Tag Archives: Julia Roberts

Secret in Their Eyes (2015)

secret in their eyes

Hollywood remakes seldom live up to the originals, especially if the original as an Academy Award winner for Best Foreign Film. That’s unfortunately also the case for Secret in Their Eyes, a remake of the 2009 Argentine film El secreto de sus ojos (review here) that took home the gong in 2010, even though the Hollywood version features heavyweights such as Chiwetel Ejiofor, Nicole Kidman and Julia Roberts, as well as Alfred Molina and familiar TV faces such as Dean Norris (Breaking Bad) and Michael Kelly (House of Cards).

I remember hearing about the remake years ago and was surprised that it took them this long to finally release it. Most of the elements of the original are there, but the setting is of course changed to the United States and the time period updated to the post-911 world. The story is essentially the same in that it revolves around a tragic incident that forever changes the lives of three people in different ways. Thirteen years later, the ghost of the past resurfaces, and the narrative switches back and forth between the two periods as we gradually piece together the shocking mystery.

Like the original, Secret in Their Eyes is a slow burn of a film with some intense moments, brutal violence and heavy drama. It is a tribute to the Argentine film that when I watched the remake I was able to recall the exact same scenes I saw more than five years ago. The execution by writer and director Billy Ray (best known for directing Shattered Glass and penning the scripts for The Hunger Games and Captain Phillips) is solid, though for some reason the film never managed to fully grip me like the original. Part of it is that it was sometimes difficult to tell which time period we were in (they all aged well), and another part is that the atmosphere wasn’t as well-crafted. Maybe if I hadn’t seen the original I would have thought differently, but now I’ll never know,

The performances from the two Oscar winners and one Oscar nominee are, needless to say, splendid. Ejiofor, who plays an obsessive FBI agent in the counter-terrorism unit, carries the film pretty much from start to finish with his usual intensity and emotion, while Nicole Kidman, a district attorney, fulfills her role with grace and underlying fierceness. That said, the chemistry between the two could have been stronger, making the relationship less involving than it otherwise should have been. Julia Roberts is the standout of the trio. It’s an extremely difficult role to portray, but she does it without underselling or overcooking her performance.

I’m somewhat surprised by the film’s low 39% rating on Rotten Tomatoes and score of 45 on Metacritic. It’s perhaps a little disappointing given how remarkable the original film was and the incredible cast, but in my mind it’s certainly a much better movie than the reviews suggest. My wife, who has not seen the original, didn’t think it was great but thought it was quite a compelling and gut-wrenching story, and I can’t disagree with her assessment. Flaws notwithstanding, this is a very solid film that probably should have been more, though certainly not a failure by any means.

3.5 stars out of 5

2013 Movie Blitz: Part VI

I think this will be my final 2013 movie blitz. There may be more films to see, but if I don’t stop now I’ll never get to my best of and worst of lists for 2013. So here goes. It’s a good one.

Oculus (2013)

oculus-poster

I heard some good things about this horror flick, starring Dr Who’s Karen Gillan, about a pair of siblings who had their lives apparently destroyed by a cursed/haunted antique mirror. Years later, with the pair grown up, they try and fulfill their childhood promise — destroy the mirror, or die trying!

It sounds like a bit of a trite plot, I know, but Oculus deserves credit for a couple of things. First of all, it’s different to most of the haunted house movies out there in that it puts a creative twist on things with the mirror. Secondly, it cleverly tracks two parallel storylines, one from the siblings’ childhood and one from the present, providing an unusual but surprisingly effective contrast that adds suspense and ties the narrative together with a single thread. Thirdly, it makes good use of modern technology — ie, security cameras, etc — to help “capture” the ghosts and its bizarre powers, but without taking a “found footage” approach that could have ruined the entire thing.

I hadn’t seen Karen Gillan in anything before but she’s excellent here as the sister who is convinced she’s doing the right thing. Brenton Thwaites plays her brother, who just got out of a mental institution, and he’s pretty good too because I had no idea he’s an Aussie and Home & Away alumnus! Rory Chochrane, who I’ve seen in a bunch of things including Argo, plays the dad, and Katee Sachhoff, who’s been in 24 and Riddick (but best known for Battlestar Galactica) plays the mother.

There are some things in the film that don’t work quite as well and may come across as silly or just the usual stupid things characters in horror movies do, and the ending was extremely predictable (I guessed it as soon as I saw something about 20 minutes in), but on the whole Oculus is one of the better supernatural horror flicks in recent years. Made on a relatively shoestring $5 million budget, the film is smart and original, and it has a genuinely creepy atmosphere with some solid scares without being completely dependent on “boo!” moments. Excellent sequel potential as well. It may not be quite as good as I had expected after hearing the rave reviews, but at the very least it will make an excellent DVD or on-demand choice for a rainy night in.

3.5 stars out of 5

Enemy (2013)

enemy-poster

Jake Gyllenhaal has been in some movies that can challenge the brain a little bit, like Source Code and of course his breakthrough film Donnie Darko. Well, Enemy, based on José Saramago’s 2002 novel The Double, is way more insane than all of his other films put together. In fact, I still have no idea what I just watched. There are plenty of theories out there, but I’m in the camp of people who think it’s pretty much all BS. It’s the most mind-boggling movie I’ve seen since Mulholland Drive.

The premise is not hard to follow. Gyllenhaal plays Adam, a lonely history professor, rents a movie one night and sees an actor who looks exactly like him. And so he seeks out his doppelganger and finds Anthony, a bit actor who has a much more aggressive personality. The rest of the film is about them being spooked out by it and then trying to figure out how to handle the situation, or even take advantage of it.

In some ways, Enemy can be categorized as an erotic thriller because both Adam and Anthony have partners (girlfriend and pregnant wife) and it is for some reason quite sexually charged. But there is something about the film that is just “off.” There is a surreal feel to the experience, which is slow and contemplative but also magnetically compelling. The people don’t act and react like normal people, and some of the decisions they make and things they say are downright baffling. It comes across as a twisted parable of some kind as opposed to any attempt at a “realistic” film.

And the ending, of course, is the big WTF moment. Some will say it’s brilliant, others will say it’s the stupidest thing they’ve ever seen — but I think most will agree that it is indeed shocking.

This is a difficult film to rate because while I admit it was tense while I watched it and admired the performance from Gyllenhaal, I am also annoyed that I had to effectively sit through something I’ll probably never understand. And the thing is, that’s likely the way it was intended.

2.5 stars out of 5

August: Osage County (2013)

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Based on the Pulitzer Prize-winning play of the same name, August: Osage County is more or less an acting exhibition from a superstar cast including Meryl Streep, Julia Roberts (both nominated for Oscars in their respective roles), Chris Cooper, Ewan McGregor, Benedict Cumberbatch, Dermot Mulroney, Sam Shepard, Juliette Lewis (remember her?!) and Abigail Breslin.

But is it any good? Well, yes and no. I kind of understand why the film was awarded the dubious honour of “Not-So-Obviously Worst Film” by the Oklahoma Film Critics Circle, because without all the great performances it is just an average, albeit hysterical family drama sprinkled with a dash of occasional black humour.

The plot centers around Meryl Streep’s cancer-ridden, snarky matriarch of the family, Violet, who also has an addiction to narcotics. Her husband, Beverly (Sam Shepard) disappears, then turns up dead, and the rest of her family shows up for the funeral, including her eldest daughter Barbara (Julia Roberts), her estranged husband Bill (Ewan McGregor) and their teenage daughter Jean (Abigail Breslin); her sister and her sister’s husband Charles (Chris Cooper) and their loser son Little Charles (Benedict Cumberbatch); her middle daughter Ivy (Julianne Nicholson); and her youngest daughter Karen (Juliette Lewis) and her sleazy fiance Steve (Dermot Mulroney).

From there, it’s just a whole lotta acting from one of the greatest ensemble casts ever assembled. It’s intense and it’s heavy, with a lot of shouting and swearing matches, arguments and people flipping out. Some of it is funny — it is, after all, a dark comedy of sorts — but there’s nothing about August: Osage County that made me forget I was watching great actors as opposed to great characters. I enjoyed watching Hollywood heavyweights go at it and I was impressed with how it was put together, but ultimately it was a hollow experience lacking in that resonating quality of top dramas.

3 stars out of 5

Mud (2012)

mud

Technically, Mud is a 2012 film, but I’m adding it here because it didn’t get a wide release until May 2013. It’s marketed as a Matthew McConaughey vehicle and is one of the first films in his amazing run from Magic Mike to his Oscar-winning performance in Dallas Buyers Club and the acclaimed True Detective — but this is really a coming-of-age story about a teenager living off the banks of the Arkansas River.

That teenager, Ellis, is played by Tye Sheridan, a rising star who has been in Terrence Malick’s Tree of Life and will soon be seen in the adaptation of Gillian Flynn’s Dark Places. His strong portrayal of a likable protagonist fuels Mud, one of those throwback films that captures the innocence, hope and heartbreak of adolescence. Instead of loitering the streets, Ellis and his friend Neckbone (Jacob Lofland) invent their own adventures by climbing trees and scavenging the woods. They are wary of strangers but more curious rather than afraid of them. And even when they do teenager things (like say vulgar things and punch people) there’s a childlike naivete to them that’s endearing. It’s not clear what time period the film is set in (it could be the present), but the rural backdrop away from the modern vices of smartphones and the internet definitely goes a long way to achieving the nuances writer and director Jeff Nichols was aiming for.

One day Ellis, whose parents are struggling both financially and in their marriage, comes across a tree with an abandoned boat stuck on it. The boat is occupied by the titular Mud (McConaughey), an enigmatic squatter with a mysterious background that involves a pretty but damaged blonde called Juniper (played by Reese Witherspoon). Ellis and Neckbone befriend Mud and become his little helpers, though they don’t realise that their benevolence could end up putting their lives in danger.

McConaughey has gotten a lot of praise for his performance as Mud. In my opinion, after having seen a plethora of interviews around his Oscar win, he only deserves half of the credit because was he simply playing himself. Mud is an eccentric fellow who says weird stuff that sounds profound but is really quite stupid, or pretentious even. That’s McConaughey!

Anyway, despite my prejudices against Mr Alright Alright Alright, I can’t deny Mud is a superior coming-of-age flick that brings back warm memories of classics like Stand By Me and of course Mark Twain’s Huckleberry Finn. It’s a good-looking film with fantastic cinematography, solid performances (with a cast that also includes Michael Shannon, Sam Shepard and Sarah Paulson) and plenty of heart. It’s slightly overlong at 130 minutes given its deliberately managed pace, though having said that I was engaged throughout. A pleasant surprise.

3.75 stars out of 5

Mirror Mirror (2012) vs Snow White and the Huntsman (2012)

As I have foreshadowed, my movie reviews are a little backed up, so why not kill two birds with one stone with this double-barreled review of two new films based around the same premise, Julia Roberts’ Mirror Mirror and Kristen Stewart’s Snow White and the Huntsman?

To be honest, I didn’t have much an interest in either film, but as usual, I watched both. What can I do? I’m a film buff.

First up, Mirror Mirror, which should have been more aptly titled “Lily Collin’s Eyebrows.” Since the Taylor Lautner vehicle Abduction, Collin’s eyebrows have been elevated to a whole new level. I was so distracted by the eyebrows that I often forgot to focus on the film. Which is easy, by the way, because it sucked donkey balls.

The majority of Mirror Mirror’s plot follows the original fairytale. Collins is Snow White and her stepmother and the Queen, Julia Roberts, is trying to get rid of her so she can remain the fairest of them all. Yes, there is a prince and yes, there are dwarves. No surprises.

Theoretically, Mirror Mirror should have been the better film. Just about everyone’s impression of Snow White comes from the Disney cartoon, which made it naturally more suitable for a family comedy as opposed to Snow White and the Huntsman’s “re-imagining.” While it was admittedly trying to be fun, Mirror Mirror suffered from a complete lack of freshness and laughs. The majority of the jokes were what I would call “family humour”, which is code for unfunny. There may have been a couple of good ones here and there, largely thanks to the charming wit of Winklevii star Armie Hammer as the prince, but for the most part the jokes hopscotched between obvious, lame and unimaginative. I can see children enjoying it, but I must say I cringed more than I laughed.

Mirror Mirror was more this

To be fair, the film was not badly made. Director Tarsem Singh, who last worked on Immortals, infuses flair into the art direction, and the costumes, especially those donned by Roberts, were all quite brilliant. The performances were strong and, thankfully, no one took themselves too seriously.

But in the end, I just couldn’t force myself to like or enjoy Mirror Mirror. Some might think the final Bollywood tribute sing-song was a redeeming feature but I found it totally bizarre and somewhat uncomfortable. If the film had lifted my spirits prior to this point I might have felt differently, but alas, it did not.

This brings me to the second Snow White film, Snow White and the Huntsman, which I thought would stink even before I caught the first trailer. Surprisingly, while I also struggled with it, I found it to be the better motion picture overall.

The Huntsman (let’s just call it that for short), is in the vein of last year’s Red Riding Hood, you know, that Amanda Seyfried “re-imagining” of another popular fairytale. It takes the basic plot and essentially does whatever it wants with it. In Red Riding Hood’s case, it was obviously inspired by the love triangle and teenage angst from Twilight, which doomed it to suckiness from the outset. In The Huntsman’s case, it’s a lot more complicated. This one takes “inspiration” from a lot of movies, from Lord of the Rings (or some might say Game of Thrones), Joan of Arc, Braveheart, Alice in Wonderland, Kingdom of Heaven, just to name a few. It’s both a blessing and a curse.

In this one, Snow White is imprisoned by the evil Queen for years before a daring escape into the enchanted forest, and a new character, known only as the Huntsman, is tasked with tracking her down. To me, even though the script was pretty muddled, it was by far more interesting because there were characters and plot points I didn’t expect. Sure, the story takes some questionably wild turns and spirals into absurdity on more than one occasion, but at least it kept me wondering what was going to happen next (for the most part, because at 127 minutes it was way too long and lost my interest for a while).

The final act of the film, the supposed climax, was crap and predictable. Anyone that has seen the trailers or the poster will know that Snow White, who has been imprisoned in a tiny cell since she was a child, mind you, suddenly becomes a sword-wielding badass for some reason. Her obligatory Braveheart-style motivation speech (which has become a staple of every movie with a big battle scene these days) was probably the most WTF moment I have seen on the big screen in years.

The standout character in the whole film has to be Charlize Theron as the crazy bitch/witch of a Queen. She’s fascinating despite the shortcomings of her character and Theron does an amazing job of portraying the seductive nutjob notwithstanding the sometimes trite dialogue she has to spew out.

Chris Hemsworth’s Huntsman is also an interesting character and he fits the role well, but there were too many loose ends when it came to his relationship with the princess.

Snow White and the Huntsman was more this

Speaking of which, if there is an Oscar for unexplained/exaggerated heavy breathing, Kristen Stewart would win it every year. She’s not bad in this but her act is wearing thin on me. I became a massive fan of hers after watching Into the Wild back in 2007 (one of my favourite films of all time), and sadly my affection for her has dwindled with every subsequent film she has been in (well, Adventureland is an exception). By the time I watch Breaking Dawn: Part II, I might very well find myself despising her.

Visually, the film is stunning, with the scenes involving Theron’s spells and the enchanted forest exemplifying what movie magic is all about. Amazingly, this is the first feature of director Rupert Sanders, who was previously best known for his advertisement of the video game HALO. I’d be very interested to see what he comes up with next.

Although it’s very difficult to compare two such different films, ultimately, The Huntsman is the better movie. That’s not saying a lot, considering how disappointed I was in Snow White, but as pieces of entertainment, it’s not much of a contest.

Mirror Mirror: 1.5 stars

Snow White and the Huntsman: 3 stars

PS: Ray Winstone must be the only guy in Hollywood who can play Beowulf and one of the Seven Dwarves. Just sayin’.