Tag Archives: Thor

Movie Review: Avengers: Age of Ultron (2015)

International-Avengers-Age-of-Ultron-Poster

The Avengers was an ambitious experiment that surprisingly succeeded despite the naysayers and the weight of expectations. The idea that you could create an ensemble superhero feature by taking a bunch of characters with their own franchises was risky, but thanks to the genius of Joss Whedon it turned out to be one of best superhero films of all time.

And so I was excited about the inevitable sequel, Avengers: Age of Ultron, but I was also wary of unreasonable expectations. After all, what else could they do to improve on what was essentially a near-perfect formula?

As it turns out, not a whole lot. Joss Whedon tried a few new things and did all he could lift the bar again on the coolness and wow factors, though when you boil it down, Avengers 2 is basically the same movie as its predecessor. For a lot of people, that’s good enough.

You have the same superstar cast with a few notable new additions, some fresh faces and some familiar faces from existing franchises (I won’t spoil it, but suffice it to say there were will be surprises unless you’ve been following the production closely). You have eye-popping special effects that turn the screen into a beautiful and coordinated mess of flying bodies, projectiles and explosions. You have an intelligent villain who controls an army of fairly useless robots and appears to have a bunch of mysterious schemes, but all he really wants to do is what all supervillains want to do: destroy Earth. And of course tensions will flare between our heroes and all will seem bleak, but in the end they realise — yet again — that unity is their greatest strength.

Running alongside this proven formula is all the stuff the comic book geeks want. Most of it will likely go right over he heads of regular viewers, but from what I understand there were plenty of well-placed leads into other characters and comics in the Marvel universe that set up the future direction of the franchise as a whole (you can read up on all that in your spare time if you can be bothered).

Despite not doing a whole lot different, Avengers 2 is still an entertaining blast fans of the first film will no doubt enjoy. Whedon finds creative ways to pit different members of the Avengers against each other and show off cool new powers and gadgets, while also giving existing characters opportunities to develop and evolve. Much of it is fairly shallow but I suppose it’s better than not trying at all.

The action itself is also varied and clever so that it’s not just a rehash or imitation of what has been done before. As usual, it’s all heavily reliant on CGI, though it’s done seamlessly enough that it allows you to be immersed in the action. I wouldn’t go as far as to say it’s an upgrade from the original, but it’s at least different enough so you realise you’re not watching the same film.

The cast is of course spectacular, with Scarlett Johansson’s Black Widow and Jeremy Renner’s Hawkeye (also known as the shittier members of the Avengers) getting upgraded roles to get equal screen time — at least — with the main leads of Robert Downey Jr, Chris Hemsworth, Mark Ruffalo and Chris Evans. Of the four, it felt like only Chris Evans did not display noticeable signs of character fatigue. Downey Jr, in particular, simply looks like he’s fed up with playing the same character over and over, and he’s pretty much said as much interviews about the future of Iron Man.

The two new characters introduced are Soviet twins the Scarlet Witch (Elizabeth Olsen) and Quicksilver (Aaron Taylor Johnson) — who coincidentally played wife and husband in Godzilla last year. The former has mind control powers and what appears to be a similar power to The Force, while the latter has the ability to move extremely fast. Both were kind of disappointing, to be honest, partly because of the strained Russian accents and partly because they don’t get much time to develop, especially Quicksilver, who pales in comparison to the version of the character in X-Men: Days of Future Past played by Evan Peters.

The titular villain, Ultron, voiced by James Spader, received a lot of attention throughout the production but ultimately wasn’t as impressive as I thought he would be. He’s formidable and intelligent, much like Loki was in The Avengers, but he didn’t add as much to the table as I had wanted. Spader’s voice is great, but never did I feel like he was truly capable of defeating the Avengers.

On the whole, Avengers: Age of Ultron isn’t as fun as The Avengers, but Joss Whedon fuels it with just enough enthusiasm and excitement for me to rate the experience as on par with its predecessor. As a piece of popcorn entertainment there’s not much I can complain about. He took the “why fix it if it ain’t broke” approach, upped the ante on the action and special effects, took the characters to the next level in their natural progressions, added some faces he knew fans would like to see, created new branches for future storylines, and even threw in a few nice little surprises.  It is of course not as fresh as the original, and it’s also not as funny, though all things considered the film takes the Avengers formula about as far as it can go. From here, it’s clear that Marvel has even bigger things planned for the future, and while the Avengers could very well return in future films, their presence and involvement will have to be very different to what it has been.

4 stars out of 5

PS: There’s a short mid-credits scene this time, but don’t bother sticking around until the end because there’s nothing there.

Movie Review: The Avengers (2D) (2012)

Joss Whedon, you glorious bastard. You really did it. Despite near-impossible odds, you somehow managed to make The Avengers work.

Captain America (Chris Evans), Iron Man (Robert Downey Jr), Thor (Chris Hemsworth) and the Hulk (Mark Ruffalo), the Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner), led by SHIELD agent Nick Fury (Samuel L Jackson) — a cast of characters that will make any fanboy violently spray their pants. It was never in doubt that the idea of putting together this Marvel-lous ensemble, inside and and outside the movie, is ambitious, delicious and simply awesome — but the question was always how on earth the poor screenwriter and/or director were going to pull it off.

The answer? Enter Joss Whedon, the genius behind the TV’s Buffy and Firefly.

Back in September 2010, I attended a chat session with Whedon at the Sydney Opera House, where he talked about a number of his popular projects, including The Avengers, the script for which he was working on at the time. Joss admitted it was bigger than anything he had ever done before and called it an exciting challenge, but said that at the end of the day it was just telling another story.

I remember being sceptical, thinking that there must be an infinite amount of ways this film would suck donkey scrotums. It’s hard enough making a film about one superhero — but to have four? And that doesn’t even include all the minor characters and the supervillain(s). How would he able to balance all of them, give each one enough screen time and development, while at the same time progress the storyline and fill it with spectacular action that is enhanced by, but not overshadowed by, the special effects? And how was he going to massage all the egos of the actors involved? Just the thought of it made my head spin.

And yet, Joss Whedon worked his magic and made The Avengers (arguably) the greatest superhero movie of all-time. Every one of the four main superheroes not only got their own time to shine, they meshed together wonderfully and became greater than the sum of the parts. The action was brilliant, thrilling and plenty, the plot was engaging and the humour was classic Joss Whedon — extremely dry and self-deprecating.

Speaking of plot, I realised I haven’t even mentioned it yet. But does it matter? All you need to know is that there is a common enemy, Thor’s brother Loki (Tim Hiddleston), and Nick Fury has no choice but to activate the Avengers initiative and bring these heroes together to save the world. It helps if you’ve seen the other films in the franchise and know what the little blue cube is, but if you haven’t it barely makes a difference.

Of course, it’s not easy bringing this volatile bunch together. As Whedon said it himself, if everyone was on the same page right from the beginning the film would be over in 15 minutes. So yeah, expect some tense moments at the start as each character is introduced and as they find time gel as a team — but when they finally come together as one, as you knew they would, it’s a goosebump-inducing sight.

Kudos to Whedon for creating characters that balance each other out and eliciting great performances from the entire cast. Robert Downey Jr, as the biggest name of the lot, steals the show a little bit as Iron Man because of his addictive personality but doesn’t dominate the proceedings. Chris Evans’ Captain America is, as you would expect, a straight shooting, no nonsense leader. The other Chris, Aussie beefcake Chris Hemsworth, took a while to make it to earth but his presence is key because of his history with the supervillain — plus he’s arguably the most powerful. And last, but not least, Mark Ruffalo as the Hulk, my personal favourite — surprising because he wasn’t even supposed to be in it.

Ruffalo replaced Edward Norton, who fell out of the film early on, apparently because he was either asking for too much creative control or because he wanted too much money, or both. I’m glad it happened because Ruffalo’s a perfect fit for the role, a better Bruce Banner than both Norton and Eric Bana (from the earlier Ang Lee version).

You might wonder, with these four, why even bother with Johansson’s Black Widow and Renner’s Hawkeye? While they may be two ordinary humans with extraordinary skills, let’s face it, they’re not real superheroes. Nonetheless, Whedon gives both a special purpose and makes them indispensable members of the Avengers. Johansson, in particular, continues Whedon’s tradition of strong female characters — a far cry from her appearance in Iron Man 2 where she was little more than forgettable eye candy.

Speaking of strong female characters, Maria Hill, a SHIELD agent played by Cobie Smulders (from How I Met Your Mother), also has a surprisingly important role. And Gwyneth Paltrow makes a return appearance as Pepper Potts, which I also did not expect as none of the other love interests from the other franchises are in it (save for a photo of Natalie Portman).

Other returnees include Clark Gregg as Agent Coulson, who gets a little more personality this time, as well as Stellan Skarsgard as the scientist from Thor. Considering how many characters there are it’s quite amazing that Whedon managed to get so much out of these two.

Another returnee, Hiddleston’s Loki, was an apt choice for the villain. In the beginning I thought it was a bad idea because Hiddleston wasn’t very villainous in Thor, but he worked out well here because he was an enemy that relied on his brain as opposed to his brawn.

It’s almost not worth mentioning for blockbuster movies these days but the special effects were amazing. The Hulk, in particular, was the best he has ever been — said to be due to the performance capture technology used in Rise of the Planet of the Apes and Tin Tin.

Having said all of this, I do have a couple of nitpicks with the film. The first is that some of the action sequences, especially the hand-t0-hand battles earlier on, could have been slightly clearer by using less quick cuts.

The second is Loki’s alien army. Having put so much effort into the heroes, it just felt like this enemy was kinda lame. They looked menacing enough, but I kept hoping they’d pose a greater threat, a threat based on their abilities and cunning as opposed to their sheer numbers. I guess that leads into my next nitpick — that despite all the turmoil I never got the sense that any of the Avengers were in serious danger.

Lastly, while I love Whedon’s wry humour — lots of laugh out loud moments in this film — there were a couple of occasions where a tiny bit more subtlety should have prevailed, in that the punchline was already achieved but its effectiveness was diminished because it decided to go a little further or add an extra line that wasn’t necessary.

But these are all minor complaints. In the grand scheme of things, The Avengers is everything fans could have hoped for an more, a remarkable achievement considering the impossible expectations heaped onto it since the project was first announced in 2008.

I already can’t wait for the sequel.

4.5 stars out of 5!

(I don’t care for 3D, but I’d be interested to hear what people thought of it.)

Movie Review: Thor (2011)

Thor was one of those movies that had me intrigued as soon as it was announced.  Of all the superhero premises, this one had ‘disaster’ written all over it more than any other.  A magical hammer, the God of Thunder, guys dressed in shiny armour fighting blue giants that can turn things into ice.  Not exactly the type of material that you’d think would make a good, (at least) semi-serious film set partially on present-day Earth.

But then enter director Kenneth Branagh (you know, the guy that does all the Shakespeare stuff), throw in Aussie Chris Hemsworth (probably best known by non-Aussies as Kirk’s dad in the Star Trek reboot), Academy Award winners Natalie Portman and Anthony Hopkins, and all of a sudden the film starts having potential.  Could they make this farcical premise work?

Well, yeah, they did.  About as well as I could have imagined.

Thor, like the other successful Marvel adaptations (especially the first Iron Man), is great fun, a rollicking good time.  It’s visually spectacular, with tremendous action, a likable protagonist and occasional laughs that hit the right spot.

Chris Hemsworth really buffed up for this role and does a solid job as the charming titular character, ensuring certain stardom for years to come.  Natalie Portman’s role is largely limited to ‘intelligent love interest’, but she’s always nice to look at and have around.  And when you have the likes of Anthony Hopkins, Stellan Skarsgard and Rene Russo in supporting roles, you know things can’t be too bad.

Considering how badly things could have turned out, Thor was almost a minor miracle.  While it is certainly not perfect, I found myself taking all the ‘other worldly stuff’ seriously enough to be laughing along with the movie as opposed to laughing at it.  It was slightly uneven at times, given the contrast between Thor’s supernatural world of Asgard (reminded me of a futuristic Clash of the Titans-type place) and some ordinary small town in New Mexico, but for the most part it worked.

On the other hand, while Branagh is no doubt very capable in creating drama, I did find some of the fight scenes a little lacking.  Interestingly, it was the scenes that featured only actors and no special effects that worked best — the action scenes that relied heavily on CGI, probably because of the way they were shot (too many cuts), didn’t quite pack the same punch.

That said, I was impressed with how Branagh allowed Thor to be a part of the Marvel universe (in light of the upcoming The Avengers film) while giving the film its own voice and style.  Pulling off a film like this where the supernatural and science co-exist peacefully was no mean feat.  This was a terrific introduction to a character that I’ll be happy to see again when The Avengers is finally released in May 2012.

3.5 stars out of 5

PS: I saw this film in 2D, but it was bloody hard to find a cinema and a session that did not screen the film in 3D only.  Ridiculous.  Spare a thought for the people who don’t want to waste their money on 3D!

PPS: Look out for Jeremy Renner in an extended cameo.  I was surprised to see him but after some research it looks like he’ll be a key figure in The Avengers film.

PPPS: Make sure you stay until after the credits — there is a scene with Samuel L Jackson at the end which could potentially be relevant for The Avengers or a Thor sequel.

Movie Review: Iron Man 2 (2010)

It was always going to be an uphill battle for director Jon Favreau in creating a sequel to Iron Man that lives up to the original, one of the best superhero films of all-time (along with The Dark Knight, depending on personal preferences).  Despite a valiant effort, as expected, Iron Man 2 falls short of its predecessor, but that doesn’t mean it isn’t still a fun, thrilling superhero action film.

Iron Man 2 begins where the first one ended, when weapons genius Tony Stark (Robert Downey Jr) reveals to the world that he is indeed Iron Man.  To be honest, there’s not a whole lot in terms of plot.  Most of the film is about the brilliant and cocky Stark as he struggles to deal with being a superhero and facing his own mortality.  Meanwhile, he has the US government pressuring him to give up his invention, a couple of new villains on his back, and dealing with a range of difficult personal relationships all at the same time.

The cast is again brilliant.  Apart from the sensational Robert Downey Jr as Stark/Iron Man, there is a brand new Russian villain, Whiplash (Mickey Rourke), a new competitor by the name of Justin Hammer (Sam Rockwell), and a sexy and mysterious new assistant Natalie Rushman (Scarlett Johansson).  Characters returning from the original include secretary Pepper Potts (Gwyneth Paltrow), supportive friend Happy Hogan (John Favreau), and army buddy Lt Colonel James Rhodes (played this time by Don Cheadle, replacing Terrence Howard).  Samuel L Jackson, who appeared in a cameo after the end credits in the original, has a slightly bigger role this time as Nick Fury of SHIELD.

Robert Downey Jr shows once again why he is getting all the biggest and best roles in Hollywood.  He is totally believable as a genius, a narcissistic prick and a superhero, sometimes all at once.  For me, Sam Rockwell absolutely steals the show as jealous rival Justin Hammer.  He is equal parts pathetic and dangerous, but always hilarious.  Mickey Rourke is also very good as Whiplash, his performance giving the character a dimension not achievable from a lessor actor.  Scarlett Johansson felt somewhat underused, though she did get to strut her stuff for a brief moment.  If there is a weak link, it’s Don Cheadle, whose straight-faced performance doesn’t live up to the deadpanning foundations laid down by Terrence Howard.

As for the action, most of Iron Man 2 felt more subdued than what I remembered from the original.  That is, of course, until the final battle, which is insanely exhilarating.  There’s more machines, more weapons and more explosions than the first film, but because it lacks that unexpected freshness and attitude, Iron Man 2 has less of a “wow” factor.  And for some reason, I felt there were a few moments where the film sagged a little.  A stronger script with less subplots and fewer characters may have served the film better, but these are relatively minor complaints.

The first Iron Man film blew me away because it was so different and fun.  Being a sequel, Iron Man 2 started from a disadvantaged position because it is stuck with the parameters it has set for itself and consequently has become so much harder to surprise.  That said, it’s still a solid film which is a lot of fun and about as well as you could have expected under the circumstances.

3.75 stars out of 5!

[PS: If you want to stay till after the credits there is a short scene which introduces us to Thor’s hammer, which I believe is for a different franchise.  It’s a long wait and a short scene that doesn’t show much, so only stay if you really want to see it.]