Clint Eastwood. Tom Hanks. Nothing could possibly go wrong.
And seriously, nothing did in Sully, the true story of the US Airways Flight 1549 “crash” in 2009. I’m assuming there are people out there who might not know what happened (you never know), so I’ll just leave it at that.
As the title suggests, the film revolves around the flight’s captain, Chesley “Sully” Sullenberger, played by reliable Tom Hanks. The film is not just a CGI-filled re-enactment of a famous event, but also looks into who Sully is as a person, how he became that person, and the fall out from the incident that changed his life and that of 154 others on board the fateful plane.
Other notable members of the cast include Aaron Eckhart as Jeff Skiles, Sully’s co-pilot, Laura Linney as Sully’s wife, and Anna Gunn (from Breaking Bad) as a member of the crash investigation team. Special mention also goes to Holt McCallany as Mike Cleary, a particularly antagonistic member of the crash investigators who stands out, not as a “bad guy” but as someone who adds a lot of the tension to the drama.
I knew, in the safe hands of Eastwood and Hanks, that Sully was likely going to be a very good movie. Not surprisingly, it absolutely is, with fantastic performances, visually thrilling sequences, and heartfelt drama, but without going overboard in terms of painting Sully as some kind of saintly hero. I was surprised, however, by the structure, progression, and focus of the film—in a good way.
While the incident indeed lies at its heart, the film does not simply set it up chronologically as you would expect, filling up time and dragging it out before a climatic finish. Instead, it cleverly utilises a series of flashbacks and other cinematic devices to gradually build things up a very gratifying conclusion. It was a little slower than I would have liked at the beginning, but Eastwood’s steady-paced storytelling soon began to take effect, and by about the midway mark I was fully engrossed in the story.
The crash itself was portrayed splendidly. I’ll admit that the CGI was not perfect, but even though everyone knew what would happen, Eastwood still managed to create a gripping sequence that had me at the edge of my seat. That’s masterful filmmaking.
The emotional impact of Sully might not be as intense as some of my favourite Eastwood films such as Million Dollar Baby, Mystic River, Hereafter, and Letters from Iwo Jima, but keep in mind this is also not the same kind of movie. Sully is about a great man and the hope and inspiration he represents, and in my view it’s better and more effective in generating these feelings than Invictus. Not sure if the movie is going to get much love from Oscar voters this year, but I think it could very well be Eastwood’s best film since 2008’s Gran Torino.
4 stars out of 5