The Tall Man (2012)
An interesting thriller about a mysterious figure (the titular “Tall Man”) who has been kidnapping kids from a small mining town. Jessica Biel (whatever happened to her movie career?) plays a widowed nurse whose child is abducted and must do all that she can to track down the perpetrator.
I say interesting because The Tall Man is not as straightforward as it seems, with quite a few twists and turns including a major one that occurs, surprisingly, NOT at the very end. Writer and director Pascal Laugier does a good job of keeping the audience off balance with an eerie atmosphere and an unsettling sense of dread and even a bit of surrealism.
Unfortunately, the tone of film lacks consistency and the plot twists aren’t very coherent if you think about them in any detail. The film also slows down a lot from about the halfway mark once the mysteries start unravelling. That said, it’s still a solid (relatively) small-budget film (US$18.2 million) powered by a solid performance from Biel. Those with children might find it more chilling. Not a bad film for DVD night.
3.5 stars out of 5
Fire with Fire (2012)
There is a reason why this Josh Duhamel revenge action-thriller went straight to DVD. It’s silly, unoriginal, mundane, and simply not very good. It’s better than the 8% it got on Rotten Tomatoes, but with a star-studded cast that also includes Rosario Dawson, Vincent D’Onofrio, 50 Cent, Vinnie Jones, and of course, the ubiquitous Bruce Willis, you could be forgiven for expecting a lot more.
Duhamel plays a fireman who is at the wrong place at the wrong time and ends up having to go into witness protection. For a bunch of reasons he no longer wants to be protected and actually wants to come out and take on the guys who want him dead. I don’t get it either.
Fire with Fire offers nothing we haven’t seen before, except with more brutal and unnecessarily violence. It just plods along from one implausible encounter to the next without any real sense of danger of excitement. Generic is probably the best way to describe it.
1.75 stars out of 5
Ghost Rider: Spirit of Vengeance (2012)
The first Ghost Rider, otherwise known as “Nicholas Cage with hair plugs”, was an uncomfortable mix of horror action and campy comedy. It wasn’t bad, but just not very good. The inevitable sequel, Ghost Rider: Spirit of Vengeance, carried much less fanfare and hair from Nicholas Cage, who reverted back to his barely-hanging-on but more natural haircut.
It’s been 8 years since the events from the first film and Cage is still the fiery spirit who feeds on the sins of his victims. He is approached by Idris Elba (The Wire) to save a young boy in exchange for the removal of his demonic curse, setting off a new adventure with a new villain, Blackout (Johnny Whitworth).
The film itself is also more conventional and tonally consistent, but it’s also easy to see that it had a much smaller budget (US$57 million compared to US$110 million) and excepted a lot less from itself. The result? A leaner, more straightforward film that probably would have gone straight to DVD had Cage’s name not been attached to it.
I don’t think it’s as appalling as it has been made out to be (ie, made the first one look like The Dark Knight), but I was kind of bored with it as it felt like the entire film was simply going through the motions so everyone could just collect their paychecks. In a dramatic turn of events, Cage has declared that he won’t star in another Ghost Rider film (yes, there are films that he turns down), meaning the likely end of the franchise. That’s a good thing.
2 stars out of 5
House at the End of the Street (2012)
Jennifer Lawrence has come a long way since 2010’s Winter’s Bone, having gone on to bigger and better things such as The Hunger Games and winning an Oscar in Silver Linings Playbook. Years from now, House at the End of the Street could very well be the big black mark on her resume.
It’s a commercial slasher thriller with a teenage slant, which immediately places the film at a disadvantage. Plus, it was made in 2010 but not released until September 2012 to take advantage of Lawrence’s surging popularity. Indeed, the film debuted at no. 1 in the US.
Lawrence is good in this as a girl who moves into a new neighbourhood with her mother, played by Elizabeth Shue, and she befriends and enters into a relationship with the local hunk (Max Thieriot, Chloe), the sole survivor of a murdered family. He’s not very popular with the locals because he’s bringing their house prices down (how nice).
There are some interesting ideas in this film but the execution is so bad that there are almost zero frights in what is supposed to be a horror film. How you can have a thriller with no thrills or suspense is beyond me. On top of that, everything else about it just felt like your run-of-the-mill teen slasher flick. Sadly, apart from seeing Jennifer Lawrence in a tight singlet (as emphasized on the posters) there really isn’t much else going for it.
2 stars out of 5