I wouldn’t call myself a coulrophobe, but I did name the 1990 It miniseries adaptation of Stephen King’s famous novel as the number one film that scared the crap out of me as a kid. I know it probably doesn’t hold up over time and I would likely laugh at it now, though back in the day, Pennywise the clown definitely made me scared to go to the toilet at night.
And now, 27 years later, It is back! Directed by Andrés Muschietti (the dude who delivered the pretty decent horror flick Mama back in 2013), the new big screen version of It is fabulous and terrifying, not just bringing back memories I haven’t been able to forget all these years but also adding to them.
The storyline is I remembered: A mysterious clown named Pennywise suddenly appears in the tiny US town of Derry and kids start disappearing at an alarming rate. For some reason, Pennywise appears able to morph into whatever you’re most of afraid of (which in my case would just be him), and the only people who seem to give a damn in Derry are a group known as the “Losers”, seven kids with very different backgrounds and personalities.
The main difference is that the plot only focuses on the seven main characters as children as opposed to also depicting them as adults (as was the case in the 1990 miniseries). Smart move, because this provided flexibility to keep the film as a standalone if it didn’t achieve the financial success to warrant a sequel (more on this later). Besides, from memory, the children’s part of the 1990 It miniseries was much better than the adult’s part.
Despite my vague recollection of the miniseries, I can tell there are many differences to this film version. I haven’t read the book myself (the door stopper just looks too daunting to even attempt), but from what I have heard and read, it’s one of the best Stephen King adaptations out there, and that’s a huge compliment when you look at the list: Shawshank, Stand by Me, The Green Mile, The Shining. Misery, and so forth.
Despite having admittedly big expectations going in, I knew it was going to be hard for It to live up to what I hoped it would be. The early trailers got this thing hyped up to the extreme, and there were already talks of the film smashing box office records for both the horror genre and September openings before the first public screening.
The feeling that the movie would be unlikely to live up to expectations kept my emotions quite balanced going in. In the end, the film was much better than I thought it would be, largely because there was a surprising amount of heart thanks to the brilliant performances of the children. I didn’t think that I would be so invested in the fate of the children and their bond, nor did I anticipate that so much of the humour in the film to be effective (not all of it worked, but most of it did). There was a real Stand By Me vibe with the way the kids talked and cursed (yes, there’s plenty of cursing), as well as a Stranger Things vibe from the 1980s setting, the sense adventure, and depicting the story from the children’s perspective. All seven of the leads were amazing and believable, with Stranger Things‘ Finn Wolfhard (also the best name in showbiz) as the wisecracking Richie and Jack Dylan Grazer as hypochondriac Eddie being the standouts for me, though all of them appear to have stardom written in their future. but also not quite as scary as I hoped it would be.
On the other hand, the film was also not quite as scary as I hoped it would be. Make no doubt, it is indeed very scary, but not to the extent where I felt like I could not continue looking at the screen or squirmed in my seat. I don’t know why that was the case for me, though I do know that it’s definitely not the fault of Bill Skarsgard, who portrays a phenomenal Pennywise. From the look to the voice to the sinister creepiness, Skarsgard pulls it off to perfection. I really liked the fact that Muschietti was not afraid to push the boundaries by showing us brutal, bloody violence committed against children, which is typically taboo in almost all horror movies. I also liked that the horror comes from much more than just the monster, showing us that adults and bullies can be equally terrifying, if not more so.
One final positive is the way the film blended CGI with practical effects — it brought out a different, more unpredictable side to Pennywise, adding to the horror without going over the top.
I do wish I could have seen a little more of the adults and how they were reacting to the scary and mysterious things that were happening in Derry, but I understand why Muschietti left this part out given that the film had to develop 7 protagonists on a running time that’s already on the long side at 135 minutes.
At the end of the film, I was left wanting a sequel, which will definitely be forthcoming after It proved to be a monster hit by raking in US$123 on its opening weekend in the US market alone, crushing solid “expert predictions” of US$55 million. As at the time of this review, the film has already made more than US$210 million worldwide on a US$35 million budget.
Minute-for-minute and scare-for-scare, I found Annabelle: Creation to be the more frightening movie, but there is no doubt It is the superior film across technical aspects, from the direction and the cinematography to the script, dialogue, and performances. It’s up there as one of the best Stephen King adaptations and a lock to end up as one of the best horror movies of the year.
4 stars out of 5