Tag Archives: Ted

Movie Review: A Million Ways to Die in the West (2014)

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Seth MacFarlane is an acquired taste, and his latest project, A Million Ways to Die in the West, encapsulates the best and worst of his comedic sensitivities.

It’s also the first time the talented voice actor, who voiced the teddy in Ted and a multitude of characters on Family Guy, fronts the big screen as the leading man of a Hollywood production.

The result is a hit-and-miss farce that showcases some of MacFarlane’s sharp wit but also the low-brow humour he has often criticised for.

MacFarlane plays Albert Stark, a man living in the Wild West who is so self-ware that you suspect he might be from the future (and though this is never explicitly suggested, there are a couple of surprises which might be enough to convince some people).

Albert is a sheep farmer who is dumped by his big-eyed girlfriend Louise (Amanda Seyfried), who thinks little of him as a man and prefers someone a little more macho, like, for example, the mustache-bearing Foy (Neil Patrick Harris). At his lowest point, Albert meets Anna (Charlize Theron), who decides to help him win back Louise. However, what she doesn’t tell him is that she happens to be the wife of the West’s most dangerous man (Liam Neeson).

You can guess the rest of this predictably conventional plot, but let’s be honest — no one cares about the plot. A Million Ways is all about laughs, and MacFarlane never stops trying to deliver them, however he can.

The central gag is essentially MacFarlane pointing out the absurdities of the West, from the boredom of life to its many life-shortening/life-ending dangers, as spelled out in the film’s title. Some of them work, some of them don’t. I giggled at about a handful of his “observations,” but most of the other ones felt either obvious or delivered without sufficient “punch.” There were many more “yeah, that’s a good one” kind of jokes than genuine, laugh-out-loud ones.

MacFarlane is at the top of his game when he is delivering biting satire, and while there is a lot of that in A Million Ways, the “bite” is never as sharp as it ought to be. Perhaps he’s trying to dumb down his comedy for general audiences, or perhaps his jokes are just funnier when they come from cartoon characters or a talking teddy bear rather than himself.

Speaking of dumbing things down, there are waaaay too many fart jokes in the movie. It’s not that such jokes can’t be funny, but they generally aren’t here. I love low-brow jokes as much as the next guy, but I just felt the fart (and shit and vulgar sex) jokes, which are typically very difficult to be effective, make up too high a proportion of the total gags.

MacFarlane is adequate as a leading man. He doesn’t have quite enough charm to pull off the whole thing by himself, though the chemistry he has with his co-stars — in particular Charlize Theron, the “straight man” for him to bounce jokes off — offsets his inadequacies to a some extent.

The four main supporting characters balance out MacFarlane well because they don’t have his level of self-awareness. Giovanni Ribisi plays Albert’s best friend, and his one and only gag is that his girlfriend, played by comedian Sarah Silverman, is a prostitute who won’t sleep with him until they’re married. It’s a gag that works well in principle but gets old quickly in practice.

The more dynamic duo is Amanda Seyfried and NPH, the latter of whom is in scintillating form as a douchebag for the ages. It’s a custom-made role for him and he just runs with it, and in the process nearly steals the show.

At 116 minutes, the film is about 15-20 minutes too long, and you get the sense watching it that MacFarlane struggled to cut it down because he was too in love with his own material.

To sum it up, A Million Ways is a serviceable farce comedy that takes a creative idea but can’t quite live up to its full potential. Joke for joke, I found it less funny and more uneven than Ted. On the other hand, that still makes it smarter and edgier than most comedies you’ll see these days.

3 stars out of 5

2012 Movie Blitz: Part 8

Men in Black 3 (2012)

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I still remember the hype surrounding the original Men In Black in 1997, which officially catapulted Will Smith into big screen superstardom. I also vividly remember watching Men In Black II in 2002, and falling asleep during it. So when Men In Black III, which comes 10 years after the sequel, hit our cinemas, I didn’t have much interest, though I did eventually catch it on DVD.

This time, with Tommy Lee Jones quite literally “too old for this shit,” they got Josh Brolin to play a younger version of Agent K to team up with Will Smith’s Agent J in a plot commonly seen for third movies in a franchise — time travel, in the vein of Teenage Mutant Ninja Turtles III: Turtles in Time (classic film and arcade game).

As expected, MIB III was a tired old affair trying to milk the dollars. It wasn’t horrible, and it was an undoubted upgrade over its immediate predecessor, but there just wasn’t anything that could get me excited. I love aliens as much as the next X-File fan, though in this case they weren’t enough. Josh Brolin was surprisingly good and convincing as the younger Tommy Lee, who still got top billing despite the very limited screen time, though there were just too many Will Smith-esque dry jokes for my liking.

I know some critics found the film unassuming and fun, but I just couldn’t bring myself to like it. And I can’t believe they have confirmed another one.

2 stars out of 5

Ted (2012)

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I keep reminding myself to watch more of Seth MacFarlane’s stuff, especially the sharp and cutting Family Guy, but for whatever reason I just haven’t found the time. I was fortunate enough to watch Ted on a long-haul flight last year, and notwithstanding the effects of my soothing in-flight Xanax, I found the film to be a cracking good time. Not perfect by any means, but different enough and funny enough to make it one of the standout comedies of the year.

Marky Mark Wahlberg plays John, a kid whose wish that his teddy bear — Ted (voiced by MacFarlane) — would come to life. Sure, they are celebrities for a while, but eventually they grow up and have the face the realities of life, including John’s girlfriend, played by Mila Kunis.

At its core, Ted is a buddy movie where one is a screw-up (in this case the teddy) who holds the other guy back from realizing his full potential, but in all honesty the film is all about the laughs and the crude jokes. The script is somewhat inconsistent, but when it comes to generating laughs, Ted delivers. There are times when MacFarlane tiptoes around the edges of good taste (and in some cases steps over the bounds), but it really depends on what your personal limits are. For me, the vast majority of it was fine, and even the ones that were dangerous elicited a guilty chuckle.

MacFarlane does a wicked Ted, with a low, alcoholic voice laced with a thick Boston accent. Marky Mark is also perfect playing his typical dropkick-with-a-heart-of-gold character, and Mila Kunis shines as his sassy girlfriend. Special mention goes out to Giovanni Ribisi, who delivers a hilarious performance as a psycho obsessed with Ted.

In all, Ted is an acquired taste that may leave a bad taste in your mouth, but as warped as it is the film is also undoubtedly funny.

4 stars out of 5

Flight (2012)

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Denzel being Denzel is pretty much how I would sum up Flight, Robert Zemeckis’s (trying saying that quickly three times) first live action film since the awesome What Lies Beneath from 2000.

Denzel plays Whip, a skilled airline pilot who dabbles in women, alcohol and drugs. But when he miraculously lands a crashing plane and saves nearly everyone on board, he is hailed a hero — until the authorities start looking into his toxicology reports. Should the pilot’s state of mind and body be relevant if it wasn’t his fault that the plane was crashing in the first place? Shouldn’t all that matter be the fact that he saved people’s lives? And just how far would you go to protect your reputation even if it isn’t real? Those are the type of questions Flight asks its viewers.

It’s a fascinating story about truth and addiction and one man’s battle against demons that threaten to consume his life. Denzel is of course brilliant as the complex Whip, which is why he got another Oscar nomination, but the one who stole the show for me was Brit Kelly Reilly (I last saw her in the 2008 horror Eden Lake with Michael Fassbender), who plays a recovering drug addict with demons of her own.

Flight is a heavy drama tackling depressing issues, so there was a sense of gloom throughout the whole film, but you know the emotional lift will come eventually after Whip hits rock bottom. In that sense I found the whole thing a little predictable, though I can’t deny the effectiveness of the dramatic sequences and the performances. It’s one of those films you can appreciate but won’t be much more than a fuzzy memory in a few years.

3.75 stars out of 5

Smiley (2012)

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I was surfing YouTube for film trailers one day at work and I kept seeing ads on the right hand column for this slasher flick called Smiley, featuring a killer with — you guessed it — a mutilated smiley face. The trailer looked generic and horrible but I watched it anyway, and it is a decision I will have to live with for the rest of my life.

In short, Smiley is one of the worst movies of the year. Pathetic and derivative plot, laughable acting and zero scares, not even visceral ones. The idea  is a mish mash rip off of Candyman and Scream — that if you type a silly phrase into a webchat three times, Smiley will show up and kill the person on the other side. Of course, some moronic girl, played by Caitlin Gerard, decides to do it, and watching Smiley kill someone traumatizes her. The bodies then start piling up, and surprise surprise, no one believes her and thinks she’s going crazy. This was about the same point I wondered whether I was going crazy because surely the film could not be this abhorrent. But it was.

Caitlin Gerard is pretty to look at but all that crying and screaming and acting scared convinced no one. Even at 95 minutes I wondered regularly if the film was ever going to end. The end.

0.5 stars out of 5