Tag Archives: Lulu Wilson

Annabelle: Creation (2017)

Wow, it’s been a long time since my last movie review, and it’s not because I haven’t been going to the cinema. I’ve just been busy with work and, well, lazy.

Anyway, I’ve got a massive backlog now so I a bunch of reviews should be forthcoming. I’ve decided to start off with the films that have left the deepest impression on me as of late, and for some, it will be no surprise that I’m kicking things off with Annabelle: Creation, the prequel to the lacklustre 2014 doll horror Annabelle, which was itself a prequel/spin-off to The Conjuring.

I have to admit, I didn’t have high expectations going in. Commercial horror films are mostly bad these days with a few notable exceptions, and it is rare for a sequel to be better than its predecessor, especially in this genre. However, there was cause for optimism given that it’s directed by Lights Out filmmaker David F. Sandberg (I actually still have to review it!), and producer James Wan clearly still had enough confidence in the franchise to give the creepy doll another shot.

Set in 1943, Annabelle: Creation goes back to how the eponymous doll was created in the first place. Aussie Anthony LaPaglia plays a doll maker living in some rural place in America, while fellow Aussie Miranda Otto plays his wife. Years following a tragic accident, a bunch of orphaned girls (led by Ouija: Origin of Evil‘s Lulu Wilson and Talitha Bateman) and a nun (Stephanie Sigman) move into their house. And so the horror begins.

I’m not gonna lie: Annabelle: Creation scared the crap out of me. It’s actually quite a typical horror movie with the usual set-ups and jump scares, but as they say, it’s all in the execution. David S. Sandberg has proven himself to be a real talent in his sophomore effort, employing his full bag of tricks to deliver relentless scare after scare. There’s gore, but not too much, and there are horrific images and loud, thumping sounds and blaring music, but often the real terror comes from his use of silence and darkness — it’s what you can’t see that creates the tense atmosphere and sense of dread. I’m also glad that the film doesn’t show too much and it doesn’t show things too early. Sandberg deserves a lot of credit for his restraint and knowing just how to keep audiences on the edge of their seats.

It’s not one of those horror movies that creeps into your core and keeps you up at night thinking about it like say The Exorcist. It also doesn’t have much depth or originality like say It Follows or Don’t Breathe. The performances are fantastic, with Lulu Wilson really standing out, though some of the lines they’re given don’t sound like they should be spoken by children their age. My biggest problem with it is that the script is quite poor and there are loads of problematic things in it that make very little sense — almost to the extent that it takes you out of the movie.

But as a popcorn horror flick, Annabelle: Creation definitely delivers. It doesn’t slow down once it gets going, and you could argue that it gets going right from the opening scene. I felt like it was one scare after another and I had no time to catch my breath throughout pretty much the entire 109-minute running time. Even though a lot of the set-ups were obvious and I knew I was just being manipulated into the next scare, I still had plenty of fun going along with the ride.

In all honesty, Annabelle: Creation is not a great movie and has too many flaws to count. But I watch horror movies to be scared, and pound for pound, scare for scare, it could very well be the most terrifying movie I’ll see this year.

4 stars out of 5

Ouija: Origin of Evil (2016)

Quick, think of one horror sequel that’s better than the original. I bet you can’t.

Well, now you can. Ouija: Origin of Evil is a damn miracle. While the first one was an absolute travesty to cinema, earning a spot on my “10 Worst Movies of 2014“, the sequel is actually a pretty solid little horror movie with some wit and some scares.

I totally forgot about the plot of the original, so it came as a surprise to me that Origin of Evil is actually a prequel of sorts (like the title wasn’t a subtle hint). Set in 1965, it’s about a widow (Elizabeth Reaser) who stages seances at her house with her two girls (Lulu Wilson and Annalise Basso). After incorporating a Ouija board into their seances, it later turns out that the younger daughter can contact the dead, and presumably their dead father.

But of course, spirits can be conniving, and soon the family finds itself battling a demonic presence in their house. As with all supernatural films, a priest (Henry Thomas — yes, Elliott from ET!) gets involved before things spiral out of control in a climatic finish.

Perhaps it’s because Ouija has set the bar so low that I enjoyed Origin of Evil this much. I liked the 60s setting, which looked nostalgic and felt authentic. Director Mike Flanagan, who has done some very solid horror work in the past like Hush and Oculus infuses the production with a sense of class and confidence, with none of the  silly “here we go” vibe of its predecessor. Rather than relying solely on jump scares, the film adopts an effective blend of atmosphere through creepy moments and character interactions. It’s also great that the characters mostly act like normal human beings rather than typical sceptics who won’t believe what’s happening right before their eyes.

Elizabeth Reaser (you may remember her as the mother vampire in The Twilight Saga) and young Lulu Wilson both deliver strong performances that are significantly better than anything you’ll see in the original film (even though Olivia Cooke is very talented). It’s amazing how much scarier a horror movie is when the acting is actually believable.

As stereotypical of such horror movies, however, Origin of Evil loses the plot in its third act and gets pretty ridiculous, though I’ve realised since that this was because it had to match the storyline of the original film. That said, the movie is already so much better than I ever thought it could be. Even though it’s not a top tier commercial horror flick like say The Conjuring, I would say Origin of Evil is good enough to land firmly in that second tier occupied by movies like Insidious).

3.5 stars out of 5