Tag Archives: Jake Johnson

The Mummy (2017)

The Dark Universe franchise is off to a rough start.

Universal went all out for its new “monsters” shared universe film series by forking out the big bucks for megastars Tom Cruise and Russell Crowe in the first entry, The Mummy. The hope was that the film would kick off a lucrative Avengers-style franchise that would later feature the likes of Johnny Depp’s The Invisible Man, Javier Bardem as Frankenstein’s Monster, and possibly Dwayne “The Rock” Johnson as the Wolfman.

Unfortunately, and to be honest, not to my complete surprise, The Mummy turned out to be somewhat of a disappointment. Not even Tom Cruise’s usual energy and Russell Crowe’s deep voice could save this ambitious but ultimately dull and inconsistent affair that compares unfavourably to Brendan Fraser’s adventure-packed 1999 version of The Mummy .

In this film, directed by Alex Kurtzman, Tom Cruise plays a soldier who stumbles across the tomb of an ancient Egyptian princess (Sofia Boutella) and unleashes a powerful curse that proceeds to wreak havoc on the world. Annabelle Wallis (from Annabelle) plays a frighteningly attractive archaeologist and Jake Johnson is the sidekick, while Russell Crowe makes a pivotal appearance as Dr. Henry Jekyll (you know, Jekyll and Hyde).

It’s clear, with Mission: Impossible‘s Christopher McQuarrie as a co-writer, The Mummy was aiming to be a similar action spectacular with a Tom Cruise doing crazy stunts plus a mix of genuine horror elements and a dash of humour.  And to be fair, the film does have each of those things, but they never fit together comfortably or transition from one tone to the other with the smoothness it required. The action is pretty good but nothing I would call awesome. The centerpiece is the zero gravity stunt Tom Cruise has been selling, but the majority of it is sadly spoiled by the trailers, along with most of the other decent action sequences. If you’ve seen a trailer or two for this movie like I had then chances are there won’t be anything that comes close to wowing you.

On the other hand, there were some solid horror moments featuring grotesque creatures, but you wouldn’t really classify them as legitimately scary. It’s certainly not at the same level as a “proper” horror film in terms of generating scares. And the humour littered throughout is sporadic and mostly cheesy. Together, the three elements failed to mesh, and it was hard to get a good feel of exactly what the film was trying to be.

The film’s biggest problem is the pains it goes to in order to set up this new extended universe. The plot is steered towards creating this world of evil and monsters, and it’s not done with much of subtlety. The result is a lot of forced dialogue and exposition, which sagged the pace and the sense of adventure I hoped the film could have had. I actually guessed the ending before I even stepped into the cinema, and it’s really not that hard to do if you think about where they are going with this franchise. I will say though that it didn’t make much sense either.

I don’t put any of the blame on Tom Cruise, who clearly did everything he could for the film. Sofia Boutella, Annabelle Wallis, Jake Johnson and Russell Crowe were all actually very solid too. Ultimately, I fault the script, which was heavily hampered by the need to lay the foundations for the future of the franchise. The story started off quite well and was exciting up to a point, but there was a lengthy middle section after Dr. Jekyll appeared that stagnated the plot to do a lot of unnecessary explaining. It’s cool they got a female mummy and all, though Sofia Boutella’s character isn’t particularly memorable and even comes across as similar to Patricia Velasquez’s Anck-su-Namun from the 1999 version.

In the end, I wouldn’t say The Mummy was horrible — it just wasn’t very good or as good as it needed to be. I wish Universal could have worked on The Mummy as a standalone first and ensured that it was a success before planning out all the later installments. They should have learned their lesson from the DCEU, which produced the similarly disappointing Batman v Superman and Suicide Squad. It seems unlikely that Universal will pull the plug on the Dark Universe franchise because Tom Cruise movies typically do gangbusters in overseas markets (I saw it in a packed house on a Wednesday afternoon during work hours) — and as we’ve seen with Wonder Woman, the ship can be straightened — but it’s going to be an uphill battle after this disappointing first entry.

2.75 stars out of 5

Movie Review: Let’s Be Cops (2014)

Lets-Be-Cops-poster

With all the cop scandals around the United States lately, it kind of a very strange time for a film about two losers whose fortunes get turned around when they start impersonating police officers. But shit title aside, Let’s Be Cops is just a typical screwball buddy comedy that’s probably a little better than you thought it would be. Not that it’s saying much, but I actually think it’s better than Kevin Hart’s Ride Along.

The story follows two loser buddies, Justin (Damon Wayans Jr), a video game designer, and Ryan (Jake Johnson), a washed up college quarterback. Justin can’t catch a break in his career, while Ryan still tries to relive his glory days by dominating kids at the park. One thing leads to another and the two start to impersonate police officers, first as a joke, but when it turns them into popular dudes they decide to keep the charade going despite committing a very serious crime. Of course, they also end up getting caught up in real police work involving dangerous mobsters and all hell breaks loose.

I’d say the strength of the film likes in the chemistry between Wayans Jr (damn I feel old knowing that Damon Wayans has a son who is acting in movies of his own now) and Johnson. If this were Harold and Kumar, Wayans would be Harold, the straight-faced and more uptight of the two, while Johnson would be Kumar, the mischievous one always getting them into more trouble.  So the humour comes from the same type of dynamic, with Johnson’s daring acts setting up outrageous situations and Wayans squirming to get out of them.

There are a few fairly funny gags in the film, but really nothing particularly witty or memorable. The rest of the stuff is mostly lame, though unlike Ride Along it never gets irritating or grating. The film doesn’t swing for the fences and is perfectly happy settling for mild, cliched humour that will give audiences a few safe chuckles but nothing more. I guess it’s both a blessing and a curse to say that Let’s Be Cops is pretty harmless entertainment.

I really like Rob Riggle’s deadpan face and deliver, so it was good to see him playing patrol officer Segars, a poor sap who is convinced that Wayans and Johnson are real cops despite all the hints to the contrary. Andy Garcia makes a shocking appearance as a corrupt detective, shocking because I didn’t realise he had become a “keep gettin’ ’em cheques” actor. And smoking Nina Dobrev from The Vampire Diaries proves that she isn’t quite ready to make the leap to the big screen as Wayan’s love interest.

It’s easy to shower hate on Let’s Be Cops because it sounds and looks like a tame, formulaic B-grade comedy. But because that’s exactly what I expected, I actually came out of it thinking it wasn’t that bad for a conventional buddy flick. Like most films of this kind, the set-up was relatively strong and the final act grew weaker and weaker, though on the whole I didn’t have any major problems with it.

2.5 stars out of 5