If you follow this blog or know me personally, you’ll know War for the Planet of the Apes has been my most anticipated movie for three years, ever since the 2014 release of Dawn of the Planet of the Apes, my most anticipated movie since 2011’s Rise of the Planet of the Apes, the awesomeness that came out of nowhere to become my No. 1 film of that year. What can I say? I’m just obsessed with apes.
With expectations through the roof, I knew I was probably in for a disappointing experience, especially after the spectacular early critic reviews started rolling in a couple of weeks prior to the release (it’s currently 93% on Rotten Tomatoes). But I somehow managed to compose myself as I stepped into the cinema today, not too high and not too low, with as clean of a slate as I could bring.
And I was blown away.
Let’s just say War for the Planet of the Apes was as good as I expected, but—like its two predecessors—it also wasn’t what I was expecting. You know how you get an idea in your mind of how a movie is going to play out after you see a trailer or two? Well, War did not play out like how I thought it would. There are plot points I knew the film had to hit, and it does that, but the story was a little different, the progression was a little different, and there were some nice surprises thrown in for good measure. Kudos to the people who cut the trailer too because they didn’t show too much as I had feared.
Set two years after Dawn, War pits ape leader Caesar (Andy Serkis) against a ruthless colonel played by Woody Harrelson in a war that will determine the fate of apes and humans. Despite being a film centred around apes, it’s a story full of humanity. It’s the reason why every entry in the trilogy works so well. Yes, there are the revolutionary special effects and the heart-thumping action, but the core of the films have always been about the humanity of the apes and the relationships between humans and apes and apes and apes.
The stakes are high and the feel of the film is epic, almost biblical. Indeed, there are various religious references as Caesar has shades of both Moses and Jesus. Matt Reeves, who helmed Dawn, returns again as director as well as co-writer of an excellent script along with Matt Bomback (who also wrote Dawn). As such, the look and feel of the film is closer to Dawn than Rise, with a sombre tone that has only a few lighter moments sprinkled throughout thanks to Steve Zahn’s new character, Bad Ape.
What really impressed me about Bomback and Reeves’ script is the way it pieces everything together, linking up not just the other films in the series but also the original 1968 adaptation with Charlton Heston. I also liked the allusions to other classics which I won’t spoil. There are a few small holes and plot points I would have liked to have seen simmer for a little longer before being resolved, but it’s otherwise virtually seamless.
Needless to say, the action sequences are fantastic. War is indeed a war movie, and even though a lot of the blood and violence is toned down or skillfully avoided for rating reasons, you do get a lot of carnage and a feel for the horrors of war. However, it is because the characters are so well-developed that the action actually means something and provides that emotional punch rather than just loud noises and explosions, something another movie I saw recently (ah hem, Transformers 5), failed at miserably.
And of course, the special effects. Weta Digital once again proves it is the best in the business and absolutely deserves an Academy Award for making Caesar and all the apes come to life once again. The amount of detail on the apes’ faces, especially the close-ups, is jaw-dropping and conveys as much emotion as any human performance. No other film CGI I’ve seen has been able to capture the soul in the eyes quite like this franchise has, not even Rogue One or The Jungle Book. The special effects are so good that you don’t really even think about them during the movie—you simply take it for granted.
Speaking of Oscars, it’s about damn time Andy Serkis gets at least a nomination for his portrayal of Caesar. This whole film, this entire franchise, has hinged on his performance capture, and Serkis once again hits it out of the park. The emotional depth he conveys with every facial expression, every look, every movement of his body, is just amazing. The other apes are also very good, but Serkis is what makes War the film that it is.
On the human side, Woody Harrelson is a splendid and perfectly cast villain who delivers both a terrifying madness but also enough humanity to make us understand his actions. A lesser actor would not have been able to pull it off, especially a couple of longer monologues of exposition that could have been dry without Harrelson’s intensity and charisma.
War for the Planet of the Apes is the finale I had been dreaming of, a finale that completes one of the best movie franchises of all time. Yes, I’m putting it in the same category as The Godfather trilogy, the original Star Wars trilogy, the Lord of the Rings trilogy, and of course, the Harold and Kumar trilogy (just kidding). It really is that good, both in isolation and as part of the wider series. I don’t think it’s a stretch to call it a masterpiece.
5 stars out of 5