Tag Archives: Boyd Holbrook

Logan (2017)

I literally just got back from watching the highly anticipated Logan, supposedly the last time we will ever see Hugh Jackman as the clawed superhero that first made him famous 17 years ago. And in all honesty, I am still stunned by just how good it is. After the maligned X-Men Origins: Wolverine and the better-but-not-good-enough The Wolverine, we finally have a Wolverine standalone film that does the iconic character justice.

As the title of the film suggests, Logan is a deeply personal story about an aging, struggling Wolverine (Hugh Jackman) whose powers are fading. The only thing keeping him going is his sense of obligation to Professor X (Patrick Stewart), whose failing mental faculties make him an extremely dangerous mutant. As the trailers and posters foreshadow, a young girl named Laura is thrust into his life, turning all his plans upside down and setting the wheels of the narrative in motion.

The X-Men films have never really cared about continuity, and it would be wise to not get caught up in all the nitty gritty of past entries in the franchise. In fact, you don’t need to have watched a single X-Men film to get this movie or really enjoy it. It actually works perfectly as a standalone. All you really need is to know that it’s set in the not-too-distant future and have a general idea of who the characters are and what mutant powers they possess, because director and co-writer James Mangold does a fabulous job of immersing audiences in the world of the story without an excessive amount of exposition. But of course, if you’ve followed Jackman’s version of the character for 17 years, the bittersweet nostalgia gets pretty heavy too.

What drew me so much to Logan in the first place was the first trailer, which felt eerily similar in story and tone to The Last of Us (in my view the best video game of all time), which is about a disillusioned, bearded, middle-aged man and a young girl trying to survive in a post-apocalyptic world. I’m glad to say that Logan isn’t that similar to The Last of Us in premise, but it does have shades of what made the video game so engrossing — the characters, the character development, the relationships, and the world building. And that’s what really makes Logan a success — you feel for the characters and you feel their hopes and their pain. In many ways, it’s a film that transcends the superhero genre. It is indeed a superhero movie and an action flick, but it’s also a road movie, a hard-hitting drama, a western, and a movie about cross-generational relationships. I was really surprised by how much I was moved by it.

Logan is also the first R-rated Wolverine film, and it certainly does not waste that classification. From the very first scene and line of dialogue, the film lets you know that it doesn’t intend on holding back, delivering f-bombs and copious amounts of brutal violence, blood and gore. Those used to the more tame X-Men films might find it jarring at first, but let’s face it — what do you expect when someone waves those sharp metal claws around like that? Personally, I didn’t find the violence gratuitous — it only added to the realism and the raw emotion of the film. Besides, it’s not just the violence either, as the story itself is really dark and tackles some very depressing issues. A PG-13 version of this movie just would not have worked.

Both Jackman and Stewart deliver what are easily their best performances in the X-Men franchise to date. Admittedly, part of it is because of the story and the added screen time their characters have been given, but they really do make the most of it. This felt like the kind of Wolverine movie Jackman had wanted to make back in 2009 and again in 2013, one where it’s really about who the character is as a person rather than his claws.

As good as they both are, newcomer Dafne Keen absolutely steals the show as the mysterious young girl named Laura. She is just unbelievably badass in this movie and I would love to see her (or at least her character) featured in future X-Men films.

The rest of the supporting cast is fantastic as well. It took me a while before I recognised him, but towering comedian Stephen Merchant is great as albino mutant Caliban, while Boyd Holbrook (Run All Night, A Walk Among the Tombstones, Morgan) surprised me with how good he is as Donald Pierce, the leader of a security squad working for a scientist played by British film veteran Richard E Grant. Special props too to the actor who plays the main supervillain of the film, who shall remain unnamed.

No movie is perfect, though the only main complaint I have regarding Logan — apart from a couple of minor logistic quibbles — is the 137-minute length, which could have had a few minutes here and there trimmed (120-125 minutes would have been perfect). That said, I never found the film slow, even during its more contemplative moments, and I wouldn’t mind seeing an extended cut that’s even longer.

There are going to be a lot of blockbusters coming out in the next few weeks (Kong: Skull IslandBeauty and the Beast, Life), but I would be very, very surprised if any of them even come close to the awesomeness that is Logan. What a way to send off Hugh Jackman’s version of the character. Logan is the best Wolverine movie ever, the best X-Men movie ever, and one of the best superhero movie of all time. It’s that good.

5 stars out of 5!

Morgan (2016)

Just about every year, there are a couple of movie releases that will take me by surprise. They kind of popped up out of nowhere, with no buzz or early trailers, but feature a cast of big Hollywood names. Morgan is one such film.

The first time I actually saw snippets of the Morgan trailer and poster was actually the weekend before its release. I had never heard of it and couldn’t believe it when I found out that it starred the likes of Kate Mara, Rose Leslie, Paul Giamatti, Jennifer Jason Leigh, Michelle Yeoh, Toby Jones, Boyd Holbrook (soon to be seen as the main villain in Logan), and Anya Taylor-Joy (who was absolutely brilliant in The Witch).

The poster seemed intriguing as well, dominated by a dark, hooded figure I could only presume was the eponymous protagonist (or antagonist, if you will). The trailer gave away wait too much as usual, but essentially, Kate Mara plays some sort of risk assessment manager who ventures into a secluded research facility that managed to genetically engineer a synthetic human being, ie Morgan (played by Anya Taylor-Joy). Pretty much everyone else in the cast is a scientist or a handler of some sort.

I was definitely intrigued. It seemed like a thinking person’s horror movie, with elements of Ex Machina and shades of the underrated Splice. Yes, it is yet another one of those “man should not mess with nature” or “living creatures should not be kept in captivity” cautionary tales, but the fact that such a great cast had faith in the project suggested to me that it would be worth watching.

Well, I was about half right. Morgan turned out to be borderline watchable. What started off as a compelling premise and some early tension soon crumbled into predictability and genre tropes. We all know Morgan’s not as innocent as she seems and that she will get out of her glass box eventually. But instead of pursuing the more interesting and thought-provoking opportunities the premise offers, Luke Scott, the son of legendary director Ridley (who produced the film), chose to indulge in the usual slasher and horror cliches. The action isn’t handled too shabbily, though it would be a stretch to call it outstanding. Same goes for the horror elements — Morgan (both the character and the film itself) never really scared me.

At some point in the movie, it also became impossible to not guess the “twist” at the end. It’s just so obvious and telegraphed that when it is finally revealed there is no sense of shock whatsoever.

Still, I have to be fair. Morgan is still at least serviceable and better than most of the straight-to-DVD horror-thrillers these days. The initial set-up is interesting, I’ll give it that, and the execution — whether it is the action, tension, or horror — is passable. Throw in a star-studded cast who genuinely seemed to put in effort rather than mail it in for a paycheck, and you end up with a movie that isn’t a complete waste of time but could have been so much better.

2.5 stars out of 5