Men in Black 3 (2012)
I still remember the hype surrounding the original Men In Black in 1997, which officially catapulted Will Smith into big screen superstardom. I also vividly remember watching Men In Black II in 2002, and falling asleep during it. So when Men In Black III, which comes 10 years after the sequel, hit our cinemas, I didn’t have much interest, though I did eventually catch it on DVD.
This time, with Tommy Lee Jones quite literally “too old for this shit,” they got Josh Brolin to play a younger version of Agent K to team up with Will Smith’s Agent J in a plot commonly seen for third movies in a franchise — time travel, in the vein of Teenage Mutant Ninja Turtles III: Turtles in Time (classic film and arcade game).
As expected, MIB III was a tired old affair trying to milk the dollars. It wasn’t horrible, and it was an undoubted upgrade over its immediate predecessor, but there just wasn’t anything that could get me excited. I love aliens as much as the next X-File fan, though in this case they weren’t enough. Josh Brolin was surprisingly good and convincing as the younger Tommy Lee, who still got top billing despite the very limited screen time, though there were just too many Will Smith-esque dry jokes for my liking.
I know some critics found the film unassuming and fun, but I just couldn’t bring myself to like it. And I can’t believe they have confirmed another one.
2 stars out of 5
I keep reminding myself to watch more of Seth MacFarlane’s stuff, especially the sharp and cutting Family Guy, but for whatever reason I just haven’t found the time. I was fortunate enough to watch Ted on a long-haul flight last year, and notwithstanding the effects of my soothing in-flight Xanax, I found the film to be a cracking good time. Not perfect by any means, but different enough and funny enough to make it one of the standout comedies of the year.
Marky Mark Wahlberg plays John, a kid whose wish that his teddy bear — Ted (voiced by MacFarlane) — would come to life. Sure, they are celebrities for a while, but eventually they grow up and have the face the realities of life, including John’s girlfriend, played by Mila Kunis.
At its core, Ted is a buddy movie where one is a screw-up (in this case the teddy) who holds the other guy back from realizing his full potential, but in all honesty the film is all about the laughs and the crude jokes. The script is somewhat inconsistent, but when it comes to generating laughs, Ted delivers. There are times when MacFarlane tiptoes around the edges of good taste (and in some cases steps over the bounds), but it really depends on what your personal limits are. For me, the vast majority of it was fine, and even the ones that were dangerous elicited a guilty chuckle.
MacFarlane does a wicked Ted, with a low, alcoholic voice laced with a thick Boston accent. Marky Mark is also perfect playing his typical dropkick-with-a-heart-of-gold character, and Mila Kunis shines as his sassy girlfriend. Special mention goes out to Giovanni Ribisi, who delivers a hilarious performance as a psycho obsessed with Ted.
In all, Ted is an acquired taste that may leave a bad taste in your mouth, but as warped as it is the film is also undoubtedly funny.
4 stars out of 5
Denzel being Denzel is pretty much how I would sum up Flight, Robert Zemeckis’s (trying saying that quickly three times) first live action film since the awesome What Lies Beneath from 2000.
Denzel plays Whip, a skilled airline pilot who dabbles in women, alcohol and drugs. But when he miraculously lands a crashing plane and saves nearly everyone on board, he is hailed a hero — until the authorities start looking into his toxicology reports. Should the pilot’s state of mind and body be relevant if it wasn’t his fault that the plane was crashing in the first place? Shouldn’t all that matter be the fact that he saved people’s lives? And just how far would you go to protect your reputation even if it isn’t real? Those are the type of questions Flight asks its viewers.
It’s a fascinating story about truth and addiction and one man’s battle against demons that threaten to consume his life. Denzel is of course brilliant as the complex Whip, which is why he got another Oscar nomination, but the one who stole the show for me was Brit Kelly Reilly (I last saw her in the 2008 horror Eden Lake with Michael Fassbender), who plays a recovering drug addict with demons of her own.
Flight is a heavy drama tackling depressing issues, so there was a sense of gloom throughout the whole film, but you know the emotional lift will come eventually after Whip hits rock bottom. In that sense I found the whole thing a little predictable, though I can’t deny the effectiveness of the dramatic sequences and the performances. It’s one of those films you can appreciate but won’t be much more than a fuzzy memory in a few years.
3.75 stars out of 5
I was surfing YouTube for film trailers one day at work and I kept seeing ads on the right hand column for this slasher flick called Smiley, featuring a killer with — you guessed it — a mutilated smiley face. The trailer looked generic and horrible but I watched it anyway, and it is a decision I will have to live with for the rest of my life.
In short, Smiley is one of the worst movies of the year. Pathetic and derivative plot, laughable acting and zero scares, not even visceral ones. The idea is a mish mash rip off of Candyman and Scream — that if you type a silly phrase into a webchat three times, Smiley will show up and kill the person on the other side. Of course, some moronic girl, played by Caitlin Gerard, decides to do it, and watching Smiley kill someone traumatizes her. The bodies then start piling up, and surprise surprise, no one believes her and thinks she’s going crazy. This was about the same point I wondered whether I was going crazy because surely the film could not be this abhorrent. But it was.
Caitlin Gerard is pretty to look at but all that crying and screaming and acting scared convinced no one. Even at 95 minutes I wondered regularly if the film was ever going to end. The end.
0.5 stars out of 5