My first 2016 film at the cinema was also one of my most anticipated of the year.
The hype surrounding Deadpool has been astronomic thanks to rave reviews from early screenings and a wicked marketing campaign that has been described as the best of all-time. It is thus hard to keep expectations down under such circumstances, but I’m glad to say Deadool lived up to what I had hoped for — for the most part. It’s clever, witty, funny, satirical, referential, parodic, irreverent, action-packed, and above all, incredibly entertaining. In many ways, it’s the perfect popcorn movie for adults looking for a fun night out.
The story is conventional — a mercenary named Wade Wilson (Ryan Reynolds) makes a drastic decision to save his life but the consequence is that he becomes horrifically scarred with superpowers. He then proceeds to exact revenge against those who have wronged him in a tight red suit. At the heart of the film is actually a love story, which acts as the main source of character development and delivering emotional impact, but also makes things much more complicated for our protagonist. It’s an origins story we’ve seen before.
However, writers Rhett Reese Paul Wernick ensure that the plot is the only thing about Deadpool that’s conventional. The super duo — who are now no doubt in hot demand — infuse the narrative with loads of wild ideas, starting with repeated breaks of the fourth wall and a non-linear structure that utilises flashbacks to keep the momentum rolling. Like it did for Ant-Man, the simplicity works in Deadpool‘s favour. It’s not a story about the end of the world and the stakes are relatively small, but the effect of this is that the story feels more personal and appropriate for an origins movie. There’s no excess of characters either: just the hero, the love interest, two X-Men, two villains and two comic relief sidekicks.
The action, perhaps the most underrated part of the movie, is innovative, brutal and features copious amounts of blood. Considering the minuscule budget of US$58 million, the action sequences are as thrilling and exciting as anything I’ve seen in the big-budget Marvel blockbusters. The special effects and stunts are close to seamless (I watched it on an IMAX screen), and I was impressed by the variety of the violence — guns, sword fights, fist fights, car chases, superhero powers, you name it — most of which was done without the laziness of rapid cuts.
Still, the biggest draw of Deadpool is of course the comedy. The gags come fast and furious, and absolutely nothing is off limits. The actors (even those not in the movie), the director, other superheroes, other films, even the film’s low budget, are all targets for jokes. The majority of the humour comes from one-liners and wisecracks as opposed to set-pieces, so you’ll find yourself giggling all throughout the movie. Contrary to some reviews, however, the movie is not always in a joking mood — there are darker moments and “character development” scenes, mostly in the film’s middle section. But I recognise that this part of the film is necessary to make us care, and director Tim Miller does a great job in his feature debut in moving from one tone to another without making it feel jarring.
Unfortunately, as funny as I found the film to be, I didn’t laugh out loud as often as I thought I would (ie, all throughout), and this is because I had seen a lot of the jokes in the trailers. That’s partly my fault for watching all the trailers, and partly the fault of the marketing team for putting them in there to sell the movie. That said, thanks to the R-rating, there were still enough jokes I hadn’t seen to help me easily cruise past the six-laugh test for a good comedy. In fact, the jokes in Deadpool are so relentless at times that you may miss some because you’re still recovering from the previous gag. On the whole, there may have been a few too many masturbation jokes for my liking, but the hit rate of the jokes is already much, much higher than most other crude comedies.
Ryan Reynolds deserves all the credit in the world for being the driving force behind the film, which reportedly spent more than a decade in developmental hell. He is not only perfect as the titular character, he is also a fantastic comedian who apparently ad-libbed many of the classic one-liners. Plus he is ripped!
Homeland’s Morena Baccarin plays Vanessa, the other half of the love story. When I first heard she was the love interest I thought it was a bit of a strange choice, but now it makes complete sense after having watched the film. They needed someone as damaged as Wade but also someone with enough strength and sassiness to be more than just a damsel in distress. Baccarin fits the bill perfectly.
I enjoyed the X-Men characters not just because of their powers but because their banter with Deadpool works so well. I guess I’ll just leave it at that so as to not reveal too much.
As for the villains, I thought Ed Skrein (who was in that horrible Transporter reboot last year) could have been a little more formidable as Ajax, but his performance was generally pretty good. It’s unfortunate he kept reminding me of a buffer Nicholas Hoult. On the other hand, Gina Carano as Angel Dust was fantastic, largely because she rarely needed to change expressions.
Leslie Uggums is hilarious as a blind old lady with the acid tongue and heart of gold, though I was a little disappointed with TJ Miller’s role in the film, not because he wasn’t any good, but because he’s one of the best things about it and I wish he could have gotten more screen time. I loved his chemistry with Ryan Reynolds and thought he might get to do a little more since he delivered all my favourite lines. I’m looking forward to the DVD extras and hope he can feature more prominently in the sequel, which has to be a certainty after the film smashed the R-rated opening weekend record in the US with a haul of US$135 million (the previous record was US$91.7 million held by The Matrix Reloaded) and a worldwide box office of around US$300 million.
We’ve had R-rated (under the US classification system) superhero/comic book films before — Watchmen, Blade, V for Vendetta, Sin City, just to name a few — but never one that deliberately pushes the limits as far as Deadpool does with its gruesome violence, machine-gun-rapid profanity and crude, snarky humour. Kick-Ass is the nearest comparison but it’s not a close contest. As with all films that receive a lot of buzz before its release, Deadpool could not help but be overhyped, though despite this, the movie still turned out to be one of the most fun and funny cinematic experiences I’ve had in years.
4.25 stars out of 5!