My furious rally continues. Here are a bunch of 2013 movies I have yet to review, four at a time. Here is the first wave.
The Call (2013)
Ever since Catwoman I have been wary of anything Halle Berry does. The Call, about a woman at an emergency call center, did not sound very appealing to me, but positive word of mouth got me to change my mind.
I’m glad I watched it in the end because The Call is a thrill ride that manages to keep up the suspense for the majority of its 94-minute running time. Berry, the call center worker, is haunted by a previous call which resulted in the death of a young girl. Months later, she takes another call, this time from another teenager played by Abrigail Breslin (she’s growing up real fast), who has been abducted by possibly the same guy.
Much of the film follows Berry on the phone as she tries to figure out how to keep the girl alive and how to track down her kidnapper. I was impressed with how director Brad Anderson (The Machinist) kept coming up with different ways to keep the ball rolling without making it seem repetitive or too ridiculous.
That said, I was really irritated by the stupidity of Breslin’s character and her incessant screaming and whining (all to her detriment) — and a part of me really wanted her to get killed — though to be fair if she wasn’t so stupid she probably would have been rescued in about 20 minutes and there would be nothing left to film.
On the whole I really enjoyed The Call, which was on its way to being a huge surprise hit for me until the moronic ending that made absolutely no sense whatsoever and downgraded my rating by at least half a star.
3.5 stars out of 5
The Incredible Burt Wonderstone (2013)
I was one of those kids who loved magic growing up and bought magic kits and had dreams of becoming a magician some day (like David Copperfield). So while The Incredible Wonderstone looked pretty awful from the posters and trailer I was willing to give it a go. Besides, it has Steve Buscemi, the greatest actor of all time.
Well, it wasn’t very good, but it wasn’t disastrous either. Steve Carrell and Buscemi are best buds and old school magicians performing in Vegas, but their act is getting old and their thunder is being stolen by new “street” magicians such as Steve Gray (Jim Carrey) — an obvious caricature of douches like Criss Angel and David Blaine.
There are a few decent jokes in Burt Wonderstone, but most of them come courtesy of the crazy antics of Carrey, who is the best he has been in a very long time (considering his last few live action films were Mr Poppers Penguins, I Love You Philip Morris, Yes Man and The Number 23 — yikes). The late great James Gandolfini and Alan Arkin are also excellent in supporting roles, but Carrell is just not very likable and Buscemi’s talents are completely wasted. And Olivia Wilde is painfully miscast as the love interest who is just too young for Carrell.
In the end, Burt Wonderstone just isn’t consistently funny enough to make it a good film and completely fizzles as it enters the final act, which is a shame because it started off quite strongly.
2.75 stars out of 5
Now You See Me (2013)
Another magic movie, but Now You See Me, unlike Burt Wonderstone, actually received good word of mouth despite lukewarm reviews from critics.
As for me, I have mixed feelings about it too. I think it is a fantastic concept — four magicians of diverse skills (Jesse Eisenberg, Woody Harrelson, Isla Fisher and Dave Franco) are brought together by a mysterious leader who gets them to perform otherworldly but legally questionable acts, while a detective (Mark Ruffalo) is hot on their feels trying to figure out how the stunts were carried out so he can arrest them. It’s an alluring premise for a caper movie and the magic tricks, some of which are explained, are fun to watch and debunk.
On the other hand, the film is kinda rough around the edges and suffers from a lack of precision. There is almost no character development and the dialogue is atrocious, giving the film a B-grade feel and a sense that the talents of the all-star cast are being wasted. All the effort was put into the the style but not enough attention was paid to the substance.
The film relies on its twists and turns to keep audiences intrigued, but for me the big reveal was rather predictable (maybe I’ve seen too many movies). Still, I had a good time with it, though it was so unmemorable that I had totally forgotten to review it until now.
3.25 stars out of 5
Warm Bodies (2013)
A zombie movie from the perspective of a zombie sounded like it had potential for some great laughs. And the first few moments of Warm Bodies were indeed promising as we watched zombies wander around aimlessly and trying to communicate through a series of hilarious grunts.
But Warm Bodies is really a romantic comedy masquerading as a zombie movie, which is a good thing because the zombie gimmick gets old pretty quickly. It has obvious allusions to Romeo & Juliet, as our protagonist zombie (arguably the best looking zombie in movie history), Nicholas Hoult, is named “R”, while his love interest, Aussie Teresa Palmer, is “Julie”.
To make the film work as a romantic comedy, many fundamental rules we know about zombies are bent, if not broken. I didn’t have a problem with that per se because it was important to look at the zombies as the “good guys”, but I didn’t think it was necessary to create another breed of zombies, known as “Bonies”, so we are clear who the real “bad guys” are.
So Warm Bodies was just OK for me. It had a great premise and a few early laughs, but as a romantic comedy it wasn’t particularly romantic or funny once the zombie gimmick ran its course. It’s not a bad date movie because it is sweet and has charm, but I think it falls way short of the cult classic status it was perhaps aiming for.
3 stars out of 5
PS: That’s four very average movies.