Predestination wins the award for the most ambitious sci-fi movie of the year. I don’t mean ambitious in terms of scale and scope, like Interstellar, but ambitious in terms of its central conceit and its execution of it. I have a feeling this will be one of those cult classics people either love or hate, and, despite its flaws, I find myself falling into the former category.
This is one of those movies where you can’t really say too much about the plot or else you’d give away too much. Suffice it to say that it is a sci-fi film with a time travel foundation. Ethan Hawke plays what is known as a Temporal Agent, someone who travels back in time to catch criminals before crimes are committed. Aussie Sarah Snook, in a star-making performance, plays two roles, a young woman who grew up in an orphanage before trying out for the Space Corps, and an older man who tells his story to Hawke’s character in a bar.
All of this will make sense as the movie progresses, but what should be noted upfront is that Predestination is not just a time-bending movie. It’s also a gender-bending movie as well as a mind-bending one. It’s by no means impossible to follow or even figure out the twists and turns in advance, but like many time-travel movies, it’s complex and circular, and may require multiple viewings if you want to make sense of it all.
Directed and written by Aussie brothers Michael and Peter Spierig, who last made the underrated political vampire movie Daybreakers (also with Hawke) in 2010, Predestination is based on a the short story All You Zombies by Robert A. Heinlein. It feels like a short story adaptation too in that it requires some level of suspension of disbelief and is told through unconventional narrative methods, jumping around in time and delivering stories within stories.
In some ways, the make-or-break point of the film is whether you can buy the idea of Sarah Snook, as good as she is, playing a believable male character. If you can, then all the other pieces of the puzzle fall into place. If not, then the whole thing begins to crumble. In my humble opinion, she was more than good enough to make me believe in the characters and their emotions, which is why I found the journey to be so engrossing. For the first half of the movie, at least, I had no idea where the story was heading and why it was being presented in the way that it was — and yet I felt as though I had been entranced by the peculiar narrative. At a certain point, the whole point of it all becomes clear, and even if you think it’s stupid you still have to be impressed by its creativity and audacity.
With a relative lack of action and a narrower, personal scope, the film is not as well-rounded or as exciting as some other time travel films like 12 Monkeys or the more recent Looper, but it makes up for it with stronger character development and a distinct Twilight Zone-feel.
At the end of the day, Predestination is a strange film and an acquired taste — one that happens to be my cup of tea. I love sci-fi and fascinating time travel stories, and I enjoy films that challenge you — for better or for worse — to pick apart its logic. Throw in the excellent performances of Hawke and Snook, and the stylish direction and visual style of the Spierig brothers, and Predestination is turning out to be one of my dark horse highlights of the year.
4 stars out of 5