Tag Archives: Paula Patton

Warcraft (2016)


I must admit, Warcraft was my least anticipated major blockbuster of 2016, with the possible exception of Suicide Squad (I’ll watch that too, but expectations cannot be lower). Having never played the popular video game on which the film is based, or with any intention of ever doing so, it seemed somewhat destined to be yet another disappointing video game adaptation, following in the footsteps of the likes of Doom, Street Fighter, and Prince of Persia.

Having said that, director Duncan Jones is quite a visionary filmmaker, and many were apparently quite optimistic that Warcraft would buck the trend. However, the trailers did not instill much confidence in me — giant, muscular creatures in large-scale battle scenes with humans and magicians, and loads and loads of CGI-heavy special affects. It was pretty much just Hollywood telling the same old story.

It was with such a mindset that I went to see Warcraft, and I have to say that I came out of it very pleasantly surprised. There are plenty of flaws with it, some impossible to overcome given the circumstances, but on the whole it was about as much as I could have expected from a fantasy film of this nature.

I don’t want to get into the plot because it’s not really that important in the scheme of things, but I guess it should come as no surprise that there are humans, orcs, elves, dwarves and so forth -– but mainly humans and orcs –- who all all live in a magical realm with mythical creatures, magic powers, evil warlocks, master wizards and apprentice mages. It’s about fighting for your people and your tribe, honour and loyalty, family and friends and all that shit. It’s more less your typical RPG game.

Now, if you can get past the first stage, which is to take this kind of video-gamey premise seriously, then the rest of the film has a decent chance. Mind you, this does not have the gritty realism of something like say Game of Thrones — this is legitimate high fantasy, where you can actually see the light shooting out of magicians hands and souls being literally sucked out of bodies. 

When you take into account just what a difficult task this was for director Duncan Jones to get right, you start to appreciate the great job he did with this movie. While the storyline is indeed cliched, the storytelling is, for the most part, well done. Instead of making the orcs just brainless monsters hell bent on killing humans for no reason, Jones makes proper characters with proper character development. It’s not quite a two-sides-to-the-story kind of scenario, where the humans characters and orc characters are genuinely on an equal footing (hint: the humans still get more love), it’s at least good to see them apply a less conventional approach.

The cast is also really solid. On the human size, you’ve got Aussie Travis Fimmel, Dominic Cooper and Ben Foster, while on the orc side there’s Toby Kebbel (he will always be Koba to me) and Daniel Wu (I was shocked when I discovered he’s in it), and in between there’s Paula Patton, looking a little on the green side. None of these names are A-listers, but they’re all quality performers who bring gravitas to their respective roles. 

As for the action, it’s of course predominantly CGI, and to be honest it’s really nothing we haven’t seen before in terms of scale, creativity or choreography. What it does do well is the depiction of magic, which is rarely done well on film, and building up some character relationships so that we will care about the outcome of the battles and duels.

So absolutely, Jones should be commended for doing everything he could to make Warcraft the “great” film he tried to make. If you manage to immerse yourself in the story (like my wife, who said she really enjoyed it), you’ll likely think the film is a success. For me, on the other hand, there were elements I liked and places where I thought the film did a great job with, but I couldn’t get into the story or care for the characters as much as like I hoped I would. It really comes down to it being virtually impossible to introduce a whole new realm with all these different races and conflicts, not to mention focusing on both sides of the war, in a movie barely over 2 hours long. If this were a TV series where you have 10 hours to play with, then maybe you could achieve all these things. But given the time constraints and the need to devote a good chunk of that time to battle scenes, you’re going to have scenes and dialogue of obvious and annoying exposition cramming. 

Could they have reduced the number of characters and shifted the balance from CGI battles to more character and relationship development? Of course they could have. But as a one-shot opportunity to make a successful blockbuster for which sequels are no certainty, it would have been too risky an approach for any studio to take. It’s easy for critics to dismiss the cliched aspects of the movie, but sometimes commercial realities dictate these things.

The same goes for the CGI, which was limited by the technology and budget. As a result, it was a little patchy — photorealistic at times and like an Xbox cutscene at others. Perhaps part of it is also the way the orcs have been designed — they just don’t look like creatures I could genuinely believe, a feeling that is heightened whenever I see Paula Patton’s half-orc, half-human character, who looks basically like a human in green paint with two little tusks coming out the bottom of her mouth. It’s ridiculous.

Despite all these flaws, I still appreciate and admire the film Warcraft had set out to be. It’s not quite the “great” film Jones had dreamed of or the saviour of all video-game adaptation movies (that baton has now been passed on to Assbender in Assassin’s Creed), but as a high fantasy film with all the hard-to-swallow things that come with it, Warcraft is not bad at all. If you see it with an open mind, you might agree too.

3.5 stars out of 5

Movie Review: Mission: Impossible — Ghost Protocol (2011)

Talk about an unexpected early Christmas present.  I have always liked the Mission: Impossible series but never considered myself a huge fan, but I must admit I enjoyed the fourth film (does that mean it’s a ‘saga’ now?), Mission: Impossible — Ghost Protocol (let’s called it MI4), immensely.  In fact, I think it is the best film of the entire series, and by a not inconsiderable margin.  How rare is it that the fourth film of a franchise is the best of the lot?

MI4 is crazy.  No, not jumping on Oprah’s couch crazy, but crazy good.  Given that no one wants to produce Tom Cruise films any more, Mr Scientology decided to produce it himself (he has the money, so why not?), along with JJ Abrams (director of the third film) and Bryan Burk.  The director?  Brad Bird, a strange choice considering he directed only animations, such as The Incredibles, Ratatouille and the Do the Bart Man music video, but it turned out to be the right choice because he made the impossible somewhat believable  (at least while you’re in the moment anyway).  The partial use of IMAX cameras also allowed some spectacular shots in a film packed with riveting action and intrigue from start to finish.

There’s nothing particularly clever about the plot — secret missions, double crosses, an evil genius determined to destroy the world, and only Ethan Hunt (Tom Cruise) and his desperate, isolated, back-against-the-wall team can save us.  We’ve seen it all before, but as they say, it’s all in the execution.

And that’s where MI4 delivers big time.  High tension, white-knuckle action, explosive chase sequences, insane stunts, cool machines and gadgets, scaling buildings and the film’s trademark: flat-dropping down deep vents.  Yes, even within the context of the MI franchise we’ve seen a lot of these things already, but there’s always a twist that makes it fresh, and frankly, it’s simply done better than before.  You may have already seen a few of the more iconic scenes in the trailers, but if you haven’t, even better.

The cast that plays the newly assembled team is awesome.  Tom Cruise is older, wrinklier and eye-baggier, but still fit and charming enough to pull off the role of super agent Ethan Hunt.  Alan Thicke’s (the dad from Growing Pains, remember him?) daughter-in-law, Paula Patton (she married his son, musician Robin Thicke) is a sexy yet kick-ass agent, and Simon Pegg returns as the bumbling computer hacker to provide the laughs.  I was very impressed with the latest recruit, a mysterious analyst played by Jeremy Renner.  I knew he could do reckless loner (The Hurt Locker) and intense badass (The Town), but I didn’t expect him to play the role of super agent this well. No wonder Renner was selected to take over the Bourne franchise after Matt Damon’s departure.

Michael Nyqvist (the original Mikael Blomkvist from The Millennium Trilogy) is somewhat underused as the crazy baddie (though noticeably better than his performance in Abduction, also as a crazy baddie), but on the whole the cast is super.

As far as action blockbusters go, MI4 is one of the best of the year.

4.5 stars out of 5