As a big UFO and alien buff growing up, the original Independence Day should have been just my kind of movie. I remember Will Smith punching out an alien, Bill Pullman doing his cringeworthy Braveheart speech, and Jeff Goldblum doing Jeff Goldblum things, but I don’t remember loving the movie. A reasonably enjoyable popcorn flick is about as far as I would go.
Accordingly, apart from a little dash of nostalgia I didn’t really want anyway, there really was no reason for me to see Independence Day: Resurgence, especially not 20 years later. Sure, they brought back all the main cast sans Will Smith (maybe they refused to let Jayden Smith play his son in this one), but they also brought in charisma wormhole Liam Hemsworth as the new “younger generation” lead and replaced the wonderful Mae Whitman, who played Bill Pullman’s young daughter in the first time, with skinny blonde Maika Monre (even though I really liked her from The Guest and It Follows).
As expected, Resurgence was not very good. I don’t think it’s as vomit-inducing as what I’ve been calling it, ie Regurgitation, but it’s just a silly, special-effects heavy, overstuffed money-grab that fails to recapture any of the “event film” magic of the original.
I’ll start with what I liked about the movie. The end. Just kidding, there was a little bit more than that. I liked how the story built on the events from the first movie 20 years ago, creating an alternate timeline where humans have blended their own technology with alien technology to build a nice-looking future world where people can travel to the moon and back in seemingly minutes or hours (depending on what is most convenient for the plot), and there’s also world peace with no ethnic or religious conflict. That sounds like a much better world than the one we live in now.
The special effects are so very well done even by modern standards, and I’m glad that the film doesn’t take itself very seriously at all. It’s a movie that knows how silly it is and plays along with its tongue firmly in cheek at times without spiralling into a complete farce.
Having said that, Resurgence just doesn’t feel nearly as fun as it’s supposed to be. It gets off to a poor start with Hemsworth establishing himself as a douchey space pilot protagonist dating the ex-president Whitmore’s (Bill Pullman’s) daughter (Maika Monroe), who is now all grown up and a confidant for the current president (Sela Ward doing her best Hillary Clinton impersonation). Oh, and Will Smith’s dead (his photo is on the White House wall as a reminder), but his son (Jessie Usher) just happens to have grown up to be the best pilot in the country (and since this is the United States, the planet, but most probably the entire universe). In other words, the near-apocalypse 20 years ago had no impact whatsoever on nepotism.
The rest of the cast is also impressive, but none of Vivica A Fox, Charlotte Gainsbourg or William Fichtner have meaty enough roles to really offer anything worthwhile. The only guy who really seems to be a genuinely positive influence on the film is good old Jeff Goldblum. Though he churns through the same schtick as most of the roles he plays these days, he at least adds some levity and sense of fun with his quirkiness and one-liners.
Another really annoying part of the movie is the obvious product placement, in particular from China, from Chinese milk beverages to QQ (messaging service) to the somewhat arbitrary inclusion of Chinese actress Angelababy. She’s not bad in this, but her presence is awkward and an unnecessary distraction because her character is poorly written – though that’s pretty much like everyone else.
The biggest issue I had with Regurgitation is its inability to generate a care factor. Director, co-writer and co-producer Roland Emmerich has always had a thing for world-ending visuals (The Day After Tomorrow, 2012, etc), and in this regard he doesn’t disappoint, but his history developing characters worth rooting for has been a lot patchier. Regurgitation is not one of his stronger efforts. Hemsworth is smug, Pullman looks too exhausted for anything except limping his way to an easy paycheck, and Jessie Usher doesn’t come close to exuding even half the charisma Will Smith did.
Consequently, most of the first half of the movie is rather unengaging as we wait for the inevitable alien invasion, serious carnage and of course, famous landmark damage. And when it arrives, most of it is nothing we haven’t seen before. It gets more exciting once the CGI-heavy spaceship battles begin (largely because human technology is much more advanced than what we’re accustomed to seeing), though things eventually plunge into a wild and laughable climatic sequence that tests the limits of how much ridiculousness audiences can bear. I guess it’s no less insane than humans using a computer virus to defeat an advanced alien species like they did last time, but saving grace for the human race this time is telegraphed far too early. Oh, and I love how mere seconds can expand into a seemingly infinite amount of time when the story calls for it. The problem with all of this is that at no stage does it actually make you feel like humanity is in any real danger.
I’m actually less critical of Regurgitation than how I make it sound in this review. The second half of the film is dumb, popcorn entertainment I didn’t really mind. But then again, it might just be because the first half lowered expectations too much.
2.5 stars out of 5