Tag Archives: Bridge of Spies

Best Films of 2015

I know. We’re hours away from 2017 and I’m only doing my Best Of list for 2015 now. That’s just the way life goes sometimes. Anyway, I finally tabulated all the films I’ve watched with a 2015 release date, and the total number has come to 151! That’s 0.41 movies a day, 2.9 movies a week.

The highest rating I gave was of course 5, and the lowest was 0.5. The average score was 3.05 and the median score was 3, suggesting I was either too generous or the average 2015 film I watched was “pretty decent” (my definition of a 3-star film). And honestly, I feel like that’s a solid assessment of 2015, which garnered the most 5-star scores in I’ve had in a single year since (probably) I started reviewing movies online. The hardest part about this list, as always, was deciding which movies with the same score should be ranked before the other.

Without a further ado, here are my (subjective) top 10 films of 2015, with a few honorable mentions tossed in for fun.

Honorable Mentions

Star Wars: The Force Awakens, Steve Jobs, Creed, Inside Out, Spy, Kingsman: The Secret Service

These were movies I enjoyed a lot and I even thought some of them might make the list (until I realised how many other good movies I watched).

Just Missing the Cut

Straight Outta Compton – Never much of a rap guy, even in my youth, but this true story was gripping and explosive.

The Big Short – Sharp, informative, insightful and witty. And that superstar cast is a pure delight.

Spotlight – Superbly made film about an important true story, with brilliant performances all round.

Room – Harrowing, terrifying, yet beautiful film about love and hope.

Amy – I’m not much of a Winehouse fan, but this was one of the best documentaries I had seen in a while. Wish I could have included a doco on the list but I couldn’t push any of the others out.

The List

10. The Stanford Prison Experiment

This was the closest to being replaced with by one from the honorable mentions list, but I really wanted to highlight this film rather than just putting in another lauded movie that appears on most critics’ lists. I was so captivated by this bizarre true story about a university experiment in which some students were cast as inmates while others were cast as prison guards. It was frightening to see how far things went, which was both surreal yet strangely believable. Nice young cast too.

9. Anomalisa

This was one of the most unusual movies I’ve ever seen, and certainly one of the most memorable. The stop-motion animation, the authentic yet purposely fake appearances of the characters, the awkwardness and razor sharp black humour, and the strangely poignant love story — I adored this movie from start to finish. In any other year this is likely in the top 5.

8. Ex Machina

There have been many films about robot, AI and consciousness, but this was just such a brilliant idea and executed so wonderfully. The film rightfully won the Oscar for best special effects and featured a performance by Alicia Vikander that I personally thought was more Oscar-worthy than what she delivered in The Danish Girl (which she actually won the Oscar for).

7. Sicario

Not sure about the sequel coming up because I felt it was near-perfect as a standalone film and should be left alone. This was the only movie I gave 4.75 stars to in 2015 and I still don’t know why I didn’t give it a perfect score. It was intelligent and stylish, and above all, it was so tense and so riveting that I was on the edge of my seat all throughout. This movie is the reason that Arrival (also directed by Denis Villeneuve) is the film I want to see more than any other at this moment.

6. It Follows

The most original horror film of the year. A simple idea but a smart one that takes an otherwise typical horror trope and twists it around— and the execution is incredible. The type of film that makes you put yourself in the shoes of the characters and sticks in your mind long after the end credits roll.

5. Goodnight Mommy

The only foreign film on the list this year, and a highly deserving one for being by far the creepiest movie experience I’ve had in quite some time. It’s slow and not for everyone, but if you like atmospheric horror and want to be creeped out, this is the flick for you.

4. The Martian

My most enjoyable film experience of the year in terms of pure fun and entertainment. I still haven’t read the book, but the film totally nails it, from the performances to the humour to the science (I don’t know how legit it is, but the important thing is that it feels legit). One of the more rewatchable films on this list too.

3. Bridge of Spies

I know some people aren’t that high on this movie, though for me, it’s as close to perfect storytelling as you can get and demonstrates again why Steven Spielberg is one of the greatest directors of all time. I went from being not very interested in the idea of the film to absolutely loving it. Well-deserved Oscar to Mark Rylance too. Humble brag: I called it as soon as I saw the film.

2. Mad Max: Fury Road

This was so close to being my No. 1 of the year. Having never watched the original, I had no idea what to expect, and what I saw blew my mind. The action, the strangeness, the intrigue, the horror—it was simply a jaw-dropping spectacle that has been etched into my memory. Can’t wait to see what George Miller does next.

1. The Revenant

In the end, despite all the great films on this list, the choice wasn’t that hard. The all-time spectacular visuals, the exhilarating, brutal extended action sequences, the Oscar-winning performance from Leo, and of course that memorable bear attack — everything combined to propel The Revenant to the very top of my Best Of 2015 list.

Bridge of Spies (2015)

bridge of spies

Steven Spielberg’s Bridge of Spies is to me this year’s version of The Imitation Game. I went into it anticipating a good wartime drama with strong performances, but never did I expect a home run that would definitely end up on my top 10 list for the year.

That’s how much I loved Bridge of Spies, a true story set in the paranoid Cold War era about a lawyer “chosen” by the US government to defend a suspected Russian spy. The lawyer is James Donovan (Tom Hanks) and the spy is Rudolf Abel (Mark Rylance), and I’m willing to bet now that both will be nominated for Academy Awards next year, with Rylance taking home the prize for Best Supporting Actor.

Award-worthy performances aside, Bridge of Spies is fantastic in every other way, a truly intriguing and fascinating story about a heroic man whose pivotal role in history has been largely forgotten. I don’t want to give away too much for those not familiar with Donovan, because one of the best things about this film for me was the experience of going on this strange and thrilling adventure with him.

Spielberg is the greatest cinematic storyteller in the world, and he proves it once again by making a deeply moving and inspirational film that can resonate with and be enjoyed by everyone.

To be honest, I was initially not that hyped to see the movie. Political intrigue, courtroom drama, Tom Hanks doing his usual thing, etc — it just didn’t seem that exciting to me. I thought it would be like another Tinker Tailor Soldier Spy with the slow sensibilities of Spielberg’s previous film, Lincoln, meaning I would probably need a strong coffee beforehand to stay awake through the 141-minute running time.

Instead, Spielberg has crafted a surprisingly accessible film, one that perfectly captures the tit-for-tat and absurd posturing of the Cold War period while educating those less informed in a simple and non-condescending manner. And for those thinking it might be a contemplative (ie, boring) drama, think again, because something interesting is always happening on screen; the film is constantly moving along at just the right pace and neither feels rushed nor slow. It is rare for such a long film to feel like it’s the exact length it should be.

Credit must also go to screenwriters Matt Charman and my favourites, the Coen brothers, who somehow manage to tie together the various strands of the seemingly complex historical storyline with minimal confusion but without dumbing it down too much for more sophisticated audiences.

Contrary to what I thought it would be (judging from the title, poster, etc), Bridge of Spies is not a slick thriller full of twists and turns and clever dialogue. It was never aiming to be such a film. Rather, it is surprisingly funny, with that devilishly dark Coen brothers style I think is the most hilarious thing in the world. It is driven by well-developed characters, with even the minor ones leaving lasting impressions because of the way they’ve been written and/or the memorable performances. The tone is also masterfully controlled, light when it needs to be, heavy when it should be, and subtly “f@&@ yeah!” when it has to be done.

When it’s all said and done, Bridge of Spies isn’t going to be remembered as fondly as say Schindler’s List or even Saying Private Ryan, though it certainly belongs in the conversation of the top movies of 2015. I think it’s Spielberg’s best-directed film since 2002’s Minority Report.

5 stars out of 5!