I had heard lots of amazing things about Danny Boyle’s latest film, Trance, months before it hit my local cinema. Judging from the title, I suspected it was about hypnotism, a subject that feels strangely under-targeted by Hollywood, though I wasn’t sure that’s what it was about because I avoided the trailers religiously.
Well, I was right about the hypnotism slant, though I must admit I was a little disappointed in the end despite everything Trance had to offer, most probably because I had been expecting too much after just everyone called the film “amazing.”
James McAvoy plays a guy called Simon, who works as security at auctions for high-priced artworks. A robbery, naturally, takes place, and Simon is forced by the robbers (headed by Mr Monica Bellucci, Vincent Cassel) to work with a hypnotist played by Rosario Dawson to retrieve his memory. It sounds simple enough, but as you would expect, Trance is full of twists and turns that will keep the audience guessing. What is real? Who is manipulating? Who is being manipulated? Just what the heck is really going on?
The mystery is the driving force of the film and kept me fascinated for the perfect 101-minute running time, but the revelations that are slowly delivered to the viewer, piece by piece, didn’t “wow” me as much as I thought they would. It was clever but not that clever — at least not clever enough to the point that it would astonish most viewers (or at least I think). There was ambiguity to allow interpretation but the room for the imagination to roam was more limited than films like say Inception or Shutter Island.
That said, the film was still exciting (especially the first half — it began to sag in the second act), intriguing because of its subject matter, and powered by excellent performances from a strong cast. I wouldn’t have paired McAvoy with Dawson myself, but the casting somehow worked. And Cassell is of course excellent as a sleazy criminal, the kind of role he could play with minimal effort. I would have liked to have cared more for the characters, especially McAvoy’s and Dawson’s, but I suppose that is more the fault of the script than the actors.
Danny Boyle’s stylish direction and a ripping soundtrack also elevate Trance above your average psychological (not to mention sexually charged) thriller, but it falls short of becoming a classic or even one of the more memorable films of the genre in recent years.
3.5 stars out of 5