Tag Archives: Sean Bean

The Martian (2015)

The Martian Launch One Sheet

After a long and agonising delay brought on by unforeseen circumstances (sick kid), I finally got to see Ridley Scott’s The Martian, one of my most anticipated movies of the year. And it was well worth the wait.

I had been hoping to see the film before all the positive buzz hit (93% Rottan Tomatoes, 81% Metacritic) hit the web so I wouldn’t develop unrealistic expectations. That didn’t happen, and yet the film somehow managed to live up to the hype for me.

If you’ve heard anything about this movie at all, you’ll know it’s about an astronaut named Mark Watney (Matt Damon) who finds himself stranded on Mars. The premise can’t be a spoiler. I knew a little more than that before going in, but for the most part I was prepared for anything.

There have been a lot of comparisons thrown around. Most would have heard of the inevitable comments regarding Interstellar because — spoiler-alert for those who haven’t seen it yet — both films star Matt Damon and Jessica Chastain. And in both films Damon happens to be an astronaut stuck on a distant planet.

There are also many who have called it “Castaway on Mars” or “Life of Pi in Space” and so forth. It is true that The Martian has elements of all these movies, but it is also vastly different and stands very well on its own.

Personally, I would say that the film is like the perfect love child of Interstellar, Gravity and Apollo 13. It has the big ideas and spectacle of Interstellar without all the fantastical/theoretical mumble jumbo that turned a lot of people off. It has the beauty, tension and thrills of Gravity without the eerie silence and lack of character interaction and development. And the Apollo 13-esque tactic of cutting back and forth with ground control on Earth makes the story about more than just one person and breaks up the monotony of space travel and a life of solitude on a barren planet.

There are so many things to like about this movie. For starters, The Martian is ingenious. It’s one of the smartest films I’ve seen in recent years. I’m not sure how legit the science is (and there’s a lot of it), but all of it feels credible. I would imagine you’d need to be at least a semi-expert or very knowledgeable in certain fields to be able to poke holes in the story; for most general audiences it wouldn’t matter. And as a member of the uneducated general audience I found it all absolutely fascinating. I was engrossed.

I know the book on which the film is based, written and originally self-published by Andy Weir, has been panned by many for alleged “bad writing.” Be that as it may, the thought that Weir has built into the story and the science behind it is remarkable. It’s at least as impressive as say the work Dan Brown (a fellow oft-criticised writer) puts into blending history, religion and architecture into his novels. I can’t help but be happy for his success.

Secondly, the “action” sequences — if you can call them that — are well-executed. When you feel the tension and the adrenaline even when you know what is going to happen, and when you don’t notice the CGI even though you know most of it probably is, you know they’re doing a good job.

The other thing that stands out about The Martian is that it is surprisingly funny. That is not to say that the film is a comedy by any stretch, though it is without a doubt filled with more laughs than Interstellar, Gravity and Apollo 13 — combined.

The main reason is because of Watney’s personality, which is, for the most part, optimistic and stoic despite the odds against him. He’s a guy who tries to see the lighter side of things and can find humour in the most dire of predicaments. Because sometimes, that’s all you can do. It fits in well with the uplifting and occasionally fun tone the film tries to convey. Some might complain that it glosses over the darker aspects of the tale — the isolation, the stress, the fragile emotional state — but ultimately this is not that kind of movie, and I am glad it didn’t go down that path.

As clever and funny The Martian is, I also found myself unexpectedly moved by the drama. At its heart, it’s a simple story about one man’s unrelenting will to survive. It’s about finding solutions to problems as they arise, one at a time. It’s about human kinship and international solidarity. Ridley Scott does a great job of developing the characters into likable people we care about, not just Watney but the entire extended cast. There’s no real villain in the story, just a bunch of people doing what they think is best in a very difficult situation. The relationships and dynamics are set up early and skilfully so the emotional payoffs work when they eventually have to.

Kudos of course to the spectacular cast. Apart from Damon and Chastain there’s also Jeff Daniels as the head of NASA, Chiwetel Ejiofor as NASA’s Mars mission director, Sean Bean as the spacecrafts’s crew commander and Kristen Wiig as NASA spokesperson, plus Michael Pena, Kate Mara and Sebastian Stan as crew members. Everyone’s fantastic, and I also enjoyed the witty references to films that some of the actors have been in it are affiliated with.

At 2 hours and 22 minutes, the length is perfect. It never feels too long; there is always something going on, and I was always either being amused or thrilled or educated. I was certainly always entertained.

While The Martian doesn’t necessarily have the feel of a masterpiece — it’s not as epic as say Interstellar or as majestic or awe-inspiring as Gravity — it delivers as good of a time as I’ve had at the cinemas this year or any year.

5 stars out of 5

Movie Review: Jupiter Ascending (2015)


I wanted to be the guy to tell everyone that Jupiter Ascending is actually pretty good and completely unworthy of the 25% rating on Rotten Tomatoes. Unfortunately, I can’t be that guy. While typically ambitious and visually eye-popping, the whole thing was just too bonkers and incoherent to be appreciated, especially as a once-off viewing experience. I could like it more if I watched it again, but it’s just not good enough to warrant another go.

I don’t even know where to start with the plot synopsis. Mila Kunis plays a domestic cleaner by the name of Jupiter, and it turns out she’s really important to a bunch of powerful aliens in space. Some want to kill her, some want to save her. Falling in the latter category is Channing Tatum and his blonde eyebrows. Tatum is a human spliced with wolf DNA and he has super anti-gravity rocket boots and a projected force-field shield. They fight off aliens and fly to distant galaxies and blow lots of shit up while flying through the air.

That’s an ultra simplistic description of the premise of Jupiter Ascending. In reality there is a plethora of discoveries and plot twists that I couldn’t really keep track of and gave up trying after a while. To be honest I may not have been paying my fullest attention to the conversations.

The problem with the film is that it’s just completely all over the place. The first few minutes or so, which detail Jupiter’s birth and her grown-up life, were quite interesting. But once the first alien appears on screen, all hell breaks loose. People just start bouncing off the walls, shooting blasters, smashing through buildings, falling out of the sky, kicking each other in the face, going invisible — you name it, they did it.

To make matters worse, they also tried to fit in all this convoluted exposition in between, so you’d end up going from crazy action one minute to boring explanations the next. With so many characters to keep track of — there’s a trio of alien “royalty” played by Eddie Redmayne, Douglas Booth and Tuppence Middleton, as well as a bunch of bounty hunters, Sean Bean, his daughter, and many other aliens and Jupiter’s extended family members — I was constantly lost trying to keep track of who’s who, which side they’re on and what motivations they have. It didn’t help that some characters were duplicitous, telling lies one second and the truth another, and people were being duped by secret schemes and nasty plans and so forth.

I also had trouble understanding what some of them were saying, including these crazy winged kimodo dragon-type aliens and Eddie Redmayne, who delivers a so-bad-he’s-good pussy villain with a permanently husky whisper. It’s hard to fathom that this is the same guy who just won an Oscar for portraying Stephen Hawking in The Theory of Everything.

I’ve been a fan of the Wachowskis when they were still the Wachowski Brothers (before Larry became Lana), even though their directorial efforts have arguably been sliding in the wrong direction since The Matrix. I like that they push the boundaries and challenge themselves with home-run projects– as evidenced by the polarising Cloud Atlas in 2012 — but this time I believe they bit off far more than they can chew.

There’s simply too much stuff to swallow in Jupiter Rising. The characters, their complex relationships, the unnecessarily convoluted plot, the twists, the gadgets, the weapons, the technology, and all the different alien races. Remember, much of this is sci-fi world building, so audiences have to take some time to accept and digest it. When it comes so fast and furious you’re just left wondering WTF is going on. In the end, the only thing I cared about was whether Sean Bean’s character was going to die. It’s like squeezing four Game of Thrones seasons worth of characters, backstory and world-building stuff into just a little over two hours. It’s too much. That’s why I think Jupiter Rising would have worked better as a TV series, where the concepts and characters could be introduced at a slower pace.

Mila Kunis is as good as Jupiter, though despite the praises of feminists her character is only marginally better than your typical damsel in distress in love with the hunky Channing Tatum. Speaking of which, Tatum’s physical performance is decent, but his acting is still not the greatest. He’s not the best actor in the world, and acting primarily against a green screen doesn’t help his wooden expressions. As for Eddie Redmayne, I don’t think it’s a horrible performance. It’s just that you can’t take his character seriously because of the voice and the eyeliner.

In fact, it’s impossible to take the entire film seriously. If you can forget about everything wrong with the movie, ignore the incoherent script and the WTF moments, and just go along for the insane, CGI-fuelled, action-packed ride, Jupiter Ascending could possibly pass as an entertaining experience. The bigger the screen, the higher the odds.

2.25 stars out of 5