I remember in 2014, I went into this Keanu Reeves movie that seemed to pop up out of nowhere. There was very little advertising and not even an announcement or trailer until just a month or two before it was released. It was called John Wick.
No one expected John Wick is tear it up at the box office, earning nearly US$90m worldwide on a US$20 million budget, and transforming Keanu into the best middle-aged action superstar since Liam Neeson in Taken. And for once, John Wick did not feel like just yet another movie trying to mimic Taken — it had its own story hook and visual style, inventive action sequences, and created its own mythology with the “Continental”, essentially an assassin hotel.
In all honesty, while I liked John Wick, I wasn’t quite as enamored with it as most others who thought it was one of the best action movies ever. I believe one of the reasons is because the film was already so hyped up by the time I got around to it. So this time, though I knew the reviews were great, I avoided trailers and reading about the movie, and went into John Wick 2 with tempered expectations.
And wow, I absolutely loved it!
Continuing on almost immediately from the end of the first film, the titular John Wick begins the story by trying to get his car back from a Russian mobster played by the awesome Peter Stromare. So it’s crazy action from the get-go and things only get more insane when Wick’s past comes back to haunt him. It’s a one-man-against-the-rest premise like Die Hard, except for John Wick, the dangers lurk wherever he is in the world.
John Wick 2 is still ultra-violent and super stylish, with loads of action that utilises minimal cuts and immersive camera work. At times it feels like you are watching the best adaptation of a first-person shooter (or over-the-shoulder) video game ever, and at others it’s as though you are watching a comic book come to life on the big screen. It is no wonder that director John Stahelski was hired to help out on the brilliant action sequences in Captain America: Civil War.
I used video games and comic books to describe the sensibilities of John Wick 2 because it’s the type of film you need to suspend a lot of disbelief. Apart from cranking the action and the stakes up to 11, the film also builds on the assassin mythology from its predecessor, extending beyond just the Continental to a whole world of assassin services. It’s fascinating and loads of fun, but only if you buy into. I compare it to the latest entries in the Fast & Furious franchise, in that if you don’t accept it for what it is, you’ll be rolling your eyes throughout the entire film, but if you do, you’ll have a whale of a time.
I was surprised just how much of the original cast returned, including the super assassin played by Common, the car repair dude played by John Leguizamo, and the friendly neighbourhood cop played by Thomas Sadoski, as well as the Continental’s Ian Mcshane and Lance Reddick. Notable newcomers are Riccardo Scamarcio and Aussie DJ Ruby Rose (who is just about everywhere these days), while those looking forward to a Matrix reunion between Keanu and Lawrence Fishburne will finally have their wish granted.
As for Keanu, he’s still Keanu. John Wick doesn’t have a lot of lines, but the lines he does have are delivered in the classic Keanu style — ie, pretty badly. Nonetheless, the physical stuff Keanu pulls off is absolutely astounding, and apparently the film went out of its way to ensure that the physics of the action is as close to reality as possible. It’s a strange form of surrealistic realism that works and makes John Wick the kind of unique universe I’d love to return to.
On the whole, even though it’s only February, I’ll be surprised if I end up watching a better pure action film than John Wick 2 this year. So if you’re old enough and can stomach the violence, do yourself a favour and check out a John Wick 2 with a big bag of popcorn.
4.5 stars out of 5