The Age of Adaline, about a beautiful woman who suddenly stops ageing, is one of the weirdest movies I’ve seen this year. I liked it from a big picture perspective, but if I start to think about the specifics it starts to creep me out a bit.
Blake Lively plays Adaline Bowman, a young widow and single mother who suddenly stops ageing at the age of 29 after an accident. Being unable to have a lasting relationship with anyone apart from her daughter (Ellen Burstyn), Adaline is afraid to love and basically lives like the Cullen family from Twilight, using fake names and moving locations periodically to avoid being recognised.
It’s a fascinating concept filled with intriguing possibilities, but The Age of Adaline barely touches on any of them so it can focus solely on love. Not that there’s anything wrong with that, especially if the execution is as effective as it is here.
The story centres on Adaline’s relationships with two dudes — a young one played by Michiel Huisman (best known as Daario from Game of Thrones) and an old one played by Harrison Ford. I won’t divulge more than that except to say the dynamics are really weird; some might go as far as to call it plain wrong. Such is the problem with a woman who doesn’t age.
The best way to describe this film is a fantasy romance. It has a fantastical feel to it in the vein of The Curious Case of Benjamin Button, but it’s also a melodramatic love story that channels Nicholas Sparks. Not as cringy, of course, though it has the same type of sweetness and longing and regret Sparks is renowned for.
It’s a movie that relies on coincidences and promotes the idea of fate. It ignores what should be extreme awkwardness so it won’t get in the way of the “magical” vibe of the love story. There is even a narrator who talks like he’s reading from a children’s story book, explaining to us — in semi-scientific and semi-magical terms — precisely what is happening to Adaline’s body.
The result is a strange but also strangely satisfying experience. Full credit to Blake Lively for arguably the best performance of her career. I’ve always only seen her as Serena van der Woodsen from Gossip Girl, and this is the first time it feels like she has completely embodied a different character. It’s not easy playing someone who looks young but is old at heart, but she’s good enough to make it convincing, even when starring opposite a heavyweight like Burstyn who is 54 years older than her in real life.
Ford also puts in one of the best performances I’ve seen from him in years. I knew he could do brooding but I had no idea he could do yearning old man so well. Huisman, by comparison, is good-looking but isn’t charismatic enough to convince me that he would be capable of being the one to woo Adaline when so many others have failed.
At the end of the day, The Age of Adaline is a fable about mortality that doesn’t tell us anything new or better than what others have done before it. It’s also fantastical and absurd, though it’s hard to deny that there is a dreamy sweetness to the tale that tugs at all the right heart strings. While It may fall short of captivating, I found it entertaining and romantic enough to be enjoyable.
3.25 stars out of 5