Call me a sucker for punishment.
I am one of those losers who watches movies knowing there is a 99.9% chance that it will be crap because I still hold out hope that it might be good. And so I decided to watch The Pyramid, the latest found footage debacle about a group of archaeologists and filmmakers who stumble onto a fictional new pyramid discovered in Egypt. Sounds like a brilliant, original idea bursting with potential, doesn’t it?
But perhaps it was my fascination with pyramids and pyramid curses that drew me to the film, or maybe it was my hope that a movie with a cast that includes recognisable names (at least for me) such as Dennis O’Hare and Ashley Hinshaw couldn’t possibly be that awful. Whatever the reasons, I ignored the warning signs, jus like the idiots in the movie, and took the plunge.
And it didn’t pay off.
To be fair, The Pyramid is not worse than most similar films made in recent years. The closest thing it resembles is last year’s As Above, So Below, which follows an attractive female expert into the Paris Catacombs with a film crew. Naturally, scary stuff happens and people die in gruesome ways. Here, Ashley Hinshaw is the attractive expert, and together with her father (O’Hare) and a film crew, they venture deep into a new and unusual four-sided pyramid (they usually have five, if you count the base). The difference, however, is that the film is not nearly as scary, nor is it as clever.
For starters, the believability factor is down because we know the pyramid they enter doesn’t exist in real life. Secondly, it’s totally unsubtle in its execution, going with cliched scare tactics that get old real quick. The progression of the plot is also formulaic to the extreme, to the extent where you can tell who is going to get picked off next. But the biggest difference between this and As Above, So Below is that the latter at least takes advantage of its claustrophobic setting and goes for some psychological horror, whereas The Pyramid wastes its opportunities by going with the typical curse and monsters routine.
The only thing that worked for me was the crazy monster cats (that didn’t even look realistic because of the poor CGI), and that’s only because feral cats freak me out. Most other people would have found it hilariously stupid.
On top of all that, the characters are typically uninteresting and annoying, and the dialogue is trite, though at least they do like to tell each other how moronic they are when they make dumb and nonsensical remarks.
Remarkably, The Pyramid is not the worst film of its kind. One advantage I can think of is that despite it technically being a “found footage” movie, the whole concept goes out the window quickly and audiences will soon find themselves seeing shots that could not have possibly been captured by any of the cameras on the characters. For some that is a negative, though for me it was great to be able to actually see what’s going on and not feel nauseated from all the shaky footage.
The other positive I can think of is that the film, as hackneyed as it is, never pretends to be anything else. It plays to curiosities about the pyramids and Egyptian legends, and offers a few cheap scares some audiences will feel comfortable with because it’s what they’re used to. For everyone else, it’s better to believe the movie is cursed.
2 stars out of 5