Animal Kingdom opens around Australia on 3 June 2010
People like me are what’s wrong with the Australian film industry. My initial reaction to Aussie films is always one of scepticism and prejudice. If it’s Australian, then chances are, it’s crap. I’m sure I am not alone in holding this kind of biased sentiment against locally produced films. Is it because of the poor track record? Is it because they try too hard to make something edgy? Or is it because we’re so used to the big bucks spent on Hollywood movies that we look down upon the locals who make their films on, relatively speaking, shoestring budgets?
I don’t know what it is, but what I do know is that Animal Kingdom, the Australian film written and directed by David Michod, is the real deal. The film may have won the World Cinema dramatic Grand Jury Prize at the 2010 Sundance Film Festival, but it wasn’t until I watched it at a screening last week that it stripped away my prejudice against it and most Australian films in general.
Animal Kingdom is an explosive crime drama set in Melbourne suburbia. The story is told through the eyes of 17-year-old Josh ‘J’ Cody (James Frecheville), who is thrust into the world of crime when he is forced to go live with his grandmother ‘Smurf’ (Jacki Weaver) and his three uncles — Pope (Ben Mendelsohn), Craig (Sullivan Stapleton) and Darren (Luke Ford). They are a family of relatively small-time armed robbers and drug-traffickers, but their time is coming to an end thanks to a gang of renegade detectives who are taking the law into their own hands. As J finds himself sinking deeper and deeper into their world, Animal Kingdom becomes a frightening tale of survival, as J is torn between his girlfriend Nicky (Laura Wheelwright), self-preservation and loyalties to his family.
If there is one word I could use to describe Animal Kingdom, it would be “riveting”. Even though it is classified as a “crime drama”, the majority of the tension (and man, there is edge-of-your-seat tension throughout the entire film) stems from the relationships and power struggles between members of the Cody family.
Debut director Michod has created an incredibly intense world that is terrifying, claustrophobic and deeply personal. When you are a 17-year-old and this is the only life you’ve ever known, where do you go? Who do you turn to for help?
Animal Kingdom is a film that twists and turns, and although there is a certain feeling of inevitability, you never quite know exactly what is going to happen next. What struck me as particularly brilliant was how well each of the characters were drawn out. With the exception of perhaps Pope’s best friend Barry Brown (Joel Edgerton) and senior cop Nathan Leckie (Guy Pearce), every key character in this film is multi-dimensional and never turn out to be as they first appear. They each have such strong personalities and traits that their interactions are always bound to produce fireworks and/or make you feel unsettled.
I used to have this idea that all the ‘good’ Australian actors end up overseas, but the performances in Animal Kingdom blew me away. First-timer James Frecheville gives a wonderfully controlled performance as the protagonist J — a subdued man-child who prefers to be unseen but is forced to come out of his shell as matters spiral out of control. While Stapleton and Ford both give solid performances, the standouts have to be Ben Mendelsohn’s Pope and Jacki Weaver’s Smurf, the two menacing and psychotic heads of the family.
Animal Kingdom should not be mistaken for an action-thriller. I wouldn’t describe the pace as slow, but at 112 minutes it does feel like a long movie, especially towards the end when it took a while to come to the final resolution.
All I can say is go see it, not because we should support the Australian film industry but because it is genuinely a terrific film. I do hope it does well at the box office, especially amongst locals. It is by far the best Australian film I’ve seen since the 2001 Lantana.
4.5 stars out of 5!