Tag Archives: Power Rangers

Power Rangers (2017)

At last, it is here. Power Rangers has been a roller coaster ride of emotions for me. When it was first announced they were making a new one I decided it would surely suck like all the others. But when I saw the first trailer and it looked like a mix between The Breakfast Club and Chronicle, I started to get a little excited for it. And when the reviews began rolling in and the buzz was “it was pretty good”, I got really pumped for it. And finally, I saw it, and now I’m like: Meh. It was OK.

I actually watched the Japanese Super Sentai version more when I was a kid and never really watched Mighty Morphin Power Rangers on TV growing up, so I didn’t know the film version followed the series so closely in terms of characters. The movie is also set in a small town called Angel Grove and features characters of the same name — Jason Lee Scott (not to be confused with Jason Scott Lee; played by Aussie Dacre Montgomery), Kimberly Hart (Naomi Scott), Billy Cranston (RJ Cyler), Trini Kwan (Becky G), and Zach Taylor (Ludi Lin). They are all unusually attractive teenagers who happen upon these coloured rocks in a gold mine that turn them into superheroes!

Anyone who has seen the trailers will have a fairly good idea of exactly what happens throughout the movie. The kids are misfits for whatever reason and they suddenly have great powers they need to learn to control and harness, but they can’t truly become Power Rangers until they complete their training and learn how to work as a team. A pervy alien robot voiced by Bill Hader and the legendary leader Zordon, voiced by Bryan Cranston (no relation to Billy), offer them guidance along the way. Meanwhile, an alien villain named Rita Repulsa (played by Elizabeth Banks) awakens from her slumber and is set to take over/destroy the world. Guess who are the only people who can stop her?

It’s morphin time!

I really enjoyed how the film started and the first half or so. I’m a sucker for The Breakfast Club and thought the characters were given nice introductions. They’re likable kids, and it was good to see the filmmakers add an extra dimension to them by making one on the autistic spectrum and another LGBTQ. The way they discovered the rocks and how they were introduced to their powers is also indeed reminiscent of Chronicle, probably one of the only found footage films I can stand.

I also really loved Elizabeth Banks as Rita Repulsa, which came as a total surprise. She was genuinely creepy and scary, but also funny when she wanted to be. She knew exactly what kind of role she was playing and she executed it to perfection. Bryan Cranston is always a welcome addition to any movie, even when it’s mostly just his face, though Bill Hader doesn’t leave much of an impression as the pervy robot — I have a feeling a lot of his scenes were probably left on the cutting room floor.

The action is, for the most part, pretty well-choreographed and exciting, but it suffered from two major problems. The first is that it took just too damn long for them to finally become Power Rangers! I know this is supposed to be the first film of a new franchise of many, though for a 2-hour movie, I think we only got about 15 minutes of genuine Ranger action. Every time I thought they were finally about to get there — nope. Just more moping and complaining about how they weren’t good enough yet. Secondly, so much of the action was already played out in the trailers. There just wasn’t anything fresh or unexpected, which was a huge shame.

I understand director Dan Israelite (Project Almanac) was likely going for more character development and all, and while the characters are generally affable, the balance was tipped too heavily away from the action sequences. And it’s not like we’re talking Oscar-quality drama anyway, as a lot of dialogue was clunky and frankly a little cringeworthy, especially when it was trying to be dramatic and heartfelt. The jokes weren’t bad, but they weren’t particularly funny either. I thought the film was kind of stuck in a weird place, as it had genuinely scary scenes that might frighten younger kids and some crude jokes that parents would not approve of, and yet a lot of the other elements were clearly directed at a super young audience.

Lastly, the editing was somewhat choppy in places too, and if you really think about it, many parts of the movie made no sense whatsoever and didn’t even try to give explanations. This is why I think the film actually suffers from a lot of the same problems that plagued the widely panned Fantastic Four reboot from 2015, which I didn’t think was quite as terrible as people made it out to be. To me, Power Rangers is on roughly the same level — not as bad as it could have been, but nowhere near as good as I thought it could be.

2.75 stars out of 5

Movie Review: Project Almanac (2015)

Project-Almanac-poster

Found-footage movies just need to die. Not next year, not tomorrow. Now. The gimmick isn’t not fooling anyone anymore and hasn’t for a long time, and any perceived benefits are heavily outweighed by the forced and nonsensical execution, the vomit-inducing shakiness and the way it cheapens the overall feel.

And so it’s not hard to guess that I think the found-footage approach ruins Project Almanac, an otherwise barely-passable teen travel movie. There are some interesting ideas early on, though when you break it down it’s really a fairly pedestrian effort that doesn’t offer anything we haven’t seen before in the genre.

Directed by Dean Israelite, who has reportedly been selected for the new Power Rangers reboot, Project Almanac  tells the story of high school inventor David (Jonny Weston), who discovers the blueprint to build a time machine in his basement left behind by his late father. After some trial and error, David and his sister (Virginia Gardner), his friends (Allen Evangelista and Sam Lerner), and the girl he pine after (Sofia Black D’Elia) start using the machine to go back in time and fulfill their dreams.

The best way to describe Project Almanac is a mix between Chronicle and The Butterfly Effect. The film wants to capture the slick style of Chronicle with the found-footage approach and the change the teen characters go through as they struggle to deal with the inheritance of a grew power (and thus responsibility). It also takes, quite directly, the time-travel concept of The Butterfly Effect in that every decision we make creates ripples we might not expect.

All that is fine; there are almost no truly original films these days anyway. The problems with Project Almanac have more to do with the script and the execution. I don’t need to discuss how annoying the found-footage thing is again. It doesn’t add to the realism and is a complete distraction. It just makes no sense why they would film some of the scenes that exist in the movie.

Secondly, the film wastes far too much time testing the time machine. It’s pretty obvious they’ll eventually get it to work, or else that would make one very lame movie, so what’s the point of showing us failure after failure — other than padding time and showing off special effects?

Thirdly, the film gets bogged down by a toothless and predictable romance. It’s embarrassing that something so boring and cringeworthy could end up being such a pivotal device in the film, and what makes it worse is that the human reactions to it make zero sense, especially for people who are supposed to be intelligent.

Fourthly, there are some obvious logic gaps in the time travel concept that are never explained. Time travel movies usually involve actually changing the past and thus changing the future, or finding out that time is a loop you may think you are changing but can’t. Project Almanac inexplicably adopts both.

The one thing I will give the film credit for is the way it depicts that exhilaration of discovering you have he ability to change the past, and how the characters first decide to take advantage of this power. Think about what you might do if you were an American teenager, and it’s probably not that far off. I found this part of the film, at least at the start of it, rather satisfying, and it’s a shame the plot later descended down the wrong path.

Project Almanac is not without its moments, but on the whole there are just too many flaws that bring it down, with the annoying found footage gimmick being arguably the biggest culprit.

2 stars out of 5