Tag Archives: Riz Ahmed

Rogue One: A Star Wars Story (2016)

I literally have 60 movie reviews in my backlog and probably won’t be able to get to any of them for at least another week, but I’m sure this queue-jumping exception is acceptable. I had been looking forward to the first Star Wars spinoff, Rogue One, since The Force Awakens made the whole world blow its collective load a year ago, and I’m happy to say it was well worth the wait.

For those who might still be confused, Rogue One is set before the start of the original Star Wars film from 1977, now known as A New Hope (Episode IV). Directed by Gareth Edwards (2014’s Godzilla), the film tells the untold story about a bunch of rebels who risk their lives to steal the plans to the Death Star. It was quite a risk and an experimentation of sorts for Disney and Lucasfilm, as this is the first film in the franchise outside of the main storyline. It is also quite different in tone to the other Star Wars films in that it is actually a war movie (as opposed to space opera).

Well, the experiment paid off. Rogue One has a great story, wonderful characters (both new and old), a cast filled with some of my favourite actors, beautiful visuals and action, a grand new music score that contains traces of the classic one, an appropriate dose of nostalgia, and ample surprises and Easter eggs for the geeks.

First of all, all the concerns about the film prior to its release turned out to be unfounded. Some were worried about Gareth Edwards not being a great storyteller (I was one of those people as I thought his debut film Monsters was far too slow, and while I really liked his version of Godzilla, storytelling was not one of its strengths). Others panicked when there was talk of extensive reshoots or lost their minds because the trailer or posters weren’t as good as they had hoped.

I don’t know about the process, but the finished product was a success. Admittedly, the film starts off a little slow, though it never loses sight of the narrative thread or the focus on the characters. It builds things up throughout the course of the first hour or so, and by the second hour I found myself immersed in the story, the action, and the emotions. Yes, it’s darker in tone than what we’re used to and there is far less humour, but that’s how it was meant to be. Perhaps it wasn’t this way before, and the ordered reshoots rectified the problems. In any case, it was impossible to tell what was reshot because it all blended together seamlessly in the end.

The other interesting thing is that I don’t recall the majority of the scenes or dialogue from the trailers being in the actual film, which is extremely rare — but I love it. I’m always complaining about trailers giving away too much, and in this case it was turned out to be a pleasant surprise. If only they could do that for all trailers — give you a hint of what the movie is about using footage and dialogue that’s not actually in the movie!

 

Visuals is one of Edwards’ strengths, so I knew I would not be disappointed. Rogue One is visually stunning but different in feel to the other Star Wars films. It’s grittier and utilises a darker palette with a narrower colour range, one that really suits the tone of the film. The space battle sequences are some of the best I’ve ever seen in a Star Wars film, though I do wish there could have been more close-range combat.

The other thing that stood out for me about the film was the superb cast and outstanding performances. It has by far the best cast ever assembled for a Star Wars flick and contains some of my favourite actors: Oscar-nominee Felicity Jones, Y Tu Mamá También’s Diego Luna, the awesome Mads Mikkelson and Forest Whitaker, Aussie legend Ben Mendelsohn, rising star Riz Ahmed from The Night Of, ass-kicking martial arts star Donnie Yen, and the vocal talents of Alan Tudyk as bot K-2SO. All of them have real meat to their roles, and it’s hard to pick a standout from this list. I will say though that Mikkelson and Mendelsohn elevated their characters far above what they otherwise would have been had “average” actors been cast in their roles instead. The only disappointment is that the film did not have enough screen time to go around between all of them.

There are also a lot of links and connections to the Star Wars universe — I got all the major references but I’m sure I missed a lot of the Easter eggs. Oh, and there are plenty of appearances and cameos that will make the geeks spray their shorts.  I won’t give anything away except to say that movies these days can feature actors who are no longer alive or don’t look the same anymore. The technology is not quite 100%, but it’s better than what we’ve seen in most other films that have tried it.

I had many hopes for Rogue One in terms of what and who I wanted to see before I watched it. I would say they were pretty much all fulfilled, though I could not help but want more of certain characters and sequences. It’s like I got a taste of several cakes I wanted to try without being able to eat any whole slice. And as I result, while I was pleased, I was not pleased as thoroughly as I would have liked. I understand at 133 minutes the film was already pushing its running time too far, so maybe the extended version will show us what ended up on the cutting room floor.

On the whole, I give Rogue One a big thumbs up. The Force Awakens is fun family entertainment driven by nostalgia and perhaps a little too much rehashing for some, but it is light and simple enough that even non-fans of the Star Wars universe could enjoy. Rogue One is original, gritty, intense, and made more for the hardcore fans (which I don’t consider myself part of). Two very different films I enjoyed in very different ways. I wouldn’t say it’s quite as good as some of the early buzz from the premiere suggests it is (ie as good as A New Hope or The Empire Strikes Back), though it’s definitely good enough that I want to watch it again soon — and possibly again after that.

4 stars out of 5

Jason Bourne (2016)

Jason-Bourne-international-poster

He’s back!

No, not poor Jeremy Renner, but the original and still the best: Matt Damon. And of course, nearly just as important, director Paul Greengrass (who helmed the second and third films in the franchise, The Bourne Supremacy and The Bourne Ultimatum). The dynamic duo said they probably weren’t going to make it and they didn’t need to make it, but they made it anyway ($$$). And so we have Jason Bourne.

This time, the eponymous protagonist (Damon) stumbles onto a secret about his forgotten past thanks to former CIA agent Nicky Parsons (Julia Stiles), and is forced back into the game he tried to leave behind. Pursuing him this time is new agency hotshot Heather Lee (Alicia Vikander) and head honcho Robert Dewey (Tommy Lee Jones), with a super assassin (Vincent Cassel) thrown in for the fun of it. It’s more or less the same type of film as its predecessors, with tense spy sequences, loads of destructive action, chase scenes, and gritty, brutal close-rang combat. Everyone’s get a secret agenda and it’s up to Bourne to find out what the heck is going on, or at least beat the crap out of everyone trying to do it.

To be honest, I’ve never been a super big fan of the Bourne series. I’ve watched all of them and enjoyed them to varying degrees, but this is not a franchise that gets me particularly excited, and I tend to forget about them pretty quickly after I walk out of the cinema. I only had a vague recollection of the history of the character and this latest entry didn’t do a whole lot to jog my memory. That said, Jason Bourne is solid entertainment. Damon and Greengrass are just too good for this cash grab film to suck.

For starters, there’s the action. There are some really fantastic set pieces throughout the film, including a chaotic, super-intense riot sequence at the beginning that hooks you right into Jason Bourne’s world. There’s also a wild car sequence at the end and some bone-crunching hand-to-hand fight scenes that kept me at the edge of my seat . Greengrass shows that great action isn’t simply about loud noises and blowing things up, but through use of smart camera angles, timely cuts and measured pacing.

Then there’s Matt Damon, who is, as usual, wonderful. It has been said that he has something like 20-30 lines throughout the entire movie, though I wouldn’t have noticed had you not told me. He simply embodies the character of Jason Bourne through his demeanour and mannerisms. His resting badass face, his strut — everything he does in this film tells you he knows exactly who the character is.

The rest of the cast is solid too. Vikander, despite a shaky attempt at an American accent, delivers a multi-faceted character who can seem vulnerable one second and frightening the next. Tommy Lee Jones, whose face resembles a rubbery Halloween mask of Tommy Lee Jones’ old face at this stage, lends his gravitas to the role of nasty government official, while Vincent Cassel offers a nice contrast to Bourne by being a different kind of assassin — slick, sinewy and calculated — but just as deadly. Special shout out to Riz Ahmed as a tech billionaire with a pivotal role in the film. There’s not a whole lot of screen time, but Ahmed nails every scene he’s in. Seeing how different he is in this film compared to his role in the HBO series The Night Of (a must-watch, by the way) tells me he’s bound for bigger and greater things in his future (he already has Rogue One coming up at the end of the year).

Having said all those good things, I don’t think Jason Bourne is by any means a modern action masterpiece or anything like that. When you break it down, there’s not much of a plot, and no one will be surprised when the central mystery of the film is finally revealed. Ultimately, it’s nothing we haven’t really seen before, and Greengrass seems to be content sticking with what has worked in the past. As a result, Jason Bourne does come across as just another typical entry in the series as opposed to a standout, and as I said earlier in this review, I’ve never been a massive fan of the franchise. However, even an average Bourne film is better than the majority of other action flicks out there, and I appreciate how well it is acted and executed. It didn’t blow me away, but I enjoyed it for what it was.

3.5 stars out of 5