Tag Archives: Michael Sheen

Passengers (2016)

You got Morten Tyldum, the guy who directed The Imitation Game, one of my favourite movies of 2014, paired with two of the hottest movie stars around, Chris Pratt and Jennifer Lawrence. There was every reason to be optimistic about Passengers. And yet the reception of the posters was negative, as was the reaction to the early trailers (which I largely avoided). On Rotten Tomatoes, the film has a fairly sad rating of 31%. My expectations were naturally lowered, but the premise — about two people who somehow wake up decades before everyone else on a spaceship heading to a new colony — was intriguing enough to entice me into watching it at the cinema.

Verdict? I don’t regret spending the money. Despite all the negativity, Passengers was a couple of hours of solid entertainment featuring two very attractive and likable leads. It wasn’t the thought-provoking experience I had hoped for, but it was fun and watchable. Unfortunately, I just think there were a lot of missed opportunities throughout.

Without giving too much away, I feel like the movie didn’t have a clear idea of what it wanted to be. It’s a science-fiction film where the science is clearly a little iffy, even for a complete science retard like myself. Some aspects lacked logic and common sense, while others were conveniently shaped to fit the narrative. It’s also, as many know, a romance, but then it’s also a mystery of sorts as well as an action thriller at times. There’s also a good dose of comedy here and there. It tries to be so many different things at the same time, and it ends up creating tonal issues and never going into any depth on the most interesting themes or questions. I don’t necessarily have a problem with shallow—it’s just disappointing when a film hints at more depth but doesn’t pursue that path.

The first part of the film is the strongest and the most fascinating because of how it sets up its major turning point. It’s still actually quite good after that point, though at some stage in the second act I started feeling like the film was being pulled in too many different directions. And the third act just got too much for me. I kept hoping that certain cliched or preposterous things would not happen, and every damn time it happened like I had feared. Whereas The Imitation Game was such a controlled piece of filmmaking, Passengers was all over the place.

Still, there are worse things to do than watching pretty people like Chris Pratt and Jennifer Lawrence run around on the big screen. Both performances are actually really good, especially Lawrence, who handles the emotional scenes particularly well. As expected, their chemistry is fantastic. If you’ve seen the trailers you’ll know Michael Sheen also has a sizable role, and there are a couple of other big name actors who make appearances (one of them for literally just a few seconds). Its just a visually impressive film to watch overall, with slick set designs and excellent special effects.

By the end of it, I didn’t find myself annoyed, angry, or disappointed. Passengers wasn’t as good as I hoped it would be, but it’s certainly nowhere near as bad as I had braced myself for. As shallow and unremarkable as the film is, it’s at least fun, entertaining, and nice to look at.

3.25 stars out of 5

Movie Review: Midnight in Paris (2011)

It’s 2012 already but I’m still trying to finish off my 2011 movie reviews so I can do my annual top 10 list.

I still have a quite a few to go, but I’m pretty sure Woody Allen’s Midnight in Paris is going to be on that list. Starring Owen Wilson, Rachel McAdams, Marion Cotillard, Michael Sheen, Kathy Bates and co, Midnight in Paris is one of those rare, magical delights that I just couldn’t help but fall in love with.

Even though I had seen a couple of trailers, I mistakenly thought Midnight in Paris was one of those lazy, forgettable romantic “dramedies” with a bit of predictable quirkiness and lots of pretty scenes of Paris.  While it is indeed a quasi-love letter to the beautiful city, I couldn’t have been more wrong about everything else.  Without giving too much away, I would classify it as a “fantastical” romantic comedy.

It tells the story of Gil (Wilson), an engaged Hollywood scriptwriter working on his first novel, who travels to Paris on a vacation with his fiance Inez (McAdams) and her wealthy parents.  By chance, they bump into Inez’s pompous, insufferable friend Paul (Sheen), who loves to grab the spotlight and take the wind out of Gil’s sails.  Feeling rejected and dejected, Gil decides take a solo stroll through the streets of Paris one evening, thus beginning an unexpected and mystical adventure  involving a whole cast of fascinating characters.  I didn’t know about this aspect of the film so it came to me as a wonderful surprise, and being a writer made it even more glorious.

Despite the scandals in his personal life, it’s hard to not admire Woody Allen as genius filmmaker.  He has made some pretty decent but flawed films in recent years (Whatever Works, Vicky Cristina Barcelona, Scoop and Match Point, to name a few), but Midnight in Paris has to be one of his best in quite some time.  The characters are rich and the dialogue is sublime.  The one-liners are hilarious.  And the idea itself is brilliant.  At just 94 minutes, the film is short and sweet, allowing a swift pace.  It might not be a particularly deep film, but the sweet, light-hearted and wondrous vibe that Allen threads throughout the whole film makes it a joy to watch.

The role of Gil was made for Owen Wilson, and he shines here as the affable, slightly dorky Gil.  McAdams is also very good as the spoiled, irritating finance, and Michael Sheen is, as expected, marvellous as the pseudo-intellectual douchebag Paul.  Marion Cotillard is sexy and alluring, but for me, the one who steals the show in a minor role is French actress Lea Seydoux (who was recently an assassin in MI4).  But with the likes of Kathy Bates, Adrien Brody and French First Lady Carla Bruni, it’s hard to pick any holes in the cast or performances.

Midnight in Paris is by no means a perfect film, but I connected with it in a way I never thought I would.  As far as short, witty, memorable films are concerned, this one is right up there in my personal pantheon.

5 out of 5 stars!