Tag Archives: Part II

The Hunger Games: Mockingjay – Part 2 (2015)

mockingjay

I didn’t have high hopes for The Hunger Games: Mockingjay – Part 2. Apart from having heard mixed things about it, Mockingjay is my least favourite book of the trilogy, plus I felt Part 1 was a relative disappointment given the bar set by the first two entries. Bearing that in mind, the final film instalment turned out better than expected, superior to Part 1 but still a few grades behind The Hunger Games and Catching Fire.

The biggest problem I had with it still stems from the fact that the final book was split into two films. It’s no secret I hate such greedy decisions, especially when the third book is, in my mind, the weakest and least action-packed of the lot. And yet, they somehow managed to base two movies on it, resulting in a whopping 260 minutes of screen time — 123 minutes (Part 1) + 137 minutes (Part 2).

I still believe they could have easily adapted Mockingjay into a 150-minute movie, or even a 165-minute movie, and the result would have been spectacular. It’s not hard to see where they could have trimmed the fat. The vast majority of Part 1 was pretty much all fat. I can’t even recall three significant plot points from that entire movie.

Similarly, the first part of Part 2 was a little slow for my liking, even though it picks up right at the cliffhanger Part 1 left off (the two films were actually shot simultaneously). For those who don’t remember, Peeta (Josh Hutcherson) has gone nuts, and Katniss the Mockingjay (Jennifer Lawrence) is still obsessing about killing the evil President Snow (Donald Sutherland), while Gale (Liam Hemsworth) continues to be the equivalent of Taylor Lautner from Twilight, and Woody Harrelson continues to look drunk. In the meantime, Julianne Moore’s President Coin continues to rally the rebels as they prepare for a final assault on the Capitol. Oh, and the late, great Philip Seymour Hoffman continues to look very much alive as head gamesmaker Plutarch thanks to the wonders of modern technology.

The star-studded cast of Oscar winners has always been one of the biggest strengths of the Hunger Games franchise, and in this final film they certainly don’t disappoint. As trite as some of the verbal confrontations are, these great actors manage to make them as dramatic and believable as they could have been.

Watching this film, however, I got the sense that it was made with more the hardcore fans in mind, as real time and effort was put into building the dynamics between the characters for maximum emotional impact. There is no shortage of long, lingering takes for those who want to savour every last second these characters appear on the big screen. That’s great for fanatics who are genuinely and emotionally invested in the story, but for casual viewers like me, who may have read the books but can’t remember much about them, all that shit is kinda boring.

The pace and excitement do pick up considerably as Katniss and her propaganda film making crew led wonderfully by Game of Thrones’ Natalie Dormer make their final journey toward the centre of the Capitol, but there are a lot of things about this part of the movie that don’t make much sense if you think about it. The execution might be strong, but there’s no denying that the plotline is somewhat contrived and filled with a sense of inevitability. Maze Runner: Scorch Trials got ridiculed for following the typical “point A to Point B” template, so I don’t see why the Hunger Games should get a free pass.

Anyway, while the production itself is top notch as always, I felt there were a lot of missed opportunities. Some of the “big” moments could have been handled better — at times it was rushed, others were telegraphed miles in advance. Further, we also don’t get to see all the action because the entire film is based around Katniss’s point of view. So much of the climatic large-scale action I would have loved to have seen was only told to us after the fact or implied. I understand that’s how it was with the book too, but that’s an instance where I wouldn’t have minded had they deviated from the source material.

That said, the smaller-scale action scenes we ended up getting featured some excellent set pieces that were more thrilling and frightening than I had anticipated. It fits in well with the dark tones and melancholy draped over the entire movie. I actually quite liked how a major young adult franchise went for a realistic and bittersweet note in its finale rather than the typical sentimental and uplifting one, and I even found myself a little moved by the end of it all.

Ultimately, Mockingjay – Part 2 is a mixed bag. I had no problem with all the “character  development” sequences that ate up much of the screen time, though I couldn’t help feel that there were too many superfluous scenes and moments that just dragged on a few seconds too long. It may be a speckle of shit here and speckle of shit there, but eventually the shit adds up. I will admit that I liked the film a lot more by the end of it than at about the halfway mark. If I had cared more about the story and characters I might have not minded the “shitty” bits as much, but either way I still think Mockingjay – Part 2 could have been a lot better.

3.5 stars out of 5

Movie Review: The Twilight Saga: Breaking Dawn Part II (2012)

The world must really be coming to an end soon because — I can’t believe I am saying this– Twilight: Breaking Dawn Part II is GOOD.

How the Hogwarts is this possible? I have followed the films from the very beginning and read 2 of the 4 books (the first and third), primarily out of curiosity, and all they have done is bewilder because, let’s face it, they’re crap.

But inexplicably, this final film somehow manages to be by far the best of the lot and is a rewarding conclusion to an otherwise lackluster series.

The love story between Bella Swan (Kristen Stewart) and vampire beau Edward Cullen (Robert Pattinson) picks up from the end of the last film, where Bella was finally turned into a bloodsucker after dying during childbirth. For the first part of the film, we get to see the world in her new red eyes as she learns to deal with her newfound powers and desires. Oh, and there’s of course also her freakish hybrid baby daughter, Renesme (what the hell?) who is growing up so quick she belongs at Ripley’s Believe It Or Not.

But things aren’t all roses in Bella’s world. There’s finding a way to tell her father (Billy Burke) without really telling him anything. And there’s the Volturi, led by Michael Sheen and Stewart’s bandmate from The Runaways, Dakota Fanning, the vampire’s version of the Vatican, who are also evil and abuse kids. The Volturi (I’m assuming its plural for the “Voltura”) say baby vampires can’t be controlled and must be destroyed, but they aren’t the best listeners. Blah blah blah; get ready for an epic battle.

It’s actually the same formula that the Twilight films have followed since the second film, where the majority of the running time is spent waiting and training for some all out vampire fight. The big difference this time is that the dreaded and embarrassing love triangle between the lovebirds and Jacob Black (Taylor Lautner) is finally broken, so we no longer have to be subjected to that cruel and unusual punishment.

There is also a whole heap of new characters from all over the world.  They may be forgettable, horrible and unoriginal stereotypes — but at least they each have awesome powers that will make you feel like you’re watching an episode of Heroes (back when it was still a good show).

You’d think they would have figured it out by now, but unfortunately, the special effects did not improve. The werewolves still look kinda weird, though nothing could compare to whatever they did with the baby, who was the most terrifying thing I’ve seen since Pennywise from Stephen King’s It. Was it really that hard to find a real baby for the role?

Despite all its problems, for the first time ever, the storytelling in Twilight is efficient (it’s a “compact” 116 minutes when recent trends suggested it could have been 146), the performances even and the action exciting. Granted, the are still moments of cringe that will make even the strongest bellies prone to violent bouts of projectile vomiting, but having put up with it for the first 4 films already I had become surprisingly immune. I trust there are others in the same boat.

As a vampire, Kristen Stewart gets to do a little more than heavy breathing and looking anxious this time, at last displaying a little of the range she’s capable of. Taylor Lautner remains relatively strong, although Robert Pattinson still has that “this is all so stupid” look plastered across his face for most of the movie. Michael Sheen makes the most of a ridiculous role that would probably would have completely failed if it went to a lesser actor, and actresses like Dakota Fanning and Maggie Grace seemed happy to just be part of the fun.

If you’ve followed the saga from the beginning as I have, you might find Breaking Dawn Part II to be a grand finale that delivers. There are pretty vampires and buffed werewolves, very good guys and extremely bad guys, wry humour and decapitations; and there’s love — a whole lotta love. Unlike the previous films in the franchise, there is not a dull moment in this one, as director Bill Condon (who captained Breaking Dawn Part I) appears to have finally figured out how to make things work. Better late than never, I suppose.

4 stars out of 5!

PS: By the way, there is a really — and I mean REALLY — cheap shot in this film. I won’t spoil it by saying what and when, but it’s quite typical of author Stephenie Meyer and the entire series. Let’s just say there were a lot of audible groans, and none louder than mine.