I’ll tell you a conversation I heard in the men’s room straight after the film between two young boys (that probably just hit puberty) that sums it up pretty well:
“Man, what an awesome movie!”
“Yeah! But what I didn’t get was why they had to [spoilers].”
“I didn’t get that either. And who was the robot that [spoilers] and the one that [spoilers] in the end?”
“I’m not sure. I think it was [spoilers] and [spoilers].”
“Really? I thought it was [spoilers].”
“Who cares? Megan Fox was hot though.”
“And the cars and robot fights were really cool.”
“Yeah, what an awesome movie!”
The second film (there will inevitably be more) of Michael Bay’s Transformers series is bigger, louder, longer and dumber than the original. So if you’ve seen the first, expect more of the same except with everything magnified. For some, like the teenage boys described above, that’s awesome. For most others, it’s downright unbearable.
As for me, I went into the film with sub-zero expectations because everything I’ve come across about the film shreds it to pieces. And while the film does fail miserably in most departments, it is not a complete waste of time and money. Some parts were exciting. Some were a little funny. So if you can put up with the rest of the parts that weren’t (and those were in the clear majority), then you might find it okay.
What’s it about?
There were 2 things in Transformers: Revenge of the Fallen (let’s just call it Transformers II) that improved on the first film: (1) robot fight scenes; and (2) special effects.
One of my gripes about the original Transformers movie was that you couldn’t tell what was going on in a lot of the fight scenes between the Autobots and the Decepticons. All you could see were some quick flashes and giant balls of metal rolling around before one of them would stand victorious.
Transformers II rectifies the problem in a big way. The camera pans back this time and stays on the robots long enough for audiences to see and appreciate the action. So much so that kids can probably recreate the battles with their licensed Hasbro toys afterwards.
Seriously, the robot action was a lot smoother and more fluid this time.
Less noticeably, perhaps, were the special effects, which also improved from the original. Apart from the robots themselves, many of the fight scenes involved destroying well-known landmarks. This was done with amazing realism. Further, the robot transformations were even more intricate and visually impressive than last time.
Yep, there was a lot of bad.
For starters, the movie was way too long, clocking in at 2 hours and X minutes. I wouldn’t have had a problem had the film felt shorter, but it didn’t. It felt like a really long movie.
Secondly, the plot. It’s hard to know where to start with it so I won’t even try. I hadn’t expected it to be original but this was derivative to the point that you couldn’t simply ignore it. Let’s just say they could have put a little more effort into disguising it better.
Even the jokes were bad this time. There were some decent laughs too, but many of jokes in Transformers II fell flat. Like bad ‘Scary Movie’ jokes flat. Especially when it tried to be ‘cool’, it turned out to be lame. The twin Autobots were the prime culprits.
The film took a turn for the better when John Turturro arrived. Like the first film, he was the comic highlight, but although he had some good lines he had limited screen time and dare I say even some of his antics wore a little thin at times.
Transformers II has some of the worst editing of any film I have seen in recent times. It’s not bad to the extent that you don’t know what’s going on, but it provides plenty of ‘WTFs?’. For a major blockbuster like this, there’s no excuse. To me, it reeks of laziness. It’s as though the makers only cared about the cars, the action and the girls, and forgot about everything else.
Case in point – you know how when lead actor Shia LaBeouf injured his hand in a motor accident in real life and Bay said that they would work that into the movie? Not really. They just kind of fudged it – the idea wasn’t awful, but the execution was. If you’ve seen the film you’ll know what I mean.
The majority of the main cast from the original returned. Shia LaBeouf is getting over exposed these days, so he may be losing his charm, but he still does a reasonable job as the hero. There were a few scenes where he demonstrates that his head hasn’t gotten so big that he’s unwilling to be ridiculed.
Megan Fox returns to play another sexy role as his girlfriend and doesn’t do much other than trying to look and sound appealing. She’s actually not bad, but for some reason really looks like she could use a nice long bath.
The key new addition is the new roommate, Leo Spitz, played by Ramon Rodriguez, who is the primary comic relief until John Turturro returns. Both men provide a spark to an often sagging film, though their jokes can be uneven.
On the military side, Josh Duhamel and Tyrese Gibson return to their rather useless roles. If they wanted to trim the fat off this movie then these guys should have gone first.
Michael Bay didn’t try to cater for all audiences like say JJ Abrams did with Star Trek – it’s very clear from the first few minutes that Transformers: Revenge of the Fallen is nothing more than a bit of brainless fun targeted at overly excited teenagers. However, even if you accept the film for what it is, it doesn’t necessarily succeed. It’s still far too long and disjointed, and everything other than the special effects and action sequences feel extraordinarily lazy, as though they didn’t think anyone would notice or care if they put no effort into it. That said, if you can put all of that aside…
Love him or hate him, Mike Tyson is a magnet for publicity and controversy.
In his prime, Tyson captured the imagination of boxing fans all around the world with his ferocious, brutal knockouts. To this day, many still believe that at his best, Tyson would have beaten anyone in the history of the sport. Watching some of the highlight footage in the opening of the new documentary Tyson, it’s hard to disagree.
In his early 20s, Tyson was an absolute beast of a man, built like a brick and possessing a perfect combination of power, speed and explosiveness beyond belief. Today, apart from the tribal facial tattoo on the left side of his face, you would have never have thought that this high-pitched, softly spoken, mellow man with a noticeable lisp was once considered the ‘baddest man on the planet’. An unbeatable force of nature. The contrast is both shocking and saddening.
I suppose that is what director James Toback wanted to achieve with this film, to show a side of Mike Tyson that the public never saw. To tell the tragic story of a deeply flawed man who had the potential to be the greatest heavyweight of all time but was consumed by his fear of the world and his hatred of himself, leading to one of the most publicised and devastating downfalls in sports. In my opinion, Toback only half-succeeded with Tyson.
Tyson is a relatively straightforward sports documentary that chronicles Mike Tyson’s life from birth to present day. The film comprises a series of interviews with the man himself, some old archive footage of Tyson out of the ring, news footage and clips of Tyson’s most famous fights. As a compilation of Tyson highlights inside the ring, there’s no complaints – it’s pretty darn exciting. However, as a documentary, it suffers from one fatal problem – we only get to hear Tyson’s side of the story. His voice is the only voice.
Yes, Tyson appears to be honest in the interviews, and he seems genuine. He even chokes up and sheds a few tears over the life he managed to mangle up, the relationships he destroyed and the hundreds of millions he wasted away or allowed to be stolen from him. There’s a fair bit of insight into his psyche, and in particular, what went through his mind at the times that everyone thought he had lost it. But honestly, it all feels incredibly sanitised.
Part of that stems from the fact that Tyson narrates the entire film. You don’t know whether some of the things he said are scripted, or if he had many takes to ‘get it right’. Was the film made independently or did Tyson have the last say into what went in and what was kept out? Was he only saying what he wanted us to hear so we would feel sorry for him?
Moreover, while the film doesn’t ignore them completely, it does feel like it glossed over some of the toughest topics in Tyson’s life, such as his documented tendency to resort to domestic violence, his rape conviction, his drug addiction, his time in prison and his infamous ear-biting fight against Evander Holyfield. Although Tyson ultimately claims responsibility for everything that has happened in his life, when it came to these issues, he showed plenty of regret, but little remorse. You want to believe him, but it was hard to because all you could see was a unrepentant man coming up with excuses and throwing around blame at those that he thought wronged him (in particular Don King, but every fighter thinks Don King wronged them!). These were times when another perspective would have been perfect. An interview with someone else that told a different side of the story. But we didn’t get any of that in Tyson. Consequently, even though it was easy to pity Tyson, it was difficult to feel any compassion towards him.
That said, there were some good moments littered throughout, and the film itself (at around 85 minutes) was never boring. In particular, Tyson’s relationship with his mentor Cus D’Amato (who passed away in 1985) and his love for his children were the most touching aspects of the film. At the same time, however, it hard to forget all the terrible things he had done and the multiple chances in life that he managed to screw up time and time again.
In some ways, Tyson was the ultimate bully inside the ring, and the ultimate coward outside of it. His life is a true tragedy – a man who overcame impossible odds and disadvantages to stand on top of the world, only to self-destruct and fall into the lowest depths because of his cowardice and refusal to learn from his mistakes. The recent death of Tyson’s youngest daughter Exodus in a freak treadmill accident (which happened after the release of the film) is just another sad chapter in his life. While Tyson will never be the great boxer he once was inside the ring, one can only hope that he can continue to be a better person outside of it.
3 stars out of 5.
[PS: Here’s an interesting article I found on Tyson that paints a particularly unflattering view of the boxer. I was a little too young when Tyson ruled the world, but I did know of him through Mike Tyson’s ‘Punch Out!’, which has been rereleased on the Nintendo Wii but without Iron Mike. I am, however, very much looking forward to Fight Night Round 4 which will finally have Tyson as one of the licensed boxers.]
[PPS: I just found out that Tyson recently got married for the third time, 2 weeks after his daughter’s death. Not judging, just a piece of fact.]
I went to see Terminator Salvation with reasonable (albeit guarded) expectations, but the film absolutely exceeded them. In my humble opinion, it’s the second best film (out of four) of the great Terminator franchise. Bearing in mind that I thought Terminator 2: Judgment Day was one of the best action movies and sequels of all time, that’s a pretty big compliment for the new film directed by McG and starring Christian Bale and Sam Worthington.
As per usual, I’ll keep plot details to an absolute minimum. All that needs to be said is that the story revolves around a grown-up John Connor (Christian Bale, or Edward Furlong from T2 and Nick Stahl from T3). If you’ve seen the previous 3 films or have a vague idea what they are about, then no further explanation is necessary.
However, you don’t need to have seen any of the previous Terminator films to appreciate this one. It stands up well as an independent feature, and is significantly different in style to its predecessors. It’s substantially more dark, grim and gritty, capturing the pessimistic mood of the world perfectly. But when it comes to action sequences, of which Terminator Salvation has plenty, it doesn’t do too shabbily when judged under the high standards set by the franchise.
While I said the story revolves around John Connor, the movie really belongs to new character Markus Wright, played by Aussie Sam Worthington (who will be appearing in Avatar later this year and will play Perseus in the remake of Clash of the Titans). Worthington is arguably the lead character of the film, and shares just as much as screen time as (if not more than) Bale – and he has the more interesting story. This is the second time in a row Bale has been relegated to second fiddle despite being the supposed ‘lead character’ for a major film (the first, of course, is when Heath Ledger’s Joker upstaged his Batman in The Dark Knight). Maybe that’s the real reason Bale went American Psycho on the set!
While Bale and Worthington hog most of the minutes, Anton Yelchin absolutely steals the show as a young Kyle Reese. He is terrific in this role, and I have become a big fan. Also solid is Moon Bloodgood, a Resistance soldier, and Jadagrace Berry, too cute for her own good. Michael Ironside grunts his way through the film for his paycheck, but it is Bryce Dallas Howard that has the most thankless role as as Kate Connor. She really got short changed.
When people hear a guy named McG directed the film (you may remember him from such films as Charlie’s Angels: Full Throttle), they cringe and refuse to give it a chance. Poor guy, but that’s the nickname he was given from birth because too many relatives had the same names (real name: Joseph McGinty Nichol). However, McG does a splendid job in Terminator Salvation, creating a realistic, believable world, keeping the action thrilling and dynamic (with creative camera angles and movements), while managing to add in some cool homages to the previous films. I thought they were cool anyway.
The special effects were superb, but audiences don’t expect anything less than seamless these days. Although there were some highly creative sequences, none of them were as iconic as those from T1 or T2.
I was surprised how relatively little fanfare accompanied the release of this movie, which was the first in the franchise without Governor Schwarzenegger in the lead. I’m not sure if it was because I was hidden from the world during my studies, but to me, Terminator Salvation had none of the hype that surrounded the release of other recent major films such as Star Trek or Angels & Demons. Of course, there was that infamous psychotic Christian Bale rant on set that made headlines all around the world, but I don’t believe it had anything to do with the unexpected low-keyness of it all. Then again, that didn’t stop the early reviewers of the film from spoiling the many wonderful surprises in this underrated blockbuster (if you haven’t seen it yet, dear reader, then I hope you had more success than me in avoiding them).
Okay, now the verdict. In my opinion, it’s better than a 4-star film, but not quite good enough to warrant 4.5 stars. Hence, I will have to settle for 4.25 stars out of 5!
Drag Me To Hell – that’s what my 2 weeks of exams did to me.
But today, finally, at last, my goodness, it was all over!
Apart from a much-needed, long-overdue haircut, the first I did was to go watch Drag Me To Hell (as Terminator Salvation was on too late), the supposedly freaky horror film written and directed by Spider-Man’s Sam Raimi.
So, was it any good? Well, I think it depends on two things.
First, whether you’ve seen Raimi’s old Evil Dead films (which I am a big fan of). If you haven’t and are used to the same old formulaic horror films being churned out the last few years, then you might not ‘get’ this movie. It’s got a fair share of boo moments, ultra-sickening scenes, mixed in with the same unique comedic-style that will make your stomach churn. It’s scary, silly, campy, and it may make you go ‘WTF?’ more than once, but it’s not pretentious and knows exactly what it’s doing.
Second, it depends on the mood you’re in. If you’re up for a scare then it will scare you. If you go in thinking that it’s going to be stupid, you’ll probably think it is.
There are no big complaints from me, even though I guessed the ending a fair while in advance. The cast is solid. Alison Lohman does a decent job in the lead, but she’s no Ash from The Evil Dead series. Justin Long continues to prove that he is one of the most underappreciated actors in Hollywood, and Lorna Raver is outstanding as the horrifying Mrs Ganush.
So, I enjoyed it, though I wouldn’t call it mindblowing. I guess you could say it’s a throwback to the classic horror films of the 80s. I hope they make more of them.
Yesterday I saw Angels & Demons, you know, the highly anticipated follow-up to the controversial (and hugely successful) The Da Vinci Code, also adapted from the novel of the same name written by Dan Brown.
After the somewhat modest reactions to the The Da Vinci Code (which I actually think deserved more credit), my expectations were held in check this time. Another good thing is that it had been so long since I read the book that I had kind of forgotten what it was all about. Consequently, I was pleasantly surprised. It was fun, exciting, and the pieces came together at the right moments.
In short, it was a vast improvement on the first film and I totally enjoyed it!
Angels & Demons the book is a prequel to The Da Vinci Code, but the movie is filmed as a sequel (and there are several references to the events of the first film in the opening scenes). As per my review etiquette, I won’t divulge plot details, but given the success of the novel, it’s safe to assume most people at least have an idea of what it is about. All I will say is that, like its predecessor, Angels & Demons is heavily influenced by religious themes and involves a desperate race against time that leads to a lot of running around. Whereas The Da Vinci Code was set predominantly in Paris, Angels & Demons leads you through a breath-taking adventure through the various attractions and sights of Rome and Vatican City.
Action, action and more action
Dan Brown’s novels are known to unveil at neck-breaking pace. However, unlike the book, many felt that The Da Vinci Code movie was, frankly, a bit of a bore. Angels & Demons doesn’t suffer from the same problem because it’s made as more of a popcorn movie with full-throttle action right from the beginning, rarely pausing to catch its breath.
The difference is in the adaptation. The Da Vinci Code movie was bogged down by the need to fully explain its complex conspiracy theories, and despite doing so very well (and innovatively), it led to dull patches that killed the momentum. Director Ron Howard certainly learned his lesson, because even though the plot and theories of Angels & Demons also require a fair amount of explanation, this time they did it right – by giving you the essentials upfront and then feeding you bits of information at a time so that the pace never sags for very long and things are kept moving.
Though I couldn’t recall much from the book, Ron Howard definitely changed or deliberately left out certain parts of the storyline in the film – and I think it was for the better. To be honest, the conspiracy theories in Angels & Demons sounded pretty silly when transformed from the page to the big screen (and coming from me that says a lot because I tend to believe in a lot of that stuff), so I felt it was a smart choice to leave the emphasis off all of that and focus on keeping the foot on the gas pedal. There’s probably another reason why they decided to do it, but I won’t say because it may lead to a potential spoiler. Nevertheless, the end product was much closer in style and pace to the novel than The Da Vinci Code was, and therein lies the biggest contrast between the two films.
Terrific all-star cast.
Of course, Tom Hanks returned as professor Robert Langdon, sans the infamous mullet from last time (I still think the new hairdo is a FAIL, just not an EPIC FAIL – perhaps he needs sideburns or something). Hanks clearly got into good shape to portray the character, as evident from his very first scene, but there was still some awkwardness to him. Maybe he just wasn’t the right choice for Langdon, but it’s too late now because like it or not the character will forever be associated with the actor.
The big upgrade was Ayelet Zurer (Israeli actress best known from Munich – the film not the city), who portrays the scientist/sidekick to Hank’s Langdon. As much as I like Audrey Tautou (from The Da Vinci Code), Zurer’s chemistry with Hanks was so much better, and she more than holds her own in the film.
There were other solid supporting roles too, such as Stellan Skarsgard as Commander Richter of the Swiss Guard and the always trusty Armin Mueller-Stahl as Cardinal Strauss. Note both names were changed from the novel.
Ron Howard and his special effects team really worked miracles in Angels & Demons, because despite the film being set almost entirely in Rome and Vatican City, the Vatican made it virtually impossible for them to shoot there. And yet you would have never noticed if no one had told you.
I don’t know how they did it, but it must have involved building full-scale replicas, smaller scale replicas and lots of digital effects. Really just shows you can pretty much do whatever you want in movies these days (as long as you have the budget).
There were also some other sensational special effects sequences that were done with amazing realism, though I can’t discuss them without spoiling the plot. You’ll just have to watch it!
I found it interesting that the Vatican basically condemned this film before it even began shooting. It probably had a lot to do with the anti-church reputation The Da Vinci Code had developed, but I actually thought that Angels & Demons had a pro-churchand pro-faith undercurrent. Sure, there were some thinly-veiled criticisms of the Catholic Church, but on the whole the film did a decent job of reconciling science and religion, and reminding everyone that religion is, ultimately, a man-made thing that is not perfect. Perhaps Catholics might even find the film uplifting. Regardless, I’m sure the boycotts are already in motion.
Angels & Demons, apart from being a fun action flick, really reminded me of what Dan Brown is capable of. You see all the copycat authors that are out there today and it tends to dilute what Brown accomplished with his two most popular novels. Seeing the film made me remember how great the storyline was and how brilliant Brown was in being able to link everything together so intricately, making all the pieces fit so perfectly. A mind-boggling amount of research and thought must have gone into it. It’s a great example for aspiring writers who want to pen the next international bestseller. Brown may not be a great (or even good) writer but he’s put a lot of effort into creating these engaging stories.
This has definitely reinvigorated my enthusiasm for Brown’s upcoming new novel, The Lost Symbol, which is coming out this September (s0me preliminary thoughts here).
In all, Angels & Demons is a great action film (with a little extra) that doesn’t pretend to be something it’s not. It’s a movie that caters for a wide audience.
Those that have been to Rome or the Vatican will get a kick out of seeing all those places being used in the film (I had a few ‘remember that place?’ moments myself). It’s also good for people who haven’t, because it will probably make them want to go now!
I’m sure those who have already read the book will enjoy the film because it is genuinely exciting and captures the thrill ride entailed in the novel. However, I think those that will like the film most are those who haven’t read the book (and there’s probably not many out there), because they will be even more impressed by the scale of the story and the way the symbols, conspiracies, science, religion, action and storyline is all woven together.
Just go in with an open mind, don’t expect everything to make sense, take the conspiracy theories with a large chunk of salt – and you might be surprised how enjoyable the film can be.
Today I took some time out of my busy study schedule to go check out the new Star Trek movie. Some call it the new JJ Abrams movie. You know, the one everybody’s talking about.
Just a disclaimer: I’ve never been a Star Trek fan, never seen an episode of the TV show, and only saw one of the films (I can’t even remember which one – perhaps First Contact or Nemesis – and I can’t remember a single thing about it). Like most normal people though, I have heard of some of the catchphrases and I know of Kirk, Spock (including his ears and hand gesture) and Scotty, but that’s the extent of my Star Trek knowledge.
And so, I went into the movie relatively optimistic but unsure of what to expect. I came out of the film raving about it. Honestly, it blew my mind!
The new Star Trek is what has been called a ‘reboot’ (kind of like the new Batman films with Christian Bale) that explores the origins of its two most famous characters, Captain James T Kirk and his pointy-eared Vulcan friend, Spock. It’s also considered a ‘prequel’ that sets the foundation for a whole new series of films. With the exception of one person, the film sports an all-new cast that is fresh, young and brimming with vitality.
As per my usual review code of conduct, I won’t give away the plot, and honestly, I don’t even know if I could explain it even if I wanted to. There’s a fair bit of what I assume is ‘Trekkie’ jargon (but it could also be basic science stuff) that went right over my head and the film didn’t exactly take its time to explain everything in detail. But it’s not hard to figure out the basic premise of the storyline and what is going on.
In any case, the story, while interesting in its own right, is not the strength of the film. The strength lies in the way in which director JJ Abrams (the genius that created Alias, Lost and Fringe and produced Cloverfield) has reinvigorated the franchise with freshness, excitement and enthusiasm. You don’t have to be a Trekkie to enjoy this movie. Star Trek WAS, for the most part, seen as a thing for die-hard fans and sci-fi geeks only. One of the reasons I never got into it in the first place was because it seemed old and out-dated (despite being set in the future!), and the world it created was so extensive (with so many series, movies and novels) that I couldn’t be bothered making the effort to get to know it. This film has provided the perfect spark to inject some much-needed life back into the franchise, and because it’s set right at the beginning, newbies to Star Trek (like me) can be eased into its world.
Abrams has inserted his unique directorial style and visual flair to the film. Fans of his other works can probably spot the best elements of Lost and Fringe somewhere in there. The new franchise players, Chris Pine and Zachary Quinto were knockouts. Pine delivered a scruffy yet charismatic Kirk, brash and arrogant but a born leader, whereas Quinto showed he could be much more than a psychopath killer (what happened to Sylar’s eyebrows?!), inhabiting the character of Spock. The supporting cast is also great. John Cho managed to leave Harold (of Harold and Kumar fame) behind, and Simon Pegg stole the show as Scotty. Guys like Karl Urban and Anton Yelchin were also solid.
The film was action-packed right from the start and didn’t let up. It also had just the right dash of humor. As for the special effects – I didn’t really notice it that much because I expected to see space ships and lasers flying through space – but I suppose that means they did an excellent job of it by not allowing the effects to overwhelm the film.
There were only two weaknesses I could point out. The first was probably the antagonist played by Eric Bana (almost unrecognisable in heavy make-up), which I felt wasn’t really terrifying or imposing enough. It wasn’t really his fault though because the focus of the film was firmly on the young Kirk and Spock. The second was some of the action sequences, which still relied too heavily on the rapid cut scenes.
On the whole, however, the new Star Trek was fantastic. I’m sure old Trekkies will enjoy it, as will those who simply like to watch a fun, exciting movie. Despite its significant running length (126 minutes), I was left wanting more by the time the credits began rolling.
I’m not going to rush out to buy the series on DVD any time soon, but I’m glad to hear that this film could be the first of many. Bring on the sequels!
Yesterday I watched the ‘based on the true story’ film The Haunting in Connecticut.
First, a short review
To be honest, despite the poor reviews the film was received, it wasn’t all that bad. It was just average, and for a supernatural horror film, ‘average’ is pretty good these days. In my opinion, it was one of those rare horror films that actually got better as it progressed. In the first half or so, the attempted scares were your stock standard ‘boo’ moments and the bloody, visceral shocks you’d expect to see in any regular PG-13 horror. I don’t know why, but for some reason I found myself actually frightened a few times in the second half, and that’s a rarity for me nowadays. I even forgot how insanely and ridiculously stupid and non-sensical (even within the confines of the film’s own logic) everything was. And for that, 3 out of 5 stars!
Fact or Fiction?
After I got home, I started wondering just how much of the film was really ‘based’ on the true story? Was it even a true story to begin with? Which characters existed and what parts of the film actually happened in real life?
And so I turned to the trusty old Internets for some answers. The results were…interesting.
The film is ‘based’ on supposedly true events that happened to the Snedeker family in 1986 when they moved into a house that turned out to be a former funeral home. Naturally, spooky stuff started happening. Their oldest son, who was 13 at the time and being treated for Hodgkin’s disease (the ‘Matt Campbell’ character from the movie) started behaving strangely and their 17-year old niece said she was fondled by unseen hands. The mother, Carmen Snedeker (the ‘Sarah Campbell’ character from the movie), also claimed to be the victim of demonic sexual assaults. There were many other alleged disturbances (such as water to blood, putrid odours, crucifixes going haywire or disappearing etc) but these were the most serious.
Eventually, Carmen Snedeker brought in Ed and Lorraine Warren, the infamous old ghostbusting couple that covered the ‘Amityville Horror’ haunting. The Warren’s nephew, John Zaffis, also joined in for observations. They became convinced that the house was haunted by demons. A Catholic priest was brought in and the spirits were exorcised, and things went back to normal after that. The Snedekers left two and a half years after they moved in.
With help from the Warrens, the Snedekers’ story was first brought to light by the book In a Dark Place: The Story of a True Haunting by Ray Garton, a horror fiction writer, and was also the subject of an episode of the TV show A Haunting titled A Haunting in Connecticut. From what I’ve read about the book and the TV show, both were incredibly frightening.
I wanted to know how credible the true story behind the movie was, so I dug a little further.
What John Zaffis said
John Zaffis is the nephew of the Warrens that were brought in by the Snedeker’s for help. Here is the full article he wrote about the Snedekers and their funeral home house.
In short, he discusses some of the background and events detailed in In a Dark Place and talks about his own experiences in the house. Here’s an extract:
This is the case where I had my first encounter with a full formed demon and it is something to this day that I will never forget. I was sitting at the dining room table when it started to get ice cold in the room, at this point I knew something was getting ready to happen. I tried to get the other researchers or family members to respond to me by calling out to them but they did not. I knew at this point this was meant for me to experience alone. I had gotten up and walked into the hallway and looked up at the top of the stairs, I began to smell something like rotting meat which was all over this area and it was unbearable. As I continued to look up the grand staircase, I started to see something begin to form, as it slowly descended down the staircase. It was the ugliest thing I had ever seen, it had come to the last step on the staircase and it said to me “do you know what they did to us, do you know”? That was enough for me, I left the home and did not return for three days. I do not think I’ve ever encountered anything that has scared me as bad as that, I would not speak to anyone for days after the encounter, but I did go back to work on the case, the family needed our help.
Sounds pretty scary, right?
What Chip Coffey said
Chip Coffey is a self-proclaimed ‘psychic, medium, spiritual counselor and paranormal investigator’ who became involved with the Snedekers when the TV show was made. Here’s his blogger site.
Coffey also wrote an article about the haunting in Connecticut titled ‘Demons from the dark’ which mirrored a lot of the things said in Zaffis’s article. Here it is anyway.
I must say, had I only seen Zaffis’s and Coffey’s articles, I would have found it all pretty convincing (maybe not convinced, but it would have been convincing). But Carmen’s website smells funny – from the smiling ‘star-shot’ portrait to the shameless promotion of herself, advertising for supernatural investigators (including Zaffis), her touring lectures about the hauntings and (here’s the clincher) the brand new book on the haunting she is working on with Zaffis and Coffey! Now they don’t sound so convincing anymore.
Carmen also mentions the feature film, which she believes “will bring a new understanding of what went on in the house”. Clearly she had no idea of what the Hollywood producers had in mind.
From Carmen’s website, the Snedekers’ story began to completely fall apart.
What Garton said about his own book
From first publication of In a Dark Place, author Ray Garton has been savaging his own ‘non-fiction’ book and the Warrens. I’ve found numerous examples of him condeming what he wrote as, effectively, made up. By him. Fiction.
Probably the most complete account comes from his interview at Horror Bound Magazine (see entire interview here – worth a read because it’s quite funny and interesting – and has some good advice for aspiring writers at the end):
Q: You’ve written both fiction and non-fiction. In one case in particular, a book that was labeled “non-fiction” should have been labeled “fiction” (through no fault of your own). For those Horror Bound readers who have a huge interest in the paranormal and who have followed the careers of Ed and Lorraine, what would you say?
A: Ah, the Warrens. Ed, of course, has gone to that great haunted house in the sky, but Lorraine is still around. Back in the early ‘90s, I was offered a chance to write a book for Ed and Lorraine. As a kid, I used to follow their ghost-hunting exploits in the National Enquirer. I thought it sounded like a fun job, so I took it. I went to Connecticut and spent time with the Snedeker family. They’d moved into a house with their sick son and learned the place used to be a funeral home. They claimed all kinds of spooky things had happened in the house. They’d called in Ed and Lorraine, and after investigating, the Warrens announced that the house was infested with demons. Some of these demons had anally raped members of the family.
A little aside here. Back when I was reading about the Warrens, they were ghost hunters. Every house they investigated had at least one ghost, and there was always a spooky story behind it. But after The Exorcist was so wildly popular, first as a novel and then as a movie, Ed and Lorraine stopped encountering ghosts and began to uncover demon infestations. And it seems that wherever they went, people were being sexually molested by demons. Makes you wonder, doesn’t it?
Carmen Snedeker was an unemployed wife and mother who was running an illegal interstate lottery business, about which she asked me numerous times to tell no one. I never met the son, who was said to be ill, although I was allowed to talk to him on the phone once, supervised by Carmen. When the boy began to talk about drugs and told me that he didn’t hear and see strange things in the house once he began taking medication, Carmen ended the conversation. As I gathered all the necessary information for the book, I found that the accounts of the individual Snedekers didn’t quite mesh. They just couldn’t keep their stories straight. I went to Ed with this problem. “Oh, they’re crazy,” he said. “Everybody who comes to us is crazy. Otherwise why would they come to us? You’ve got some of the story – just use what works and make the rest up. And make it scary. You write scary books, right? That’s why we hired you. So just make it up and make it scary.” I didn’t like that one bit. But by then, I’d signed the contract and there was no going back. I did as Ed instructed – I used what I could, made up the rest, and tried to make it as scary as I could. The book was called In A Dark Place: The Story of a True Haunting.
As soon as it was published, I started telling my story, knowing full well that it would not be too popular with the Snedekers or the Warrens. I was right. Carmen Snedeker, now Carmen Reed, has denounced the book. She claims they had little involvement in it, which is a lie. Since the release of that book, the Discovery Channel has aired a “re-enactment” of the story called A Haunting in Connecticut, which, of course, presents the Snedekers’ story as hard cold fact. Now a feature film based on the story is going to be released soon called The Haunting in Connecticut. I suspect the movie will begin with the words “Based on a true story.” Be warned: Just about anything that begins with any variation of this phrase is trying a little too hard to convince you of something that probably isn’t true. Last I heard, Carmen is working on a new book, to tell the real story – apparently they’ve settled on one. I don’t know if Carmen runs her little interstate lottery operation anymore, but now she’s claiming to be some kind of psychic healer. She says she’s always been a psychic healer, although I didn’t hear anything about it in Connecticut back in the early ‘90s.
These days, John Zaffis is the “investigator” being used to make this cockamamie tale look like something remotely resembling legitimate. Zaffis is the nephew of Ed and Lorraine Warren. He was around back when I was working on the book. He didn’t do much, just stood around. Lorraine told me he was learning the business. He told me a story about something he saw in the former funeral home – some kind of “fully formed demon,” or some such nonsense.
During my stay in Connecticut, Ed, Lorraine, and Zaffis repeatedly told me they had videotape of supernatural activity they’d shot in the demon-infested former funeral home (which I never visited because the current owners claimed the Snedekers were full of it and wanted nothing to do with the Warrens’ little dog and pony show). They assured me I would see that footage. Throughout my visit, they kept telling me the videotape was coming, that they were having trouble finding it, but they’d show it to me. By the end of my visit, there had been no sign of any videotape. After my experience with the Warrens, I talked to a couple of other writers who’d written books for Ed and Lorraine – and their stories were nearly identical to mine.
I found another message board thread on dejanews where Garton posted, and he had the following things to say about the Warrens:
I spent several days with the Warrens during that time. I spent time with them in their home and ate with them and went on long drives with them. Of the two, Lorraine is the sanest. She’s an “enabler”. Years ago, before their career in the “supernatural” began, Ed suffered from mental illness. It was bad enough to keep him from working, and the only way he could make money was to hand paint haunted houses on dinnerplates and sell them door to door. Once Ed decided that Lorraine was “psychic”, selling the haunted house plates eventually led to “investigating” haunted houses. At first, they found “ghosts”. But after the tremendous success of THE EXORCIST — both the novel and the movie — ghosts suddenly became demons. If you go back and trace their career, you can see the sudden change. Almost overnight, all ghosts were really demons trying to possess residents, and sooner or later, the demons anally raped someone. It never fails, every damned time, the Warrens’ demons bend somebody over a bed or a sink and beat down the back door, if you know what I mean. From my time spent with the Warrens, I learned from Ed that their job is not really to “investigate” so much as it is to take the stories told by these families — most of whom are dealing with REAL problems like alcoholism, drug addiction, mental illness, and/or domestic abuse, problems that are buried by their supernatural fantasies, which are supported and made tangible by the very eager Warrens — and arrange them into a saleable package that will make a good book, and hopefully a movie.
Not only are the Warrens frauds, not only do they give a bad name to people who are SERIOUSLY investigating paranormal phenomena, I think they’re EVIL because of the way they exploit families already deep in despair and ready to shatter. I can ignore a simple con job … but the Warrens are actually damaging people who are already damaged, who are desperate and vulnerable, using them for the sake of a book, maybe a lucrative movie sale, or another story to add to their traveling dog and pony show. Before I worked on that book, I’d followed the adventures of Ed and Lorraine Warren faithfully since I was a little boy. I was excited to work with them. Boy, was that a big disappointment. It’s nice to believe there’s a smiling, grandparently couple out there chasing demons … but not when you know they’re hurting people for the sake of publicity and the almighty dollar.
In it, Nickell discusses the background of the Snedeker family and why he thinks it was all made up for media exploitation. It’s particularly interesting because Nickell was actively involved in trying to debunk the story when it first came to light and was being discussed on talk shows. There are plenty of quotes from people who lived around the Snedekers who claim it’s all fake, and suggestions of how some of the paranormal activities could be rationally explained.
Concluding thoughts – so what actually happened?
After reading Garton and Nickell, I was ready to write the whole Snedeker haunting off as shameless attention-seeking and media exploitation. But then I came across this message board, where two posters (brothers) claimed to have lived in the house after the Snedekers. Well, the problem is that their identities can’t be verified, but what they’ve written seems genuine enough. And according to them, the house wasdefinitely haunted, just not to the extent grossly exaggerated by the Snedekers. There were voices, loud footsteps, swinging doors – but that was about it.
As someone who believes in ghosts, a former funeral home would be a prime candidate for a haunting. And as someone who has done a fair bit of reading on ghosts, I understand that different people have different sensitivities to these types of things. Further, people who are fit and healthy are less likely to experience things than people who are ill. So it is possible that the house was haunted, and perhaps the Snedekers, with their sick son and multitude of problems, experienced more of it than other people. But just about everything else points to shameless exploitation for a bit of money.
My guess is that there were probably a few spooky things that happened at the house (paranormal or not), but nothing as dramatic as they claim (and certainly none of the crap in the movie). But when the Warrens got involved, things just spiralled out of control and it became nothing more than a money-making venture. Assume you believe in ghosts for a minute – okay, it’s a funeral home, lots of dead bodies, so maybe a lost soul here or there – but why all these raging demons who like to molest people? In real life (unlike in the film) there were no explanations offered, no dark history of torture or mutilation uncovered, no ancient burial ground or corpses in the cellar.
And come on, if you had something as terrifying as demons trying to anally rape you, would you stay in the house for another second? I don’t care if you don’t have another dime in the bank – you wouldn’t just keep the lights on and go back to bed!
(SPOILERS!) FACT VS FILM (SPOILERS!)
Read on if you have seen the film or don’t plan on seeing it.
After looking into the facts behind the story, it seems there were only a few similarities between the film and the true story on which it was based. We know that a family did move into a house that was formerly a funeral home, and they did it to be closer to the treatment facility for their son, who was suffering from cancer (Hodgkin’s disease). We also know that the son did undergo some drastic changes in personality, and he would eventually recover, but he was probably nowhere near death as suggested in the film. There were probably some alcohol and financial problems too.
Apart from that, just about everything else was different. The Snedekers had 3 sons (aged 13, 11 and 3) and a 6-year old daughter. 2 nieces would move in with them later. There was another tenant living upstairs. Most significantly, there was no elaborate back story about a young medium boy who conducted seances, no stolen graves, no dead bodies stashed away in the basement, no dying reverend who happens to know everything, no carvings on the body, no box of human eyelids hidden under the floorboards, and certainly no burning down of the house.
As for the ghosts and paranormal events that happened in the house, only a few people know the truth, but the one thing we know for sure is that they were nothing like what was depicted in the movie. ‘Based on the true story’? Hardly. Maybe more appropriate would be: ‘Inspired by events that may or may not have happened’ – but I guess that doesn’t have quite the same ring to it.
I had been importing my short Flixter entries for all my movie reviews up to now, but I thought if any movie deserved a full review, it would be Watchmen, possibly the most anticipated movie of the year for many (unless Harry Potter 6 or Transformers 2 is more your thing).
Disclaimer: I will preface this review with two comments: (1) I am going to stick to my convention of not revealing much about the plot or what happens in the movie; (2) I have not read the Watchmen graphic novel yet (thought it might ruin the movie experience if I read it beforehand).
Director: Zack Snyder
Main cast: Malin Ackerman (Silk Spectre II), Billy Crudup (Dr Manhattan), Matthew Goode (Ozymandias), Jackie Earle Haley (Rorschach), Jeffrey Dean Morgan (The Comedian), Patrick Wilson (Nite Owl II), Carla Gugino (Silk Spectre I)
Rating: USA: R, UK: 18, Australia: MA
Running time: 163 minutes
4 out of 5 stars
Watchmen is likely to be one of the most unusual films you will ever see. It’s about superheroes, but it’s not your typical superhero movie. Most of the superheroes don’t display any obvious supernatural abilities (which really just makes them people who like to fight crime and have costume fetishes). It’s often difficult to discern who is good or evil, right or wrong. Probably all of the main characters exhibit some form of mental disorder at varying levels of seriousness. In a sense, they are the anti-superheroes.
As I said, I don’t like to reveal the plot for those that don’t want to know about it (but I assume most people who go to see it have a rough idea). All I will say is that the story takes place in an alternate historical version of 1985, during the peak of the US/USSR Cold War. This becomes clear in the opening sequences.
However, to some extent, it doesn’t really matter what the plot is about, because at its heart, Watchmen is a character movie. The story is told in non-linear form, jumping from character to character and revealing their back stories through flashbacks. There is a central line in the plot, a mystery waiting to be solved, but the focus is firmly on the characters – who they are, how they became the way they are, their personal struggles, their fears, desires, motivations and ambitions. At the same time, there is this constant undercurrent about the nature of human beings, and in particular, their capacity (or lack thereof) for understanding and compassion.
The Watchmen graphic novel (by Alan Moore, Dave Gibbons and John Higgins) first came out between 1986 and 1987, which explains the setting. For many years, it was regarded as unadaptable, and after seeing this film, I got a sense of why that may have been the popular opinion. It’s a shame that the movie was not made closer in time to the graphic novel, because the story reflects many of the contemporary anxieties of the American public of that period. Many of those anxieties are still relevant today, but they have evolved (in the wake of 9/11) and the impact is not quite the same as it would have been.
Directing and Screenplay
Director Zack Snyder and writers David Hayter (who wrote the original script) and Alex Tse (who kept the best elements but amended much of it) should be commended on bringing Watchmen to life at last. As I haven’t read the graphic novel, I cannot comment on how good the adaptation was, but as a standalone film, it was very good, though not great. The difficulty may lie with the running length – at 163 minutes, it is very long for a superhero movie (though not as extraordinary as it would have been a few years ago) – but at the same time, you get a strange feeling that there was much more of this bizarre world yet to be explored. Perhaps the director’s cut, which is supposedly 191 minutes (and coming out with the DVD), will be a more complete picture for those that want to see more of it. For some, I imagine 163 minutes is already too much.
The importance of the acting in a film like this cannot be understated. For the most part, the actors in the lead roles delivered believable performances that traversed a plethora of emotions. The clear standout would undoubtedly be Jackie Earle Haley as the freakish yet intriguing Rorschach, the best character by far. You’re already impressed with him when he wears a mask that obscures his entire face. You then become even more amazed when he takes off the mask. Truly brilliant.
Not far behind is Patrick Wilson (Haley’s co-star in the magnificent Little Children), an extremely underrated and underappreciated actor who plays Nite Owl II, a slightly overweight and awkward social misfit.
If there is a weak link, it would have to be Matthew Goode’s Ozymandias. While he may fit the bill physically (tall, lean and traditionally handsome), he doesn’t quite exude the charm and presence needed from the character. Not to take anything away from Goode’s performance because it was adequate, but if you have to pick on someone it’s him.
Violence, Sex and Special Effects
Given the classification ratings for Watchmen, it’s not surprising that there is an abundance of incredibly bloody and gruesome violence (as well as ‘normal’ violence), a bit of sex and nudity (both real and assisted by special effects) and some coarse language (though not as much as I expected). I’m glad they made this film for adults rather than worry about the classification and go for a toned down version that simply wouldn’t have worked.
The fight scenes were superbly choreographed – smooth, crisp and whole, thankfully avoiding the rapid cut scenes that have plagued action films of late. And from the guy who directed 300, I would have expected nothing less. On the other hand, Snyder didn’t shy away from some of the more frightening scenes either, displaying the pain, gore and blood in all its glory.
As for the special effects – they were good, but certainly not groundbreaking. They did a fairly decent job with Billy Crudup’s Doctor Manhattan, but there were times when you could easily spot things that were completely computer generated (not that you would expect them to build the real thing).
On the whole, Watchmen was very very good – but it fell considerably short of the masterpiece some it expected to be. It may seem unfair, but you cannot NOT compare the film to its source material (or at least its reputation if you haven’t read it), which is considered by many to be the greatest graphic novel of all time.
There were some absolutely brilliant sequences littered throughout this movie, but it was more scattered than consistent. Those expecting an all-out action flick might be disappointed because there are quite a few ‘dull’ character development moments in between. I assume there will probably be 4 broad classes of reactions to Watchmen: (1) loved the graphic novel and therefore loved the movie; (2) loved the graphic novel but felt the film did not do it justice; (3) haven’t read the graphic novel and now want to after seeing the film; (4) thought it was weird and stupid and didn’t get it.