I had wanted desperately to read SJ Watson’s Before I Go to Sleep, the bestselling novel about a 40-year-old woman who has that same condition as Drew Barrymore from 50 First Dates — ie, she has no short term memory and wakes up every morning with no recollection of the previous day or what happened to her since her early 20s. But alas, I was stuck on other books, so I decided to take the easy way out and watch the adaptation starring Nicole Kidman, Colin Firth and Mark Strong.
While the film blatantly steals from Adam Sandler’s idea (if you can’t tell that’s a joke then I can’t help you), Before I Go to Sleep is no comedy — it’s a mystery thriller with plenty of suspense that will have every viewer trying to guess the outcome. Personally, I thought it was a perfectly solid mystery film that doesn’t manage to fully differentiate itself from similar Hollywood efforts in recent years. I enjoyed the ride while it lasted, and while I wouldn’t call it forgettable (pun unintended), the film clearly will not be as revered as its source material.
Nicole Kidman plays our protagonist, Christine Lucas, who suffers from the — let’s just call it the Drew Barrymore condition — because of an “accident” she was in about 10 years ago, or so her husband Ben (Colin Firth) tells her. Every morning, after waking up and being reminded of who she is by Ben, she receives a call from a neurologist, Dr Nasch (Mark Strong), who tells her that they’ve been secretly working together to help her remember her past.
Naturally, nothing is what it seems, and Christine slowly begins to peel away the mystery, one layer at a time like an onion. Who can she trust? Who is telling her the truth? And why did she really become this way? These are all questions that will get answered eventually, though not before writer and director Rowan Joffe (who was a writer on 28 Weeks Later and The American) throws a bunch of curve balls at us. But anyone who watched this film probably knew that there’d be twists and turns galore, and an obligatory surprise at the very end.
Knowing what’s coming, however, didn’t dampen my enjoyment of the film. Before I Go to Sleep is done and dusted in an extremely manageable (and unlikely for this day and age) 92 minutes. The short running time keeps the film tight and fast paced, and Joffe cleverly finds ways to avoid repetition despite Christine waking up in the same manner every day. Always be kept on the back foot from all the plot twists and red herrings also prevents you from thinking too much about all the potential plot holes and inconsistencies.
I know it is unpatriotic of me to say this, but I have never been the biggest fan of Nicole Kidman. I just don’t think, Oscar notwithstanding, she’s that good of an actress. Having said that, I admit she there is not much for me to complain about here. She gets the job done, I’ll leave it at that. Colin Firth and Mark Strong are also excellent and make full use of their charisma in different ways, such that both come off as trustworthy suspects.
My biggest problem with the film, and films like this in general, is that knowing a “shocking” twist is coming means you likely won’t be shocked when it finally comes. I couldn’t shake that feeling of anticipation throughout most of the film, and I doubt I’m alone when I say I more or less guessed the ending.
While it doesn’t come close to blowing me away like I was by a classic like The Usual Suspects, I think Before I Go to Sleep generally accomplishes what it set out to do. It might not be the most creative or satisfying mystery thriller you’ll come across this year, but in my opinion it’s certainly one of the better ones.
3.5 stars out of 5