friends who take a trip to the snow and somehow end up in a terrifying predicament.  After a short set up, the majority of the film deals with how the they fight for survival, the difficult decisions they must make, and the grotesque consequences they will face.  I really don’t want to give away much more than that (the poster probably gives away more than it should), but I don’t find it surprising that there were reports of faintings during limited screenings across North America.

At a trim 94 minutes, Frozen is raw, intense, visceral, and frankly, terrifying.  Green does a great job of getting everything he can out of his script and his actors, none of which are first class.  It’s basically a well-executed concept with a “this could happen to me” edge to it.  Sure it could have been better, but given what must have been a miniscule budget, Frozen is a surprisingly satisfying little horror film that I fully recommend to those looking for a scare.

4 out of 5 stars!