Bus 657 might not be a great name for a heist film, but it’s at least less generic than Heist, the name they later changed it to. And that’s ultimately the problem with this star-studded movie — everything about it feels awfully generic. It’s might be better than your average straight-to-DVD action flick, but you’ll just as likely forget about it next week.
Take the first three sequences of the film, for instance (too early spoilers, no?). It starts off with a bunch of masked robbers hijacking a bus full of people. In the next scene, a couple of people are being threatened and tortured by someone working under Robert De Niro, whose character is the ruthless boss of a casino. The third scene shows Jeffrey Dean Morgan’s character working at that casino and desperate for money due to a sick daughter. Now, I bet you have basically figured out what this movie is all about.
You’re right, Heist is essentially a casino robbery meets Speed. You’ve got the robber with a heart of gold who is doing naughty things because he has no choice. You have the bad guy accomplice who deserves all the blame (Dave Bautista) because he’s doing it for selfish reasons. You have the scary casino boss who wants his money back. You’ve got the young police officer (MMA star Gina Carano) who develops a connection with the robber and the chief who will do whatever it takes to rescue to hostages (Mark-Paul Gosselaar).
It is absolutely by-the-numbers, even with the obligatory little twists thrown in along the way. Soon I started guessing how the plot would develop with high accuracy, and even when I missed I wasn’t impressed by what they did instead because it was even more cliched than I anticipated. While I would not call the film dull, the strong generic feel and predictability never got my heart pumping either.
The biggest problem I had with the movie was all the plot contrivances that stretched the limits of credulity. The characters did a lot of things that made little sense, but the film asks you to take them at face value instead of setting them up to be believable. I just didn’t buy their motivations and reactions.
It begs the question why so many name stars or at least former stars would latch onto this project, a film with a reported US$2 million production budget, no less. Usually you’d get maybe one star looking for a quick paycheck (think any Nicholas Cage film made in the last five years), but certainly not this many. I doubt they’re all starving, anyway. I haven’t even mentioned the highly-billed Kate Bosworth cameo and DB Sweeney’s role as the bus driver (hey, don’t knock DB Sweeney — he was pretty big back in the Fire in the Sky era). I’m sure there was something about Heist that made them think it could be a hit, but for whatever reason the potential did not translate to the finished product.
I’m probably harsher on this film than I would have been had it just featured a bunch of no-name actors. If you strip the expectations away, Heist is probably an above average rental or VOD given that it is generally adequate in most areas, from the production value to the direction of Scott Man (The Tournament), the execution of the action and even the dialogue. I guess it’s one of those unusual films where the great cast is a detriment because it develops unrealistic expectations. It’s always better to be pleasantly surprised than disappointed, no?
2.75 stars out of 5