There have been a plethora of werewolf and vampire movies and TV series hanging around ever since Twilight took off, and I don’t think the unimaginatively titled Wolves, a Canadian production looking to ride the wave, has gotten the message that too much is just…too much.
Wolves is technically not a bad effort. It just fails to provide anything new or even attempt a creative spin on the familiar teen genre. Lucas Till, whom some of you might remember from the two most recent X-Men movies as Havoc, plays Cayden Richards, a happy teenager and jock who suddenly discovers that he is a werewolf. He ends up on the run and lands in the town of Lupine Ridge, a town full of his breed, to find out the mysteries of his heritage. Naturally, he meets a hot young girl (Merritt Patterson), and the two fall for each other because there’s no one else around. No love triangle is refreshing, but it’s also kinda boring.
However, the focus of Wolves is, thankfully, not on the romance. It’s more about tensions between Cayden and a dangerous pack of wolves led by Connor, played by Game of Thones’ Jason Momoa. The big fella is the headliner for the movie but he comes across as fairly bland. In fact, most of the film comes across as fairly bland. There’s werewolf sex and werewolf fights, but the story itself is not interesting or distinguishing enough for Wolves to avoid the label of a wannabe attempt.
On the bright side, it’s solidly directed by writer/director David Hayter (who penned the scripts for X-Men, X-Men 2 and Watchmen) in his directorial debut, and the wolves look more like traditional werewolves than the big dogs they’ve become thanks to Twilight.
Still, it’s hard to determine what Wolves was aiming for other than another run-of-the-mill teen wolf flick. It was made for a minuscule budget of US$18 million. It is, as far as I know, not based on any best-selling books. It doesn’t appear to have any major rising stars or teen heartthrobs, unless you put Till (who looks more “unusual” than handsome in my humble opinion) or Momoa (who is too old) in those categories. And it appears to be a standalone with no prospects of a sequel.
Perhaps it will give those suffering from Twilight withdrawal symptoms a shot in the arm, but for everyone else, Wolves should either be watched as a DVD rental when the options are limited or a late-night cable entry when there’s nothing else to do.
I had been importing my short Flixter entries for all my movie reviews up to now, but I thought if any movie deserved a full review, it would be Watchmen, possibly the most anticipated movie of the year for many (unless Harry Potter 6 or Transformers 2 is more your thing).
Disclaimer: I will preface this review with two comments: (1) I am going to stick to my convention of not revealing much about the plot or what happens in the movie; (2) I have not read the Watchmen graphic novel yet (thought it might ruin the movie experience if I read it beforehand).
Director: Zack Snyder
Main cast: Malin Ackerman (Silk Spectre II), Billy Crudup (Dr Manhattan), Matthew Goode (Ozymandias), Jackie Earle Haley (Rorschach), Jeffrey Dean Morgan (The Comedian), Patrick Wilson (Nite Owl II), Carla Gugino (Silk Spectre I)
Rating: USA: R, UK: 18, Australia: MA
Running time: 163 minutes
4 out of 5 stars
Watchmen is likely to be one of the most unusual films you will ever see. It’s about superheroes, but it’s not your typical superhero movie. Most of the superheroes don’t display any obvious supernatural abilities (which really just makes them people who like to fight crime and have costume fetishes). It’s often difficult to discern who is good or evil, right or wrong. Probably all of the main characters exhibit some form of mental disorder at varying levels of seriousness. In a sense, they are the anti-superheroes.
As I said, I don’t like to reveal the plot for those that don’t want to know about it (but I assume most people who go to see it have a rough idea). All I will say is that the story takes place in an alternate historical version of 1985, during the peak of the US/USSR Cold War. This becomes clear in the opening sequences.
However, to some extent, it doesn’t really matter what the plot is about, because at its heart, Watchmen is a character movie. The story is told in non-linear form, jumping from character to character and revealing their back stories through flashbacks. There is a central line in the plot, a mystery waiting to be solved, but the focus is firmly on the characters – who they are, how they became the way they are, their personal struggles, their fears, desires, motivations and ambitions. At the same time, there is this constant undercurrent about the nature of human beings, and in particular, their capacity (or lack thereof) for understanding and compassion.
The Watchmen graphic novel (by Alan Moore, Dave Gibbons and John Higgins) first came out between 1986 and 1987, which explains the setting. For many years, it was regarded as unadaptable, and after seeing this film, I got a sense of why that may have been the popular opinion. It’s a shame that the movie was not made closer in time to the graphic novel, because the story reflects many of the contemporary anxieties of the American public of that period. Many of those anxieties are still relevant today, but they have evolved (in the wake of 9/11) and the impact is not quite the same as it would have been.
Directing and Screenplay
Director Zack Snyder and writers David Hayter (who wrote the original script) and Alex Tse (who kept the best elements but amended much of it) should be commended on bringing Watchmen to life at last. As I haven’t read the graphic novel, I cannot comment on how good the adaptation was, but as a standalone film, it was very good, though not great. The difficulty may lie with the running length – at 163 minutes, it is very long for a superhero movie (though not as extraordinary as it would have been a few years ago) – but at the same time, you get a strange feeling that there was much more of this bizarre world yet to be explored. Perhaps the director’s cut, which is supposedly 191 minutes (and coming out with the DVD), will be a more complete picture for those that want to see more of it. For some, I imagine 163 minutes is already too much.
The importance of the acting in a film like this cannot be understated. For the most part, the actors in the lead roles delivered believable performances that traversed a plethora of emotions. The clear standout would undoubtedly be Jackie Earle Haley as the freakish yet intriguing Rorschach, the best character by far. You’re already impressed with him when he wears a mask that obscures his entire face. You then become even more amazed when he takes off the mask. Truly brilliant.
Not far behind is Patrick Wilson (Haley’s co-star in the magnificent Little Children), an extremely underrated and underappreciated actor who plays Nite Owl II, a slightly overweight and awkward social misfit.
If there is a weak link, it would have to be Matthew Goode’s Ozymandias. While he may fit the bill physically (tall, lean and traditionally handsome), he doesn’t quite exude the charm and presence needed from the character. Not to take anything away from Goode’s performance because it was adequate, but if you have to pick on someone it’s him.
Violence, Sex and Special Effects
Given the classification ratings for Watchmen, it’s not surprising that there is an abundance of incredibly bloody and gruesome violence (as well as ‘normal’ violence), a bit of sex and nudity (both real and assisted by special effects) and some coarse language (though not as much as I expected). I’m glad they made this film for adults rather than worry about the classification and go for a toned down version that simply wouldn’t have worked.
The fight scenes were superbly choreographed – smooth, crisp and whole, thankfully avoiding the rapid cut scenes that have plagued action films of late. And from the guy who directed 300, I would have expected nothing less. On the other hand, Snyder didn’t shy away from some of the more frightening scenes either, displaying the pain, gore and blood in all its glory.
As for the special effects – they were good, but certainly not groundbreaking. They did a fairly decent job with Billy Crudup’s Doctor Manhattan, but there were times when you could easily spot things that were completely computer generated (not that you would expect them to build the real thing).
On the whole, Watchmen was very very good – but it fell considerably short of the masterpiece some it expected to be. It may seem unfair, but you cannot NOT compare the film to its source material (or at least its reputation if you haven’t read it), which is considered by many to be the greatest graphic novel of all time.
There were some absolutely brilliant sequences littered throughout this movie, but it was more scattered than consistent. Those expecting an all-out action flick might be disappointed because there are quite a few ‘dull’ character development moments in between. I assume there will probably be 4 broad classes of reactions to Watchmen: (1) loved the graphic novel and therefore loved the movie; (2) loved the graphic novel but felt the film did not do it justice; (3) haven’t read the graphic novel and now want to after seeing the film; (4) thought it was weird and stupid and didn’t get it.