Kill the Messenger (2014)
Surprised this one didn’t get more burn.
This is the true story of Gary Webb, played by the brilliant Jeremy Renner, a journalist who uncovers the CIA’s role in importing crack cocaine into the US to secretly fund the Nicaraguan contra rebels. OK, so maybe the CIA didn’t import the drugs themselves, but they acquiesced in stopping it and they knew that it was going mostly to impoverished black communities. That’s pretty huge news, right? But for whatever reason the story, much like this film, slipped under the radar.
The film had a big cast too that included the likes of Ray Liotta, Mary Elizabeth Winstead, Paz Vega, Oliver Platt, Andy Garcia, Michael Sheen and Robert Patrick. It’s hard hitting, gripping and gritty, and though it might not be the most exciting film, it certainly kept me entertained and emotionally invested in Webb’s plight.
Renner is sensational in this, proving once again that he can be believable no matter what kind of character he plays. Webb is a complex character and Renner brings out his fear, frustration and anger in perfect abundance. The moral of the story, as always, is to not mess with the US government because they will mess you up tenfold in return.
3.75 stars out of 5
The Best of Me (2014)
Ever since The Notebook, his debut novel, Nicholas Sparks has been trying to recreate the magic with clones of his most beloved work. The Best of Me is his latest attempt, and frankly, it stinks.
Perhaps that’s too strong of a word, but I feel like if you’ve seen one Nicholas Sparks movie you’ve seen it all. This one, in particular, embraces the formula to the letter. An innocent romance between young star-crossed lovers, who end up being separated for some painful reason. Years later, they reunited by chance and rekindle the passion, lamenting how things could have been, before finishing with a bittersweet ending that aims to be both tragic and moving. If you haven’t noticed, that description matches both The Notebook and The Best of Me.
James Marsden, who played the third wheel the girl dumps in The Notebook gets an opportunity to redeem himself as the male lead this time, while Michelle Monaghan earns her paycheck as the rich girl who falls for the poor boy. The film also utilises flashbacks, in which the younger characters are played by Aussie Luke Bracey and Liana Liberato, respectively. One problem with this arrangement is that James Marsden (41) looks a little too young and Luke Bracey a little too old (25) for them to be versions of the same character 21 years apart, though the bigger issue is that the two actors look absolutely nothing alike! Seriously, they might as well have gotten Samuel L Jackson to play the older version because the resemblance is zero.
Fans looking for the same thing will probably love it — explains why they keep rolling these movies out — but for me this film was just so much saccharine fluff. You can clearly see the plot points it’s trying to hit along the way, including the contrived ending you could see coming a mile away, and if you don’t buy into the characters there’s not much of a chance you’ll feel anything for them. There was one good scene between Monaghan and the actor who plays her douchey husband, Sebastian Arcelus, when they’re at the dinner table and you can see why their marriage isn’t working out, but apart from that The Best of Me won’t bring out the best of anyone who watches it.
1.75 stars out of 5
The Woman in Black 2: Angel of Death (2014)
I can’t remember much about The Woman in Black except that Daniel Radcliffe is in it and that the film was surprisingly good and scary. The sequel, Angel of Death, on the other hand, is bland and boring.
There is a connection between the two films — being the haunted house — but they have a different cast and different directors and screenwriters. Susan Hill, who wrote the book the first film was adapted from, helped with coming up with the story, but if I didn’t know that I would have thought she simply sold the rights in return for an easy paycheck.
Angel of Death follows a boarding school teacher (Phoebe Fox) and a bunch of students forced to evacuate their boarding school during World War II. Of course, then end up at the Eel Marsh House where the Woman in Black resides. Spooky stuff starts to happen, and there’s a mystery behind the haunting that needs to be figured out. All fairly standard horror tropes.
The best thing the film has going for it is the creepy atmosphere of the house and the fact that children are involved (also scary), though the narrative progresses slowly and there are too many lulls in between the attempts at scares, which aren’t really scary with the exception of a couple of well-timed moments. On the whole, this is a straight-to-DVD-quality horror sequel fans of the original will likely be disappointed with.
2 stars out of 5
If I Stay (2014)
Chloe Moretz is growing up quickly, and this is a bold choice for her to venture into supernatural teen romantic drama territory (which I argue is even bolder than her young prostitute stint in Denzel’s The Equalizer). If I Stay, based on the novel of the same name by Gayle Forman, tells the story of a teenage cellist named Mia who falls into a coma following a devastating car accident with her family. The twist is that Mia’s soul is still hanging around outside her body, kind of in a limbo state, and she must decide whether she wants to move on to the afterlife or stay to be with her rock band musician boyfriend (Jamie Blackley).
It’s not a terrible film, but If I Stay didn’t do much for me. The narrative jumps around, with a few scenes in the present and plenty of flashbacks that trace the progress of the romance, which came across as fairly stereotypical and without anything fresh to offer. There was a heavy focus on music, given that they are both musicians and all, but I didn’t care much for either of their musical tastes. I thought its central conceit — the whole should I stay or should I go thing — was interesting, though the execution felt like it was trying to milk tears from audiences as opposed to letting the moving drama speak for itself. Some parts worked, while others came across as clear attempts at manipulation.
Chloe Moretz, who is very good as usual, tries really hard to make it work. Unfortunately, while I can see how some viewers would fall in love with this movie, for me, If I Stay is a film that fails to fulfill the potential of its premise.
2.5 stars out of 5