Tag Archives: Huntsman

The Huntsman: Winter’s War (2016)

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I was not one of those people who enjoyed Snow White and the Huntsman. Visually, it had some positives, and Charlize Theron really nailed her role as the wicked Queen, but I just found the whole thing pretty moronic. However, the movie was a financial success (nearly US$400 million on a US$170 million budget), so of course they had to make an unnecessary sequel/prequel: The Huntsman: Winter’s War. And boy does it suck.

This is a movie that had no shame. With Kristen Stewart refusing to return to reprise her role as Snow White, they decide instead to focus on Eric the Huntsman (Chris Hemsworth), whom you might recall in the first film was a widower and drunkard who made a deal with Queen Ravenna to track down Snow White in return for bringing back his dead wife.

Well as it turns out, contrary to everything the first film suggests, Eric the Huntsman is actually some kind of super warrior trained since he was a child by none other than the Queen Ravenna’s younger sister, Freya (Emily Blunt), who happens to be a real life version of Elsa from Frozen. What’s even crazier is that there’s actually a whole army of Huntsmen just like Eric, including Sara (Jessica Chastain), a redhead adept with a bow and arrow who has alarming similarities to Merida from Brave. There’s a lot more ridiculous stuff that this film pulls out of its anus just to make the contrived story work, but I can’t divulge them without spoilers.

What is fascinating is that the film is both a prequel and a sequel in that it begins before Snow White and the Huntsman and ends after it. Kristen Stewart’s Snow White is referenced several times but you kind of forget she’s even part of the same world. And it ignore the fact that the first film totally alluded to a romantic future between her and the Huntsman. Basically, it just completely distorts the events and characters from the first film so that a new story can be concocted. It’s as though the writers just sat around a table and just brainstormed a bunch of ideas — like stealing from Frozen and Brave — and then made up ways to fit them into the same universe. It wasn’t supposed to fit and didn’t fit, but they forced it in anyway.

And look, it’s not like Snow White and the Huntsman made any sense either, but it made a lot more sense than this one because at least that was written as a standalone film. Winter’s War, on the other hand, was an obvious and contrived money grab that pillaged any scraps it could find from its predecessor to cobble together a barely coherent mishmash of blatantly rip-off ideas and cliches. This wasn’t a “Oh, it’s clever how they created a sequel by expanding on the existing universe” situation. This was more of a “WTF is going on?”-type situation.

It felt like the all-star cast had a lot more fun making the movie than audiences had watching it. Whether it was the lure of playing crazy fantasy characters with magical powers or a paycheck that got them on board is anyone’s guess. In all fairness, however, the acting wasn’t too bad considering the material they had to work with. The special effects and costume teams, both of which picked up Oscar nominations for Snow White and the Huntsman, do a solid job again here, so at least visually, the film isn’t too bad.

Sadly that’s about the extent of the praise I can twist myself into giving Winter’s War.   It is by no means the worst film of 2016 thus far, but it certainly is the most irritating.

1.75 stars out of 5

Mirror Mirror (2012) vs Snow White and the Huntsman (2012)

As I have foreshadowed, my movie reviews are a little backed up, so why not kill two birds with one stone with this double-barreled review of two new films based around the same premise, Julia Roberts’ Mirror Mirror and Kristen Stewart’s Snow White and the Huntsman?

To be honest, I didn’t have much an interest in either film, but as usual, I watched both. What can I do? I’m a film buff.

First up, Mirror Mirror, which should have been more aptly titled “Lily Collin’s Eyebrows.” Since the Taylor Lautner vehicle Abduction, Collin’s eyebrows have been elevated to a whole new level. I was so distracted by the eyebrows that I often forgot to focus on the film. Which is easy, by the way, because it sucked donkey balls.

The majority of Mirror Mirror’s plot follows the original fairytale. Collins is Snow White and her stepmother and the Queen, Julia Roberts, is trying to get rid of her so she can remain the fairest of them all. Yes, there is a prince and yes, there are dwarves. No surprises.

Theoretically, Mirror Mirror should have been the better film. Just about everyone’s impression of Snow White comes from the Disney cartoon, which made it naturally more suitable for a family comedy as opposed to Snow White and the Huntsman’s “re-imagining.” While it was admittedly trying to be fun, Mirror Mirror suffered from a complete lack of freshness and laughs. The majority of the jokes were what I would call “family humour”, which is code for unfunny. There may have been a couple of good ones here and there, largely thanks to the charming wit of Winklevii star Armie Hammer as the prince, but for the most part the jokes hopscotched between obvious, lame and unimaginative. I can see children enjoying it, but I must say I cringed more than I laughed.

Mirror Mirror was more this

To be fair, the film was not badly made. Director Tarsem Singh, who last worked on Immortals, infuses flair into the art direction, and the costumes, especially those donned by Roberts, were all quite brilliant. The performances were strong and, thankfully, no one took themselves too seriously.

But in the end, I just couldn’t force myself to like or enjoy Mirror Mirror. Some might think the final Bollywood tribute sing-song was a redeeming feature but I found it totally bizarre and somewhat uncomfortable. If the film had lifted my spirits prior to this point I might have felt differently, but alas, it did not.

This brings me to the second Snow White film, Snow White and the Huntsman, which I thought would stink even before I caught the first trailer. Surprisingly, while I also struggled with it, I found it to be the better motion picture overall.

The Huntsman (let’s just call it that for short), is in the vein of last year’s Red Riding Hood, you know, that Amanda Seyfried “re-imagining” of another popular fairytale. It takes the basic plot and essentially does whatever it wants with it. In Red Riding Hood’s case, it was obviously inspired by the love triangle and teenage angst from Twilight, which doomed it to suckiness from the outset. In The Huntsman’s case, it’s a lot more complicated. This one takes “inspiration” from a lot of movies, from Lord of the Rings (or some might say Game of Thrones), Joan of Arc, Braveheart, Alice in Wonderland, Kingdom of Heaven, just to name a few. It’s both a blessing and a curse.

In this one, Snow White is imprisoned by the evil Queen for years before a daring escape into the enchanted forest, and a new character, known only as the Huntsman, is tasked with tracking her down. To me, even though the script was pretty muddled, it was by far more interesting because there were characters and plot points I didn’t expect. Sure, the story takes some questionably wild turns and spirals into absurdity on more than one occasion, but at least it kept me wondering what was going to happen next (for the most part, because at 127 minutes it was way too long and lost my interest for a while).

The final act of the film, the supposed climax, was crap and predictable. Anyone that has seen the trailers or the poster will know that Snow White, who has been imprisoned in a tiny cell since she was a child, mind you, suddenly becomes a sword-wielding badass for some reason. Her obligatory Braveheart-style motivation speech (which has become a staple of every movie with a big battle scene these days) was probably the most WTF moment I have seen on the big screen in years.

The standout character in the whole film has to be Charlize Theron as the crazy bitch/witch of a Queen. She’s fascinating despite the shortcomings of her character and Theron does an amazing job of portraying the seductive nutjob notwithstanding the sometimes trite dialogue she has to spew out.

Chris Hemsworth’s Huntsman is also an interesting character and he fits the role well, but there were too many loose ends when it came to his relationship with the princess.

Snow White and the Huntsman was more this

Speaking of which, if there is an Oscar for unexplained/exaggerated heavy breathing, Kristen Stewart would win it every year. She’s not bad in this but her act is wearing thin on me. I became a massive fan of hers after watching Into the Wild back in 2007 (one of my favourite films of all time), and sadly my affection for her has dwindled with every subsequent film she has been in (well, Adventureland is an exception). By the time I watch Breaking Dawn: Part II, I might very well find myself despising her.

Visually, the film is stunning, with the scenes involving Theron’s spells and the enchanted forest exemplifying what movie magic is all about. Amazingly, this is the first feature of director Rupert Sanders, who was previously best known for his advertisement of the video game HALO. I’d be very interested to see what he comes up with next.

Although it’s very difficult to compare two such different films, ultimately, The Huntsman is the better movie. That’s not saying a lot, considering how disappointed I was in Snow White, but as pieces of entertainment, it’s not much of a contest.

Mirror Mirror: 1.5 stars

Snow White and the Huntsman: 3 stars

PS: Ray Winstone must be the only guy in Hollywood who can play Beowulf and one of the Seven Dwarves. Just sayin’.