Let’s get straight down to it. Part 1 is here.
The Awakening (2011)
This one’s not bad for a British ghost movie. Set in the 1920s, the lovely Rebecca Hall plays a supernatural debunker who has been called to boarding school to investigate a ghost sighting related to the death of a student.
As you would expect, The Awakening has an abundance of chills – nothing new or innovative but there are so few well-executed ghost movies these days that it was actually refreshing to see some old-fashioned scares. The setting of a spooky boarding school full of pale English boys helped a lot, especially when most of them head home for the holidays and there’s nothing but a whole bunch of echoes.
The gradual change of Hall’s character from sceptic to believer was done very well, and both Dominic West and Imelda Staunton do great jobs in supporting roles. The ending was a little out there even for me but on the whole it’s certainly a worthwhile movie to get on a DVD night.
3.5 stars out of 5
Slasher film starring Alive Eve and two blokes set in an ATM room in some random parking lot. If that sounds stupid to you it’s because it is.
The three co-workers leave a function together and one of them has to go get some cash from an ATM in one of those isolated little glass rooms. A crazy dude dressed like Kenny from South Park starts terrorizing them and killing people who may be able to help them. Why? Who knows and who cares?
This is one of those films where the main characters deserve to die for continuously doing really stupid things that make no sense whatsoever. The premise is so preposterous that it drains all the fun out of the film – which is mainly just a lot of panicking and screaming and ending up back in the same place. Instead of being scared by their predicament I was more annoyed by how moronic they were being.
Interesting idea to try and make a slasher film in such a confined space but they really should have put a little more effort into the script and the execution. And a scarier antagonist with a little bit of personality wouldn’t have hurt either.
1.25 stars out of 5
We Bought a Zoo (2011)
My sister kept raving on about what a great movie Matt Damon’s We Bought a Zoo was, so I had to check it out, even though I’m not ordinarily a fan of family films. It’s supposedly based on a true story (albeit set in the UK, not the US, but I supposed it worked just as well) about a grieving widower who decides to start over and buys a zoo. Not a tank of fish, but a full-blown zoo with lions and everything.
The movie focuses on Damon’s character and a bunch of zookeepers, led by Scarlett Johansson, who are trying to keep the animals alive and the zoo licensed on very little money. Meanwhile, Damon has to deal with the rebellious activities of his son, who is still struggling to cope (his cute younger daughter loves it though).
I think that gives a fairly complete picture of what to expect from this film. Kids and people who like animals will probably enjoy this feel-good film. I’m not saying I don’t like animals or that I didn’t enjoy it, but I simply didn’t think it was anything special. Part of it is because it felt too much like a kids’ movie – everything was predictable and flowed too smoothly; even when there was conflict you knew it would all turn out rosy in the end. On the other hand, I did find parts of it quite uplifting, and it’s always a pleasure to see Thomas Haden Church (whom I’ve been a fan of since the Ned and Stacey days) and John Michael Higgins (my third favourite lawyer from Arrested Development), two of the best three-named actors around.
3 stars out of 5!
The Darkest Hour (2011)
I remember when I saw the trailer for The Darkest Hour and I thought to myself – this looks pretty interesting. Plus it had Emile Hirsch, who I’ve been a massive fan of ever since Into the Wild, one of my favourite movies of all time. Instead, The Darkest Hour should have been called The Darkest Hour and a Half, because that’s what it felt like watching this piece of trash.
The story is about two young Americans who travel to Russia to pitch a social network idea and find out they’ve been screwed over — this was the best joke of the movie because one of the Americans is Max Minghella, who was the non-Winklevii dude from The Social Network.
They go to some Russian nightclub to drown their sorrows, meeting a couple of girls (Olivia Thirlby and Rachael Taylor), and then some invisible aliens attack, turning humans into dust everywhere.
Now, when I first saw the trailer, I thought the idea of an invisible enemy was kinda cool, and certainly very scary. I was wrong. The invisible alien thing sucked badly precisely because you couldn’t see it. It became just a bunch of losers running around screaming. The worst part of it is that when you finally see how lame the alien is you wish you never saw it in the first place.
For a sci-fi thriller I found The Darkest Hour inexplicably boring and completely lacking in excitement. This probably could have worked with a better script and better direction (it’s directed by Chris Gorak, a former art director who had only previously been at the helm of one other film), but unfortunately it ended up being one of the most disappointing films of the year.
1.25 stars out of 5!